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	<title>Cinema&#039;s Exiles &#187; From Here to Eternity</title>
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	<description>Traces the experiences of the exiles who took refuge in Hollywood.</description>
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		<title>Biography: Fred Zinnemann</title>
		<link>http://www.pbs.org/wnet/cinemasexiles/biographies/the-directors/biography-fred-zinnemann/109/</link>
		<comments>http://www.pbs.org/wnet/cinemasexiles/biographies/the-directors/biography-fred-zinnemann/109/#comments</comments>
		<pubDate>Tue, 02 Dec 2008 15:47:19 +0000</pubDate>
		<dc:creator>Christiane Wartell</dc:creator>
				<category><![CDATA[The Directors]]></category>
		<category><![CDATA[biography]]></category>
		<category><![CDATA[Fred Zinnemann]]></category>
		<category><![CDATA[From Here to Eternity]]></category>
		<category><![CDATA[High Noon]]></category>

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		<description><![CDATA[Biography by Gerd Gemünden
Professor of German Studies, Film and Media Studies, and Comparative Literature
Dartmouth College

(b. Vienna 1907 – d. Los Angeles 1997)






Photo from Zinnemann’s application for U.S. citizenship.
Click to see the application.



Born as Alfred Zinnemann. Cameramen and director. Trained as both a violinist and a lawyer, Zinnemann moved to America in 1937 after working on [...]]]></description>
			<content:encoded><![CDATA[<p><strong><a href="http://www.dartmouth.edu/~germ43/resources/biographies/index.html" target="_blank">Biography by Gerd Gemünden</a></strong><br />
Professor of German Studies, Film and Media Studies, and Comparative Literature<br />
Dartmouth College</p>
<p>(b. Vienna 1907 – d. Los Angeles 1997)</p>
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<td><img class="alignnone size-full wp-image-110" src="http://www-tc.pbs.org/wnet/cinemasexiles/files/2008/12/zinnemann_app.jpg" alt="Fred Zinnemann" width="191" height="188" /></p>
<p><strong>Photo from Zinnemann’s application for U.S. citizenship.<br />
<a href="http://www-tc.pbs.org/wnet/cinemasexiles/files/2008/12/zinnemann_app_lg.jpg">Click to see the application.</a></strong></td>
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<p>Born as Alfred Zinnemann. Cameramen and director. Trained as both a violinist and a lawyer, Zinnemann moved to America in 1937 after working on <em>Menschen am Sonntag</em> (1929), in Germany and <em>The Wave</em> (1934) in Mexico. At MGM the young Austrian directed short subjects  for several years, winning his first Academy Award for <em>That Mothers Might Live</em> (1938), as well as directing a series of b-features (<em>Little Mr. Jim</em> and <em>My Brother Talks to Horses,</em> both 1946). His 1944 anti-Nazi film <em>The Seventh Cross,</em> after Anna Seghers&#8217; novel, stands out as one of the better films in that popular wartime gene. After his contract expired in 1948, he became a free director, working with producers such as Stanley Kramer, Buddy Adler, and Henry Blanke. With <em>The Search</em> (1948), largely shot on location in Germany, Zinnemann used a neo-realist style to probe the aftermath of war. Other films from this period also investigate post-war trauma: the noir <em>Act of Violence</em> (1949) and <em>The Men</em> (1950, with Marlon Brando in his cinematic debut) deal with the alienation experienced by crippled war veterans.</p>
<p>Zinnemann&#8217;s lasting fame rests on two extraordinary films— <em>High Noon</em> (1952), the now classic western starring Gary Cooper as a soon-to-be-retired marshal, and <em>From Here to Eternity</em> (1953), which won eight Academy Awards, including best picture, direction, supporting actor (Frank Sinatra), supporting actress (Donna Reed), screenplay, and cinematography. His later work includes <em>Oklahoma!</em> (1955), <em>The Nun&#8217;s Story</em> (1959), <em>The Sundowners</em> (1960), and <em>A Man for All Seasons</em> (1966) which won Oscars for best picture, actor, screenplay, and direction. A trained cameraman, Zinnemann&#8217;s films are remarkable for their effective use of visual composition, yet he never developed a personal style and was therefore largely ignored by the auteur-dominated criticism of the 1960s and 70s. Instead, his films share a focus on how people behave in difficult situations, and how their character becomes their destiny.</p>
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