Led by guest conductor Semyon Bychkov for the very first time, the world-renowned Vienna Philharmonic returns for its 13th open-air concert, with a program of French orchestral classics, in the magnificent gardens of Austria’s Imperial Schönbrunn Palace. The Vienna Philharmonic Summer Night Concert 2016 airs on THIRTEEN’s Great Performances, Friday, September 30 at 9 p.m. […]
Hamilton: An American Musical is beloved by critics, musical theater buffs, and newcomers to the theater scene alike. The historical production has found its own place in history, all while turning several musical theater conventions upside-down. Here’s how various media outlets tell the story of how Hamilton has revolutionized musical theater and impacted society: The album shattered sales […]
Since its Broadway debut Hamilton the Musical has been an international phenomenon, reaching people far and wide. From the characters to the costumes to the songs, it’s caused fans to see Broadway musicals in a whole new light. The musical has also inspired some pretty incredible fan art on social media. Browse some of that excellent artwork.
Roberto Devereux is a tragedia lirica, or tragic opera, by Gaetano Donizetti (1797–1848). Salvadore Cammarano (1801–1852), the Neapolitan librettist who worked with Donizetti on a number of his previous operas, wrote the libretto. The final opera in Donizetti’s “Tudor trilogy,” Roberto Devereux focuses on the elderly Queen Elizabeth I, who is forced to sign the death warrant of the […]
Madama Butterfly is an opera in three acts (originally two) by Giacomo Puccini (December 22, 1858 – November 29, 1924). Giuseppe Giacosa and Luigi Illica, Puccini’s librettists for Madama Butterfly, had also collaborated with the composer on his previous two operas, Tosca and La Bohème. The opera is based in part on the 1898 short story “Madame Butterfly” by John Luther Long, which had its […]
Roberto Alagna sings an excerpt from des Grieux’s aria from Act I of Puccini’s “Manon Lescaut” at the final dress rehearsal. Production: Richard Eyre. Conductor: Fabio Luisi. 2015–16 season.
Kristine Opolais (Manon) and Roberto Alagna (des Grieux) perform an excerpt from the Act II duet from Puccini’s “Manon Lescaut” at the final dress rehearsal. Production: Richard Eyre. Conductor: Fabio Luisi. 2015–16 season.
Kristine Opolais sings an excerpt from Manon’s aria from Act IV of Puccini’s “Manon Lescaut” at the final dress rehearsal. Production: Richard Eyre. Conductor: Fabio Luisi. 2015–16 season.
Image gallery of the Met Opera Turandot
Turandot is an opera in three acts by Giacomo Puccini (December 22, 1858 – November 29, 1924). Puccini’s final opera is an epic fairy tale set in a China of legend, loosely based on the play “Turandot” by the 18th-century Italian dramatist Carlo Gozzi. Featuring a most unusual score with an astounding and innovative use of chorus and orchestra, it is still recognizably Puccini, bursting with instantly appealing melody. The librettists for Turandot were the playwright and journalist Giuseppe Adami, who had previously worked with Puccini on Il Tabarro and La Rondine, and Renato Simoni, who had written librettos for other composers as well.