The Thomashefskys brings to life the words and music of the American Yiddish theater. The storys lead characters-Bessie and Boris Thomashefky-also happen to be the grandparents of San Francisco Symphony music director Michael Tilson Thomas. Bessie and Boris emigrated to the United States from Eastern Europe in the 1880s, and while still in their teens, they began to play major roles in the development of New York Citys Yiddish theater. For Jewish immigrants who settled on the lower East Side of Manhattan, the Yiddish theater was central to their lives, and provided a stage for the new ideas that were shaping the transition to an American way of life. In The Thomashefkys, Tilson Thomas serves as guide through the lives and repertoire of his grandparents. His grandfather died before he was born, but his grandmother lived until he was 17. His close relationship with her is a source of much of the performance material. Performed at the New World Symphonys spectacular new Frank Gehry-designed home in Miami, Tilson Thomas shares the stage with a 30-piece orchestra and ensemble cast to bring the repertoire and words of Bessie and Boris to life. With time, aspects of klezmer and cantorial sounds became more integrated and more American, as Jewish composers became immersed in their new surroundings, greatly influencing composers like Irving Berlin and George Gershwin.

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The opera, which earned exceptional praise in its Met premiere, is based on Mahatma Gandhi’s early life in South Africa, where he developed the revolutionary philosophy of non-violent resistance that continues to be used in protests around the world. “Almost all the techniques of protest—now the common currency of contemporary political life—were invented and perfected by Gandhi during his South Africa years,” Glass has said.

The program was originally seen live in movie theaters on November 19 as part of the groundbreaking The Met: Live in HD series, which transmits live performances to more than 1700 movie theaters and performing arts centers in 54 countries around the world.

Great Performances at the Met is a presentation of THIRTEEN for WNET, one of America’s most prolific and respected public media providers. For nearly 50 years, WNET has been producing and broadcasting national and local arts programming to the New York community.

McDermott and Crouch’s production uses a combination of large-scale puppetry, sets made of materials such as corrugated metal and newspaper, and projected supertitles to immerse the viewer in Glass’s poetic world. Conductor Dante Anzolini leads a cast that features Richard Croft, reprising his critically acclaimed interpretation of Gandhi.

Satyagraha is divided into three acts, each inspired by a major historical figure: the Russian novelist Leo Tolstoy, the Bengali writer Rabindranath Tagore, and the American civil rights leader Dr. Martin Luther King, Jr. The plot of the opera follows Gandhi through his formative years as a young attorney in South Africa, where his firsthand experience of racial inequality inspired him to create the movement of non-violent resistance that would define his life and work. The Sanskrit libretto, by Glass and Constance DeJong, is taken from the Bhaghavad Gita. Croft is joined by two of the other leads of the Met premiere production, Rachelle Durkin as Miss Schlesen and Alfred Walker as Parsi Rustomji, and Kim Josephson in the role of Mr. Kallenbach.

The opera is the second part of Glass’s famous trilogy of operas about important historical figures, which also includes Einstein on the Beach (1976) and Akhnaten (1983). Satyagraha is the second Glass opera to be performed at the Met, following The Voyage, a Met commission that premiered in 1992.

Conductor Anzolini is a leading interpreter of Glass’s work; in addition to the Met premiere of this opera, he has conducted critically acclaimed performances of The White Raven in Lisbon and at the Lincoln Center Festival; Symphony No. 5 in Brussels and at the Kennedy Center; Akhnaten at Opéra du Rhin in Strasbourg, France; and the European premiere of Symphony No. 8 with the Bruckner Orchestra Linz in Austria.

In addition to singing the central role of Gandhi in the Met premiere of Satyagraha, Croft has sung numerous roles at the Met, including Loge in the 2010 new production premiere of Das Rheingold, Cassio in Otello, Count Almaviva in Il Barbiere di Siviglia, Ferrando in Così fan tutte, and Don Ottavio in Don Giovanni. Durkin, a graduate of the Met’s Lindemann Young Artist Development Program, debuted in the Met premiere of Wolf-Ferrari’s Sly in 2002 and most recently sang Norina in Don Pasquale during the 2010-11 season. Walker’s Met repertory includes roles in Shostakovich’s Lady Macbeth of Mktsensk, Ravel’s L’enfant et Les Sortilèges, and the Met premiere of Busoni’s Doktor Faust. Kim Josephson’s 244 performances with the Met have included the new production premieres of La Fanciulla del West, Die Meistersinger von Nürnberg, Otello, Andrea Chénier, and Carmen, and the Met premieres of Strauss’s Capriccio and Bolcom’s A View from the Bridge.

Bass-baritone Eric Owens hosts. Barbara Willis Sweete directs the telecast.

Great Performances is funded by the Philip and Janice Levin Foundation. Corporate support for Great Performances at the Met is provided by Toll Brothers, America’s luxury home builder®.

For the Met, Mia Bongiovanni and Elena Park are Supervising Producers, and Louisa Briccetti and Victoria Warivonchik are Producers. Peter Gelb is Executive Producer. For Great Performances, Bill O’Donnell is Series Producer; David Horn is Executive Producer.

To mark the musical’s Silver Anniversary, Andrew Lloyd Webber and Cameron Mackintosh presented “The Phantom of the Opera” in the sumptuous Victorian splendor of London’s Royal Albert Hall. International audiences were invited to join the celebration when the evening was transmitted live to cinemas worldwide. This dazzling restaging of the original production recreates the jaw-dropping scenery and breathtaking special effects of the original, set to Lloyd Webber’s haunting score.

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The Phantom of the Opera at the Royal Albert Hall stars Ramin Karimloo as The Phantom and Sierra Boggess as Christine. Both had triumphed in the London premiere of “Love Never Dies,” Lloyd Webber’s sequel to “The Phantom of the Opera,” both earning prestigious Olivier Award nominations for their roles.

Karimloo and Boggess are joined by Barry James as Monsieur Firmin, Gareth Snook as Monsieur André, Liz Robertson as Madame Giry and Wynne Evans as Piangi, together with a cast and orchestra of more than 200 including special guest appearances by the original Phantom and Christine, Michael Crawford and Sarah Brightman. Illustrious past Phantoms Peter Jöback, John Owen-Jones, Anthony Warlow, and Colm Wilkinson join forces for a powerful “Music of the Night,” all introduced by a beaming Lloyd Webber. Besides that hit tune, the show contains such favorites as “All I Ask of You,” “Think of Me,” “Prima Donna,” “Masquerade” and “Wishing You Were Somehow Here Again.”

Lloyd Webber’s “The Phantom of the Opera” first opened in 1986 at Her Majesty’s Theatre in London and is based on the French novel Le Fantôme de l’Opéra by Gaston Leroux. Set against the glamor and spectacle of the Paris Opera House, Leroux told of a horribly disfigured Phantom, once a promising musician, who now terrorizes the opera company. Shamed by his physical appearance and feared by all, the Phantom is drawn to the beautiful ingénue Christine Daaé and begins coaching her secretly, as a tragic romance unfolds between the unlikely pair.

Worldwide, “The Phantom of the Opera” has grossed over $5.6 billion. It has been seen in 145 cities in 27 countries and played to more than 130 million people. The show has won more than 50 major theatre awards, including seven Tony® and three Olivier® Awards in the West End. It is currently showing in London, New York, Budapest, Las Vegas and Kyoto. In 2006, it became Broadway’s longest running show ever.

Cast:

Ramin Karimloo … The Phantom
Sierra Boggess … Christine
Hadley Fraser … Raoul
Wendy Ferguson … Carlotta Guidicelli
Barry James … Monsieur Firmin
Gareth Snook … Monsieur André
Liz Robertson … Madame Giry
Wynne Evans … Ubaldo Piangi
Sergei Polunin … Slave Master – Hannibal / Shepherd – Il Muto
Daisy Maywood … Meg Giry
Nick Holder … Joseph Buquet
Earl Carpenter … Auctioneer
Philip Griffiths… Monsieur Reyer
Simon Green … Monsieur Lefevre
Stephen Davis … Don Attilio (”Il Muto”)
Garðar Cortes … Passarino (”Don Juan Triumphant”)
Heather Jackson … Madame Firmin
Ellen Jackson … Wardrobe Mistress
Rosemary Ashe… Confidante (”Il Muto”)

The Phantom of the Opera at the Royal Albert Hall was directed by Laurence Connor with musical staging and choreography by Gillian Lynne, based on the original London Production Directed by Hal Prince with Musical Staging and Choreography by Gillian Lynne. The Royal Albert Hall was transformed with a spectacular and unique design by Matt Kinley inspired by Maria Björnson’s original design. Lighting was by Patrick Woodroffe and Andrew Bridge and Sound by Mick Potter. The production was produced by Cameron Mackintosh.

The Phantom of the Opera at the Royal Albert Hall was directed for television by Nick Morris.

The fully-staged production will be released on Blu-ray™, DVD and On Demand by Universal Studios Home Entertainment on February 7.

THIRTEEN’s Great Performances is a production of THIRTEEN for WNET, one of America’s most prolific and respected public media providers. For nearly 50 years, WNET has been producing and broadcasting national and local arts programming to the New York community.

For Great Performances, Bill O’Donnell is series producer; David Horn is executive producer. Great Performances is funded by Vivian Milstein, The Starr Foundation, the Philip and Janice Levin Foundation, Joseph A. Wilson, public television viewers, and PBS.

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The program was originally seen live in movie theaters on October 29, 2011 as part of the groundbreaking The Met: Live in HD series, which transmits live performances to more than 1700 movie theaters and performing arts centers in 54 countries around the world.

Great Performances at the Met is a presentation of THIRTEEN for WNET, one of America’s most prolific and respected public media providers. For nearly 50 years, WNET has been producing and broadcasting national and local arts programming to the New York community.

The classic tale of lust, heartbreak, and revenge stars charismatic Polish baritone Mariusz Kwiecien in his first-ever Met performances of the notorious title character. For the first time with Don Giovanni at the Met, Luisi conducts the performance from a cembalo in the orchestra pit.

Latvian soprano Marina Rebeka and German soprano Mojca Erdmann make their Met debuts as two of Giovanni’s female conquests, Donna Anna and Zerlina, opposite distinguished Mozartean Barbara Frittoli as the fiery Donna Elvira. Tenor Ramón Vargas sings the role of Donna Anna’s fiancé, the nobleman Don Ottavio, and bass-baritone Luca Pisaroni is Giovanni’s hapless manservant Leporello. Joshua Bloom sings the shepherd Masetto and Štefan Kocán is the vengeful Commendatore.

Grandage, the longtime artistic director of London’s Donmar Warehouse, won a 2010 Tony Award for directing John Logan’s drama Red. Last season, he directed new productions of Billy Budd at Glyndebourne and Madama Butterfly at Houston Grand Opera. His other Broadway credits include Peter Morgan’s docudrama Frost/Nixon, a 2009 staging of Hamlet starring Jude Law, and an upcoming revival of Andrew Lloyd Webber’s Evita in spring 2012.

Grandage’s design team includes his longtime collaborator Christopher Oram (sets and costumes), also a recent Tony Award winner for Red; lighting designer Paule Constable, who also designed this season’s Anna Bolena and Satyagraha; and choreographer Ben Wright, whose credits include numerous operas and musicals in England and Scotland. Oram and Wright make their Met debuts with this production.

Luisi, who was elevated to the position of Principal Conductor in September, led performances of Mozart’s Le Nozze di Figaro in the Met’s 2009-10 season and has a Met repertory that includes critically acclaimed performances of Verdi’s Don Carlo, Rigoletto, and Simon Boccanegra; Puccini’s La Bohème, Tosca, and Turandot; Richard Strauss’s Die Ägyptische Helena (the 2007 new production premiere), Elektra, and Ariadne auf Naxos; Berg’s Lulu; and Wagner’s Das Rheingold. He is also conducting Wagner’s Siegfried and Götterdämmerung, Massenet’s Manon, as well as a revival of Verdi’s La Traviata, all coming up on Great Performances at the Met.

Kwiecien has sung Don Giovanni at numerous international opera houses, including the Royal Opera House, Covent Garden; Munich State Opera; San Francisco Opera; Santa Fe Opera; and Warsaw Opera, earning praise for his accomplished vocalism and seductive interpretation. Don Giovanni is his fourth leading role in a new production at the Met, following his performances as Dr. Malatesta in Don Pasquale (2006), and Enrico in Lucia di Lammermoor (2007), all seen on Great Performances at the Met, as well as Escamillo in Carmen (2009).

Rebeka sang the role of Donna Anna last season at the Deutsche Oper Berlin under the baton of Roberto Abbado. Fellow debuting artist Erdmann sang Zerlina at the 2011 Baden-Baden Festival in a production conducted by Yannick Nézet-Séguin. Frittoli last sang Donna Elvira at the Met in the 2008-09 season.

Vargas makes his Met role debut as Don Ottavio, a role he last performed in Covent Garden’s 2008-09 season. Bloom made his Met debut as Masetto in the 2008-09 season. Slovakian bass Kocán will make his Met role debut as the Commendatore.

Renée Fleming hosts. Barbara Willis Sweete directs the telecast.

Great Performances is funded by Vivian Milstein, the Philip and Janice Levin Foundation, and Annaliese Soros. Corporate support for Great Performances at the Met is provided by Toll Brothers, America’s luxury home builder®.

For the Met, Mia Bongiovanni and Elena Park are Supervising Producers, and Louisa Briccetti and Victoria Warivonchik are Producers. Peter Gelb is Executive Producer. For Great Performances, Bill O’Donnell is Series Producer; David Horn is Executive Producer.

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Charles Isherwood of The New York Times observed, “[Composer] David Bryan evokes the powerhouse funk of James Brown, the hot guitar riffs of Chuck Berry, the smooth harmonies of the Temptations, the silken, bouncy pop of the great girl groups of the period.” The New York Post raved “Of such thrills, Broadway is made.” The Associated Press called Memphis “The very essence of what a Broadway musical should be.”

Memphis takes place in the smoky halls and underground clubs of the segregated 50’s, where a young white DJ named Huey Calhoun (Kimball) falls in love with everything he shouldn’t: rock and roll and an electrifying black singer Felicia Farrell (Glover). Memphis is an original story about the cultural revolution that erupted when his vision met her voice, and the music changed forever.

Filled with high-octane dancing, songs that perfectly capture the era, and an absorbing tale of fame and forbidden love, the show offers soaring emotion and roof-raising rock ‘n’ roll.

The show’s Tony®-winning original score features music by Bon Jovi’s founding member and keyboardist David Bryan and lyrics by Bryan and Joe DiPietro (I Love You, You’re Perfect, Now Change), who also pens the musical’s book. . The show is based on a concept by the late George W. George (producer of the Tony nominated Bedroom Farce and the film My Dinner With Andre), with direction by Tony nominee Christopher Ashley (Xanadu) and choreography by Sergio Trujillo, (Jersey Boys, Next to Normal).

The critically acclaimed production of Memphis won a total of four 2010 Tony Awards including Best Musical, Best Score (David Bryan and Joe DiPietro), Best Book (Joe DiPietro), and Best Orchestrations (David Bryan and Daryl Waters). Memphis is currently in its 3rd smash year on Broadway, delighting audiences nightly at the Shubert Theatre (225 West 44th Street).

Memphis recently launched a U.S. national tour in Memphis, TN, which opened to critical acclaim in October 2011 at the historic Orpheum Theatre.

Memphis will be released on Blu-ray™, DVD and digital download on January 24th by Shout! Factory, in association with Broadway Worldwide.

Great Performances is a production of THIRTEEN for WNET, one of America’s most prolific and respected public media providers. For nearly 50 years, WNET has been producing and broadcasting national and local arts programming to the New York community.

Great Performances is funded by The National Endowment for the Arts, the Irene Diamond Fund, Vivian Milstein, The Starr Foundation, the Philip and Janice Levin Foundation, Joseph A. Wilson, The LuEsther T. Mertz Charitable Trust, public television viewers, and PBS.

For Great Performances, Bill O’Donnell is series producer; David Horn is executive producer.

The high definition production was captured by Broadway Worldwide live-in-performance at the Shubert Theatre. Broadway Worldwide is led by executive producer Bruce Brandwen, with five-time Emmy® winning director Don Roy King and Grammy® winning sound producer Matt Kaplowitz.

In September, the San Francisco Symphony and Tilson Thomas launched its milestone Centennial with a celebratory gala concert dubbed “Fanfare for a New Century” at Davies Symphony Hall.

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The two-hour broadcast is hosted by best-selling Bay Area author Amy Tan and features Tilson Thomas conducting the Orchestra and two of the leading artists of our time: legendary violinist Itzhak Perlman performing Mendelssohn’s Violin Concerto in E minor and the dynamic pianist Lang Lang performing Liszt’s Piano Concerto No. 1 in E-flat major.

The concert opens with Aaron Copland’s vivid portrayal of American prairie life, the Billy the Kid Ballet Suite and concludes with Britten’s orchestral showpiece The Young Person’s Guide to the Orchestra of which the San Francisco Chronicle said: “…as Thomas led his colleagues, section by section and soloist by soloist… the listener could only marvel at the level of individual excellence and communal artistry on display.”

Capping off the concert is an encore of Bay Area composer John Adams’ Short Ride in a Fast Machine featuring animated images of San Francisco projected throughout Davies Symphony Hall.

Woven into the concert footage, San Francisco Symphony at 100 includes historical documentary features narrated by Tan highlighting the Orchestra’s early beginnings, its rich history of touring and its commitment to young people and innovations in media.

On April 1st, San Francisco Symphony at 100 will also be released on DVD and Blu-ray with additional bonus historical features (though will not feature Lang Lang’s concert performance.)

San Francisco Symphony at 100 is a production of San Francisco Symphony and THIRTEEN in association with WNET.

Major funding for the telecast is provided by Nan Tucker McEvoy and the National Endowment for the Arts.  Great Performances is funded by the National Endowment for the Arts, the Anna-Maria and Stephen Kellen Arts Fund, Vivian Milstein, the LuEsther T. Mertz Charitable Trust, The Starr Foundation, the Filomen M. Di’Agostino Foundation, The Philip and Janice Levin Foundation, public television viewers, and PBS.

San Francisco Symphony at 100 is directed by Gary Halvorson. Executive Producer: John Kieser. Producer: Michael Bronson. The History Vignettes are produced by Janette Gitler. For Great Performances, Bill O’Donnell is series producer; David Horn is executive producer.

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Recorded in April 2011 at the Frank Gehry-designed New World Center in Miami Beach, The Thomashefskys is written and hosted by Tilson Thomas and stars Broadway performers Judy Blazer as Bessie Thomashefsky and Shuler Hensley as Boris Thomashefsky.  It also features Ronit Widmann-Levy and Eugene Brancoveanu and the New World Symphony.

Founding members of the Yiddish Theater in America, the Thomashefskys owned theaters, published their own magazine, wrote columns in the popular Yiddish newspapers, sponsored and encouraged generations of young artists, brought uncountable numbers of Yiddish artists to America, tirelessly raised funds for progressive social causes and, though it all, were adventurous trend setters.

This story, reclaimed by The Thomashefky Project, presents a musical sound that few have heard, assimilating Eastern European klezmer and cantorial modes with American tunes and rhythms. Over time, as the Jewish American music theater writers became absorbed in their new surroundings, they greatly influenced the American Songbook.

The Thomashefskys is a very personal project for Tilson Thomas, celebrating the lives and theatrical and musical legacies of his grandparents.  Born out of his desire to preserve the music of the Yiddish theater, The Thomashefsky Project, founded in 1998, expanded from an archival role to this stage production hosted and conducted by Tilson Thomas and directed for the stage by Broadway veteran Patricia Birch.

It features music reconstructed from the original Yiddish theater repertoire interwoven with projected images and stories from Bessie and Boris’s lively memoirs.  “My grandparents became mega-stars and found themselves smack in the public eye,” says Tilson Thomas. “They were subject to adulation and relentless scrutiny. Legions of crazed fans were obsessed with every detail of their work and their lives.”

The stage version of The Thomashefskys has been performed to sold-out houses in New York, San Francisco, Chicago, Los Angeles, Philadelphia, Miami, and at Tanglewood in Massachusetts.  The San Francisco Chronicle said, “Thomas and his collaborators do what Yiddish artists always meant to do.  They make you forget your troubles for an evening, plunge into another world and feel your own more fully in the end.”

Following the national broadcast, The Thomashefskys: Music and Memories of a Life in the Yiddish Theater will be released on April 24 on DVD by New Video (www.newvideo.com). The New World Symphony was founded in 1987 by Michael Tilson Thomas and Ted Arison, and has launched the careers of over 800 musicians.

The Thomashefskys: Music and Memories of a Life in the Yiddish Theater is a production of The Thomashefsky Film Project LLC and THIRTEEN for WNET.

The Thomashefskys: Music and Memories of a Life in the Yiddish Theater is directed for television by Gary Halvorson. Producers: Joshua Robison, Michael Bronson, and Michael Kantor. For Great Performances, John Walker is producer; Bill O’Donnell is series producer; David Horn is executive producer.

Major funding for the telecast is provided by Arison Arts Foundation, Marcia and John Goldman, Carole and Jeffrey Hays and Lydia and Douglas Shorenstein, Stephen and Sandra Muss, the Bernard Osher Jewish Philanthropies Foundation, the Koret Foundation, The Aaron Copland Fund for Music, and the Lisa and John Pritzker Fund.

Great Performances is funded by the National Endowment for the Arts, Vivian Milstein, the LuEsther T. Mertz Charitable Trust, The Starr Foundation, the Filomen M. Di’Agostino Foundation, The Philip and Janice Levin Foundation, The DuBose and Dorothy Heyward Memorial Fund, public television viewers and PBS.

Smith, through her chameleon-like virtuosity, creates an indelible gallery of portraits, from a rodeo bull rider to a prize fighter to a New Orleans doctor during Hurricane Katrina, as well as boldface names like former Texas Governor Ann Richards, legendary cyclist Lance Armstrong, network film critic Joel Siegel, and supermodel Lauren Hutton. She performs 19 characters in the course of an hour and thirty five minutes. Their stories are alternately humorous and heart-wrenching, and often a blend of both. Building upon each other with hypnotic force, her subjects recount personal encounters with the frailty of the human body, ranging from a mere brush with mortality, coping with an uncertain future in today’s medical establishment, to confronting an end of life transition. The testimony of health care professionals adds further texture to a vivid portrayal of the cultural and societal attitudes to matters of health.