Mel Brooks: Make A Noise

About the Film

After 60 years in show business, Mel Brooks has earned more major awards than any other living entertainer; he is one of 14 EGOT (Emmy, Grammy, Oscar and Tony) winners. Yet, the comedy giant has energetically avoided a documentary profile being made, even issuing an informal gag order on his friends … until now. Brooks agreed to throw himself into a new documentary about his storied career, giving American Masters exclusive interviews and complete access to his film and photo archives.

Mel Brooks: Make a Noise features new interviews with Brooks, his friends and colleagues, including Matthew Broderick, Nathan Lane, Cloris Leachman, Joan Rivers, Tracey Ullman, and his close friend, with whom he created The 2000 Year Old Man more than 50 years ago, Carl Reiner.

Showcasing the Brooklyn native’s brilliant, skewed originality, Mel Brooks: Make a Noise journeys through Brooks’ early years in the creative beginnings of live television — with Sid Caesar on Your Show of Shows — to the film genres he so successfully satirized in Young Frankenstein, Blazing Saddles, High Anxiety, and Spaceballs — to the groundbreaking Broadway musical version of his first film, The Producers. The documentary also delves into his professional and personal ups and downs — his childhood, his first wife and subsequent 41-year marriage to Anne Bancroft — capturing a never-before-heard sense of reflection and confession.

Mel Brooks: Make a Noise is a production of American Masters for THIRTEEN. Robert Trachtenberg is writer, director, producer, and editor. Susan Lacy is American Masters series creator and executive producer.

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American Masters is made possible by the support of the National Endowment for the Arts and by the Corporation for Public Broadcasting. Additional funding is provided by Rosalind P. Walter, Cheryl and Philip Milstein Family, The Blanche & Irving Laurie Foundation, Rolf and Elizabeth Rosenthal, Jack Rudin, The André and Elizabeth Kertész Foundation, Michael & Helen Schaffer Foundation, and public television viewers. Additional support for this program is provided by Vital Projects Fund.