|
CINEMA’S EXILES: FROM HITLER TO HOLLYWOOD traces the experiences of the Jews who fled Nazi Germany and took refuge in Hollywood, and examines their impact on both the German and the American cinemas.
(34 votes)
Loading ...
Trained as both a violinist and a lawyer, Zinnemann moved to America in 1937 after working on Menschen am Sonntag (1929), in Germany and The Wave (1934) in Mexico.
(2 votes) Loading ...
©2009 Educational Broadcasting Corporation. All rights reserved.
Produced by THIRTEEN WNET New York
©2009 Educational Broadcasting Corporation. All rights reserved.
Major support for this program provided by the National Endowment for the Humanities, The Skirball Foundation, Public Broadcasting Service, The Winston Foundation, Dorothy and Lewis B. Cullman, The Lemberg Foundation and the National Endowment for the Arts. Additional support for this program provided by Agnes Gund and Daniel Shapiro, The Vital Projects Fund, New Line Cinema, Elaine and Alan G. Weiler, The Karma Foundation, Rosalind P. Walter, S. E. Canning, The Max and Victoria Dreyfus Foundation, Alan Harper, Mr. and Mrs. Henry H. Arnhold, Leila and Melville Straus, the Feuchtwanger Institute and public television viewers.
