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Jazz Appreciation
Overview Procedures for Teachers Oranizers for Students

Activity One

1. Ella Fitzgerald

In this lesson plan, we'll start from the particular and move outward to the larger subject. First, familiarize students with the music of Ella Fitzgerald by watching the American Masters film about her life and music. The film contains several extended performance clips as well as good information on the history of jazz vocals. If time is an issue, you could select a few of the performances to show, but it would be better to see the whole thing to gain the context of jazz history.

After watching the film, discuss the roots of jazz. How and when do the students think jazz got started?

  • Jazz means many things to many people, but here is one basic definition: "A musical style created mainly by African-Americans in the early twentieth century that blended elements drawn from African musics with the popular and art traditions of the West." (http://www.essentialsofmusic.com/)
  • The term jazz came into popular use around 1914. Some called it "jass," but it finally caught on as jazz. The word was first included in print on a record label in 1917. The music itself was heard as early as 1900 -- no one knows exactly when because it wasn't recorded until later.
  • Jazz was created from a variety of influences: songs and dances of slaves, minstrel show music, American folk music, religious music, ragtime piano, the blues and marching brass bands.
  • Improvisation is important to many forms of jazz. Improvisation means to compose and play at the same time.

Ella Fitzgerald started as a swing singer and later moved on to bebop, perfecting the "voice-as-instrument" style known as scat. She had a diverse range, so she also sang other types of American music. In the next part of the lesson, students will study different sources and types of jazz, including swing and bebop, in order to get a sense of the many styles encompassed by the term jazz.

2. Jazz Research

Next, students will break up into groups and do some research touching on both jazz styles and African-American history. Each group will take one (or more, depending on class size) of the following types of music to research. Each group will need a unique topic, so there is no overlap.

  • Ragtime (roots of jazz)
  • Blues (roots of jazz)
  • New Orleans Jazz
  • Swing
  • Bebop
  • Cool Jazz
  • Free Jazz
  • Jazz Rock

Each group will use the library and/or the Internet to find three things:

  1. A short description of the characteristics of that musical style, along with the years it was popular.
  2. A song or piece of music on CD that exemplifies that style. They should know the year of the recording.
  3. An major event in African-American history that happened within 5 years of the recording date of that song.

See Student Organizers for an assignment sheet.

3. Music Appreciation Day

In 1-2 class periods, each group will make a presentation including items 1 and 2 above. After describing the type of music, they will play their chosen piece of music for the class. The class can then have a brief discussion of that type of music. How does that piece show typical characteristics of the style? How might it differ? Do they like it or not? Allow for free-form discussion and enjoyment of the music.

Sum it all up with a brief discussion on what they have heard. Did they realize that jazz included so many different types of sounds? Which of the styles were best for dancing and which were meant more for listening? Do they see any influences of jazz in the music they listen to today?

4. Jazz History Day

To get some overall context for the development of jazz as part of African-American culture, the final class period will be devoted to creating a timeline from the recordings and events.

You can use a set of taped-together posterboards that make a long panorama or a roll of paper taped to the wall. On it, draw a long straight line and add a mark for every ten years from 1900 to the present. (Or you can let the students add the years as part of the activity.)

Each group will add their piece of music (title and artist) and their historical event to the timeline using colored markers. You may also want to come up with some key milestones in African-American history to add to the timeline to flesh it out a bit more. Ask students to help you add these. Let the activity include some brainstorming. You might even want to have some reference books handy so students can look up events and dates on the spot.

When the timeline is done, have everyone sit back and look at the timeline. Let the students discuss and draw conclusions about how African-American history has been related to the flourishing of jazz. If desired, you can also assign a homework essay on this topic.

Assessment

Students will be assessed on the quality of their participation in class discussions and the timeline activity, and on the output of the group research activity. Students can also assess one another. If an essay is assigned at the end, students can be assessed on their writing as well as understanding of the material.

Extension Activities

  1. Connect this lesson plan to other American Masters lessons to develop the theme of "what makes an American Master."
  2. Invite a local jazz musician or the host of a jazz radio show to come to the class. They could talk about jazz and play some of their favorite jazz music for the students.
  3. Connect this to a unit on African-American history in the 20th century.
  4. For music students, expand the lesson to include more detailed information on tone color, syncopation, melody, etc. Have them evaluate and comment upon techniques used, based on listening to performances and reading sheet music.


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