Narrated by two-time Oscar®-winner Kevin Spacey, the film features 45 original interviews with Carson’s friends, family and colleagues, including his second wife, Joanne, Dick Cavett, Doc Severinsen, and other The Tonight Show staff. Performers who appeared, or began their careers, on The Tonight Show Starring Johnny Carson are also interviewed, including David Letterman, Jay Leno, Mel Brooks, Jerry Seinfeld, Ray Romano, Drew Carey, Garry Shandling, Steve Martin, Angie Dickinson, Ellen DeGeneres, Carl Reiner, Don Rickles, Bob Newhart,Joan Rivers, and David Steinberg. Late night TV hosts Jimmy Fallon and Conan O’Brien also discuss Carson’s influence on their careers.

For 15 years Jones wrote an annual letter to Carson requesting his cooperation in the production of a documentary. His appeals went unanswered until 2003, when he received a telephone call from Carson himself: “You write a damn fine letter, Peter, but I don’t have anything more to say.” Following Carson’s death in 2005, Jones directed his letters to Johnny’s nephew, Jeff Sotzing, who controls his uncle’s archives. Finally, in 2010, Sotzing agreed to cooperate and the Carson Entertainment Group granted unprecedented access to Johnny’s personal and professional archives, including family photo albums, home movies, memorabilia, and all existing episodes of The Tonight Show from 1962 until his retirement in 1992. His simple reason: “I didn’t want people to forget Johnny Carson.”

Quite possibly the biggest star that television has ever produced, Carson commanded, at his peak, a nightly audience of 15 million viewers – double the current audience of Leno and Letterman – combined. Rarely giving interviews, Carson chose to remain a very private man whose public persona made him an American superstar. He once revealed, “I can get in front of an audience and be in control. I suppose it’s manipulation. Offstage, I’m aloof because I’m not very comfortable.” American Masters Johnny Carson: King of Late Night explores this dichotomy and enigma, unearthing clues about Carson’s childhood, early days in the business, and personal and professional life.

“Carson has been one of the holy grails for documentary filmmakers, but there’s such a protective veil surrounding Johnny that I was beginning to wonder if this would ever happen,” says Jones, whose films for PBS include the Peabody Award-winning Inventing LA: The Chandlers and Their Times (2009) and American Masters: Goldwyn (2001).

“I am thrilled that the 20-year process of Johnny Carson taking his rightful place in American Masters has come to fruition at last!” remarks Susan Lacy, series creator and executive producer. “There is no one who touched more entertainment careers than Johnny. All of us are actually in his debt to some degree.”

In 2011, American Masters earned its eighth Emmy® Award for Outstanding Primetime Nonfiction Series in 11 years. Now in its 26th season, the series is a production of THIRTEEN for WNET, the parent company of THIRTEEN and WLIW21, New York’s public television stations, and operator of NJTV. For nearly 50 years, WNET has been producing and broadcasting national and local documentaries and other programs to the New York community.

Johnny Carson: King of Late Night is a co-production of Peter Jones Productions, Inc. and THIRTEEN’s American Masters for WNET.Writer/Director/Producer: Peter Jones. Director/Editor/Producer: Mark Catalena. Producer: Brian Tessier. Narrator: Kevin Spacey. Music: Earl Rose. American Masters Series Creator and Executive Producer: Susan Lacy.

American Masters is made possible by the support of the National Endowment for the Arts and by the Corporation for Public Broadcasting. Additional funding for American Masters is provided by Rosalind P. Walter, The Blanche & Irving Laurie Foundation, Rolf and Elizabeth Rosenthal, Cheryl and Philip Milstein Family, Jack Rudin, Vital Projects Fund, The André and Elizabeth Kertész Foundation, Michael & Helen Schaffer Foundation, and public television viewers.

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“This is the Woody doc everybody has been waiting for, and I am delighted that this creative giant is finally assuming his rightful place in the American Masters library,” says Susan Lacy, series creator and executive producer of American Masters, an eight-time winner of the Emmy^® Award for Outstanding Primetime Non-Fiction Series. The series is a production of THIRTEEN for WNET, the parent company of THIRTEEN and WLIW21, New York’s public television stations, and operator of NJTV. For nearly 50 years, WNET has been producing and broadcasting national and local documentaries and other programs to the New York community.

“Woody Allen was always the big ‘get’ for me,” says Robert Weide, best known for his long-term directing/producing stint on Curb Your Enthusiasm, which earned him Emmy^® and Golden Globe^® Awards. “The prolific nature of Woody’s output has provided me with an embarrassment of riches. In fact, Woody will have made three features just in the time it’s taken me to make this one documentary.”

Beginning with Allen’s childhood and his first professional gigs as a teen — furnishing jokes for comics and publicists — American Masters – Woody Allen: A Documentary chronicles the trajectory and longevity of Allen’s career: from his work in the 1950s-60s as a TV scribe for Sid Caesar, standup comedian and frequent TV talk show guest, to a writer-director averaging one film-per-year for more than 40 years. Weide covers Allen’s earliest film work in Take the Money and Run, Bananas, Sleeper, and Love and Death; frequent Oscar^® favorites such as Annie Hall, Manhattan, Zelig, Broadway Danny Rose, Purple Rose of Cairo, Crimes and Misdemeanors, Husbands & Wives, Bullets Over Broadway, and Mighty Aphrodite; and his recent globetrotting phase with Match Point, Vicky Christina Barcelona, and this year’s commercial success Midnight in Paris.

Exploring the ultimate “independent filmmaker’s” writing habits, casting, directing, and relationship with his actors, Weide traveled with Allen from the London set of You Will Meet a Tall Dark Stranger — a major coup “considering Woody has never allowed so much as an EPK [Electronic Press Kit] crew on his sets,” claims Weide — to the Cannes premiere of Midnight in Paris this May. He also filmed Allen at home, in the editing room and touring his childhood haunts in the Midwood section of Brooklyn. New interviews provide insight and backstory: actors Antonio Banderas, Josh Brolin, Penelope Cruz, John Cusack, Larry David, Seth Green, Mariel Hemingway, Scarlett Johansson, Julie Kavner, Diane Keaton, Martin Landau, Louise Lasser, Sean Penn, Tony Roberts, Chris Rock, Mira Sorvino, Naomi Watts, Dianne Wiest, and Owen Wilson; writing collaborators Marshall Brickman, Mickey Rose and Doug McGrath; cinematographers Gordon Willis and Vilmos Zsigmond; Allen’s sister and producing partner Letty Aronson; producers Robert Greenhut and Stephen Tenenbaum; longtime managers Jack Rollins and Charles H. Joffe; casting director Juliet Taylor; pal Dick Cavett; and Martin Scorsese; among many others.

American Masters – Woody Allen: A Documentary also touches on Allen’s contributions as a writer for the theater and his casual pieces for The New Yorker, as well as his frequent moonlighting gig as a clarinet player with a New Orleans-style jazz band. “He never refused a request and he never declined to answer a question,” says Weide.

Woody Allen: A Documentary is a Whyaduck Productions, Rat Entertainment, Mike’s Movies, and Insurgent Media production in association with THIRTEEN’s American Masters for WNET. Robert Weide is director, writer, producer, and co-editor. Michael Peyser, Brett Ratner, Erik Gordon, Fisher Stevens, and Andrew Karsch are executive producers. Susan Lacy is the series creator and executive producer of American Masters.

American Masters is made possible by the support of the National Endowment for the Arts and by the Corporation for Public Broadcasting. Additional funding for American Masters is provided by Rosalind P. Walter, The Blanche & Irving Laurie Foundation, Rolf and Elizabeth Rosenthal, Cheryl and Philip Milstein Family, Jack Rudin, Jody and John Arnhold, Vital Projects Fund, The André and Elizabeth Kertész Foundation, Michael & Helen Schaffer Foundation, and public television viewers. Funding for this program is provided by Miriam and Sam Blatt.