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	<title>Great Performances &#187; 2010 &#187; February</title>
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	<description>The best in the performing arts from across America.</description>
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		<title>Dance In America: NY Export: Opus Jazz: Watch &#8220;Passage For Two&#8221;</title>
		<link>http://www.pbs.org/wnet/gperf/episodes/dance-in-america-ny-export-opus-jazz/watch-passage-for-two/942/</link>
		<comments>http://www.pbs.org/wnet/gperf/episodes/dance-in-america-ny-export-opus-jazz/watch-passage-for-two/942/#comments</comments>
		<pubDate>Thu, 18 Feb 2010 22:10:20 +0000</pubDate>
		<dc:creator>colin fitzpatrick</dc:creator>
				<category><![CDATA[Clips & Scenes]]></category>
		<category><![CDATA[Featured]]></category>
		<category><![CDATA[ballet]]></category>
		<category><![CDATA[Craig Hall]]></category>
		<category><![CDATA[Dance]]></category>
		<category><![CDATA[Dance in America]]></category>
		<category><![CDATA[High Line]]></category>
		<category><![CDATA[Jerome Robbins]]></category>
		<category><![CDATA[landmarks]]></category>
		<category><![CDATA[New York City]]></category>
		<category><![CDATA[NY Export: Opus Jazz]]></category>
		<category><![CDATA[Passage For Two]]></category>
		<category><![CDATA[Rachel Rutherford]]></category>

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		<description><![CDATA["Passage for Two" is the fourth movement in NY Export: Opus Jazz, featuring the choreography of Jerome Robbins and music by Robert Prince. This excerpt was shot in June 2007 before the opening of the new High Line park in New York City, when the former elevated railway was overgrown with wild weeds and grass. [...]]]></description>
			<content:encoded><![CDATA[<p>&#8220;Passage for Two&#8221; is the fourth movement in NY Export: Opus Jazz, featuring the choreography of Jerome Robbins and music by Robert Prince. This excerpt was shot in June 2007 before the opening of the new High Line park in New York City, when the former elevated railway was overgrown with wild weeds and grass. Watch New York City Ballet soloists Rachel Rutherford and Craig Hall dance this landmark piece on one of New York City&#8217;s own historical landmarks.</p>
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		<slash:comments>12</slash:comments>
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		<item>
		<title>GP at the Met: Turandot: Preview the Opera</title>
		<link>http://www.pbs.org/wnet/gperf/episodes/gp-at-the-met-turandot/preview-the-opera/938/</link>
		<comments>http://www.pbs.org/wnet/gperf/episodes/gp-at-the-met-turandot/preview-the-opera/938/#comments</comments>
		<pubDate>Thu, 04 Feb 2010 19:54:57 +0000</pubDate>
		<dc:creator>colin fitzpatrick</dc:creator>
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		<category><![CDATA[Turandot]]></category>

		<guid isPermaLink="false">http://www.pbs.org/wnet/gperf/?p=938</guid>
		<description><![CDATA[Franco Zeffirelli’s glittering production of Puccini’s Turandot, with Maria Guleghina in the title role and Marcello Giordani as Calàf,  makes its debut on THIRTEEN’S Great Performances at the Met. Marina Poplavskaya sings Liù, Samuel Ramey is Timur, and conductor Andris Nelsons makes his Great Performances at the Met debut. With its grand, dazzling sets, the [...]]]></description>
			<content:encoded><![CDATA[<p>Franco Zeffirelli’s glittering production of Puccini’s <strong><em>Turandot</em></strong>, with <strong>Maria Guleghina </strong>in the title role and <strong>Marcello Giordani</strong> as Calàf,  makes its debut on THIRTEEN’S <strong><em>Great Performances at the Met. </em></strong><strong>Marina Poplavskaya</strong> sings Liù, <strong>Samuel Ramey</strong> is Timur, and conductor <strong>Andris Nelsons</strong> makes his <strong><em>Great Performances at the Met</em></strong> debut. With its grand, dazzling sets, the production by Franco Zeffirelli has been an audience favorite since its premiere at the Metropolitan Opera in 1987 and the <em>New York Times </em>has called this Turandot “the Met at its best.”</p>
<p><strong><em>Turandot</em></strong> airs on THIRTEEN’S <strong><em>Great Performances at the Met</em></strong> on PBS on Sunday, February 28 at noon EST (<a href="/wnet/gperf/schedule-met/">check local listings</a>).</p>
<p><strong>Watch a preview</strong>:</p>
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<p><strong><em>Great Performances at the Met </em></strong>is a presentation of THIRTEEN in association with WNET.ORG – one of America’s most prolific and respected public media providers.</p>
<p><strong><em>Great Performances at the Met:</em></strong><strong> <em>Turandot </em></strong>is the fourth of 10 productions airing this season during the 2009-2010 series. The performance is sung in Italian with English surtitles. The set designs are by Zeffirelli. Costume designs are by<strong> Anna Anni </strong>and <strong>Dada Saligeri</strong>, and the lighting designer is <strong>Gil Wechsler</strong>. <strong>Chiang Ching</strong> is the choreographer and supervisor of stylized movement, and the stage director is <strong>David Kneuss</strong>.</p>
<p><strong><em>Great Performances </em></strong>is funded by the Irene Diamond Fund, the National Endowment for the Arts, the Corporation for Public Broadcasting, public television viewers and PBS. Corporate support for <strong><em>Great Performances at the Met </em></strong>is provided by Toll Brothers, America’s luxury home-builder®.</p>
<p>For the Met, Mia Bongiovanni and Elena Park are Supervising Producers, and Louisa Briccetti and Victoria Warivonchik are Producers. Peter Gelb is Executive Producer. For <strong><em>Great Performances</em></strong>, Bill O’Donnell is Series Producer; David Horn is Executive Producer.</p>
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		<slash:comments>47</slash:comments>
		</item>
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		<title>Dance In America: NY Export: Opus Jazz: Image Gallery</title>
		<link>http://www.pbs.org/wnet/gperf/episodes/dance-in-america-ny-export-opus-jazz/image-gallery/926/</link>
		<comments>http://www.pbs.org/wnet/gperf/episodes/dance-in-america-ny-export-opus-jazz/image-gallery/926/#comments</comments>
		<pubDate>Tue, 02 Feb 2010 23:09:12 +0000</pubDate>
		<dc:creator>colin fitzpatrick</dc:creator>
				<category><![CDATA[Featured]]></category>
		<category><![CDATA[Image Galleries]]></category>
		<category><![CDATA[ballet]]></category>
		<category><![CDATA[Dance in America]]></category>
		<category><![CDATA[Ellen Bar]]></category>
		<category><![CDATA[High Line]]></category>
		<category><![CDATA[McCarren Park Pool]]></category>
		<category><![CDATA[NY Export: Opus Jazz]]></category>
		<category><![CDATA[photos]]></category>
		<category><![CDATA[Red Hook]]></category>
		<category><![CDATA[Sean Suozzi]]></category>

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		<description><![CDATA[Get an early look at the production of Jerome Robbins' NY Export: Opus Jazz with these production stills and behind the scenes images.

[gallery columns="2"]]]></description>
			<content:encoded><![CDATA[<p>Get an early look at the production of Jerome Robbins&#8217; <em>NY Export: Opus Jazz</em> with these production stills and behind the scenes images.</p>

<a href='http://www.pbs.org/wnet/gperf/episodes/dance-in-america-ny-export-opus-jazz/image-gallery/926/attachment/opus-6/' title='Jerome Robbins'><img width="150" height="150" src="http://www-tc.pbs.org/wnet/gperf/files/2010/02/opus-6-150x150.jpg" class="attachment-thumbnail" alt="" title="Jerome Robbins" /></a>
<a href='http://www.pbs.org/wnet/gperf/episodes/dance-in-america-ny-export-opus-jazz/image-gallery/926/attachment/opus-7/' title='Georgina Paczoguin and boys in &#039;Statics&#039;'><img width="150" height="150" src="http://www-tc.pbs.org/wnet/gperf/files/2010/02/opus-7-150x150.jpg" class="attachment-thumbnail" alt="" title="Georgina Paczoguin and boys in &#039;Statics&#039;" /></a>
<a href='http://www.pbs.org/wnet/gperf/episodes/dance-in-america-ny-export-opus-jazz/image-gallery/926/attachment/opus-8/' title='Georgina Pazcoguin and Andrew Veyette in &#039;Statics&#039;'><img width="150" height="150" src="http://www-tc.pbs.org/wnet/gperf/files/2010/02/opus-8-150x150.jpg" class="attachment-thumbnail" alt="" title="Georgina Pazcoguin and Andrew Veyette in &#039;Statics&#039;" /></a>
<a href='http://www.pbs.org/wnet/gperf/episodes/dance-in-america-ny-export-opus-jazz/image-gallery/926/attachment/opus-9/' title='The &#039;Statics&#039; section'><img width="150" height="150" src="http://www-tc.pbs.org/wnet/gperf/files/2010/02/opus-9-150x150.jpg" class="attachment-thumbnail" alt="" title="The &#039;Statics&#039; section" /></a>
<a href='http://www.pbs.org/wnet/gperf/episodes/dance-in-america-ny-export-opus-jazz/image-gallery/926/attachment/opus-10/' title='The &#039;Statics&#039; section'><img width="150" height="150" src="http://www-tc.pbs.org/wnet/gperf/files/2010/02/opus-10-150x150.jpg" class="attachment-thumbnail" alt="" title="The &#039;Statics&#039; section" /></a>
<a href='http://www.pbs.org/wnet/gperf/episodes/dance-in-america-ny-export-opus-jazz/image-gallery/926/attachment/1-2/' title='Gina waits for the elevated train'><img width="150" height="150" src="http://www-tc.pbs.org/wnet/gperf/files/2010/02/1-150x150.jpg" class="attachment-thumbnail" alt="Gina waits for the elevated train" title="Gina waits for the elevated train" /></a>
<a href='http://www.pbs.org/wnet/gperf/episodes/dance-in-america-ny-export-opus-jazz/image-gallery/926/attachment/2-2/' title='Amanda snaps in McCarren Park Pool'><img width="150" height="150" src="http://www-tc.pbs.org/wnet/gperf/files/2010/02/2-150x150.jpg" class="attachment-thumbnail" alt="Amanda snaps in McCarren Park Pool" title="Amanda snaps in McCarren Park Pool" /></a>
<a href='http://www.pbs.org/wnet/gperf/episodes/dance-in-america-ny-export-opus-jazz/image-gallery/926/attachment/3-2/' title='Ensemble cast in the closing moment of &quot;Entrance: Group Dance&quot;'><img width="150" height="150" src="http://www-tc.pbs.org/wnet/gperf/files/2010/02/3-150x150.jpg" class="attachment-thumbnail" alt="Ensemble cast in the closing moment of &quot;Entrance: Group Dance&quot;" title="Ensemble cast in the closing moment of &quot;Entrance: Group Dance&quot;" /></a>
<a href='http://www.pbs.org/wnet/gperf/episodes/dance-in-america-ny-export-opus-jazz/image-gallery/926/attachment/4-2/' title='Gina, Adam, Andrew and Robbie in &quot;Statics&quot;'><img width="150" height="150" src="http://www-tc.pbs.org/wnet/gperf/files/2010/02/4-150x150.jpg" class="attachment-thumbnail" alt="Gina, Adam, Andrew and Robbie in &quot;Statics&quot;" title="Gina, Adam, Andrew and Robbie in &quot;Statics&quot;" /></a>
<a href='http://www.pbs.org/wnet/gperf/episodes/dance-in-america-ny-export-opus-jazz/image-gallery/926/attachment/5-2/' title='Adam, Tiler, and cast dance in a gym in &quot;Improvisations&quot;'><img width="150" height="150" src="http://www-tc.pbs.org/wnet/gperf/files/2010/02/5-150x150.jpg" class="attachment-thumbnail" alt="Adam, Tiler, and cast dance in a gym in &quot;Improvisations&quot;" title="Adam, Tiler, and cast dance in a gym in &quot;Improvisations&quot;" /></a>
<a href='http://www.pbs.org/wnet/gperf/episodes/dance-in-america-ny-export-opus-jazz/image-gallery/926/attachment/6-2/' title='Rachel and Craig in &quot;Passage for Two&quot; on the High Line'><img width="150" height="150" src="http://www-tc.pbs.org/wnet/gperf/files/2010/02/6-150x150.jpg" class="attachment-thumbnail" alt="Rachel and Craig in &quot;Passage for Two&quot; on the High Line" title="Rachel and Craig in &quot;Passage for Two&quot; on the High Line" /></a>
<a href='http://www.pbs.org/wnet/gperf/episodes/dance-in-america-ny-export-opus-jazz/image-gallery/926/attachment/7-2/' title='Adam and Gina in &quot;Fugue&quot;'><img width="150" height="150" src="http://www-tc.pbs.org/wnet/gperf/files/2010/02/7-150x150.jpg" class="attachment-thumbnail" alt="Adam and Gina in &quot;Fugue&quot;" title="Adam and Gina in &quot;Fugue&quot;" /></a>

]]></content:encoded>
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		<slash:comments>2</slash:comments>
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		<title>Dance In America: NY Export: Opus Jazz: About the Film</title>
		<link>http://www.pbs.org/wnet/gperf/episodes/dance-in-america-ny-export-opus-jazz/about-the-film/924/</link>
		<comments>http://www.pbs.org/wnet/gperf/episodes/dance-in-america-ny-export-opus-jazz/about-the-film/924/#comments</comments>
		<pubDate>Tue, 02 Feb 2010 18:52:15 +0000</pubDate>
		<dc:creator>colin fitzpatrick</dc:creator>
				<category><![CDATA[By Title]]></category>
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		<category><![CDATA[Sean Suozzi]]></category>

		<guid isPermaLink="false">http://www.pbs.org/wnet/gperf/?p=924</guid>
		<description><![CDATA[In 1958, Jerome Robbins’ “ballet in sneakers,” NY Export: Opus Jazz, became a smash hit when it was broadcast on The Ed Sullivan Show and toured around the world. Set to an evocative jazz score by Robert Prince and abstract urban backdrops by Ben Shahn, the dance told the story of disaffected urban youth through [...]]]></description>
			<content:encoded><![CDATA[<p>In 1958, <strong>Jerome Robbins</strong>’ “ballet in sneakers,” <strong><em>NY Export: Opus Jazz</em></strong>, became a smash hit when it was broadcast on <em>The Ed Sullivan Show</em> and toured around the world. Set to an evocative jazz score by <strong>Robert Prince</strong> and abstract urban backdrops by <strong>Ben Shahn</strong>, the dance told the story of disaffected urban youth through movement that blended ballet, jazz and ballroom dancing with Latin, African and American rhythms to create a powerfully expressive, sexy and contemporary style. Now, the work comes full circle in a vibrant new film adaptation, conceived by <strong>New York City Ballet</strong> soloists <strong>Ellen Bar</strong> and <strong>Sean Suozzi</strong>, that is shot on visually dynamic locations around New York City, premiering Wednesday, March 24 at 8 p.m. on <strong><em>Great Performances: Dance in America</em></strong> (<a href="/wnet/gperf/schedule/">check local PBS listings</a>).</p>
<p><strong>Watch a preview</strong>:</p>
<div class="videoplayer_container"><div id='WnetJwPlayer-307327758-NY_Export_Opus_Jazz_COVE2'></div><script>WnetJwPlayer.embedQueue.push('{"id":"NY_Export_Opus_Jazz_COVE2","height":"288","width":"512","el_id":"WnetJwPlayer-307327758-NY_Export_Opus_Jazz_COVE2","dir":"http:\/\/www.pbs.org\/wnet\/gperf\/files\/2013\/01"}')</script></div>
<p><strong><em>Great Performances</em></strong> is a production of THIRTEEN in association with WNET.ORG – one of America’s most prolific and respected public media providers.</p>
<p>Despite all the success and visibility of its debut, the intervening decades have found <strong><em>Opus Jazz</em></strong> infrequently performed. The concept of taking this little-seen ballet and adapting it for the screen in a modern, real-world context was the brainchild of two New York City Ballet soloists, who, while dancing the ballet, found that it had urban themes and a contemporary relevance that spoke to them. “Sean and I danced <strong><em>Opus Jazz</em></strong> at the New York City Ballet revival in 2005,&#8221; explains Bar. &#8220;We thought the ballet seemed a bit dated in its 1950&#8217;s trappings, but the themes that came out in the dancing &#8212; the energy and raw emotion of urban youth &#8212; were just as relevant today as they were then.&#8221; Mr. Suozzi adds that because the ballet is danced in sneakers, instead of toe shoes, it seemed especially fitting to be filmed on location. &#8220;We decided to put our dancers in regular clothes, instead of costumes,&#8221; says Suozzi. &#8220;It makes the dance even more accessible. Ballet doesn&#8217;t have to be a mysterious art form &#8212; it&#8217;s our most natural, visceral expression.&#8221;</p>
<p>Enlisting filmmakers <strong>Henry Joost</strong> (<em>Catfish</em>) and <strong>Jody Lee Lipes</strong> (<em>Brock Enright: Good Times Will Never Be The Same</em>, <em>Afterschool</em>), Bar and Suozzi set out to make the most ambitious dance film in recent memory &#8212; the first to return Jerome Robbins&#8217; choreography to the streets of New York since the movie version of West Side Story. Shot in widescreen 35mm film format, this on-location adaptation utilizes New York City locations like the pre-renovation High Line, McCarren Pool, Coney Island, Red Hook, and Carroll Gardens as backdrops for the five very different movements of the ballet. Scripted interludes between the dance scenes draw the audience further into the lives of the young, restless characters, all played by dancers from the New York City Ballet. “Acting out rage and delight through Robbins’ carefully cultivated steps, the cast demonstrated the pent-up emotions of a new generation,” raves <em>The New York Times</em> of this film (<a href="http://www.nytimes.com/2009/09/08/arts/dance/08opus.html" target="_blank">read the full review here</a>). The stylized cinematography captures the majestic landscape of New York City as well the subtle beauty, energy and sensuality of the dance piece. The resulting film is a unique and compelling 43-minute abstract narrative that highlights the form, structure and energy of the dance, while embodying the raw emotional experience of urban youth.</p>
<p>Following the dance film is a 10-minute documentary by director Matt Wolf (<em>Wild Combination: A Portrait of Arthur Russell</em>) and Anna Farrell (<em>Twelve Ways to Sunday</em>) that recounts the history and summarizes the enduring significance and appeal of <strong><em>Opus Jazz</em></strong>. Choreographer (and original West Side Story dancer) Eliot Feld, Sondra Lee (one of Robbins’ original “Opus” dancers), along with other Robbins’ friends and colleagues join the current cast of dancers to contextualize the cultural and historical importance of Mr. Robbins’ career and<strong> <em>NY Export: Opus Jazz</em></strong>.</p>
<p>“<strong><em>Great Performances</em></strong> has been bringing the best in American dance to public television viewers via the <strong><em>Dance in America</em></strong> series since 1976,” says Executive Producer David Horn. “WNET was very fortunate to be able to collaborate with Robbins during his lifetime on several landmark productions for television. So we are proud to serve as the broadcast partner for this film, and we are confident the adaptation will make an impact on today’s generation, as it has on generations before.”</p>
<p>Written for the screen by Jody Lee Lipes and edited by Zac Stuart-Pontier, <strong><em>NY Export: Opus Jazz</em></strong> was produced by Kyle Martin and Melody Roscher. <em><strong>Great Performances</strong> </em>is funded by the Irene Diamond Fund, the National Endowment for the Arts, Vivian Milstein, the LuEsther T. Mertz Charitable Trust, the Corporation for Public Broadcasting, public television viewers and PBS. Major funding for <strong><em>NY Export: Opus Jazz</em> </strong>was also provided by the Jerome Robbins Foundation, Emily Blavatnik, Chandra Jessee, Gillian Attfield, Arlene C. Cooper, Judy Bernstein Bunzl and Nick Bunzl, Marty and Perry Granoff, and Nancy Norman Lassalle. For <strong><em>Great Performances</em></strong>, Bill O’Donnell is series producer and David Horn is executive producer.</p>
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		<slash:comments>77</slash:comments>
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		<title>Michael Bublé Meets Madison Square Garden: Bublé&#8217;s Grammy Win</title>
		<link>http://www.pbs.org/wnet/gperf/episodes/michael-buble-meets-madison-square-garden/bubles-grammy-win/920/</link>
		<comments>http://www.pbs.org/wnet/gperf/episodes/michael-buble-meets-madison-square-garden/bubles-grammy-win/920/#comments</comments>
		<pubDate>Mon, 01 Feb 2010 21:48:11 +0000</pubDate>
		<dc:creator>colin fitzpatrick</dc:creator>
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		<category><![CDATA[Regional Performance]]></category>
		<category><![CDATA[concerts]]></category>
		<category><![CDATA[Grammy]]></category>
		<category><![CDATA[jazz]]></category>
		<category><![CDATA[Madison Square Garden]]></category>
		<category><![CDATA[Michael Bublé]]></category>

		<guid isPermaLink="false">http://www.pbs.org/wnet/gperf/?p=920</guid>
		<description><![CDATA[Multi-Grammy-winning phenomenon Michael Bublé returns to public television in Michael Bublé Meets Madison Square Garden, a musical concert that captures the star in a trademark, high-octane performance. Recorded at New York City’s famed arena, this program’s highlights include a show-stopping collection of Bublé’s hits (not included on the DVD release) such as Sway, Save the [...]]]></description>
			<content:encoded><![CDATA[<p>Multi-Grammy-winning phenomenon <strong>Michael Bublé</strong> returns to public television in <strong><em>Michael Bublé Meets Madison Square Garden</em></strong>, a musical concert that captures the star in a trademark, high-octane performance. Recorded at New York City’s famed arena, this program’s highlights include a show-stopping collection of Bublé’s hits (not included on the DVD release) such as <em>Sway, Save the Last Dance for Me </em>and <em>How Sweet It is, </em>as well as selections from his newest album <em>Crazy Love</em>. Supplementing the concert sequences are behind-the-scenes documentary segments, offering an intimate portrait of the Canadian singing sensation leading up to his landmark MSG concert. Reviewing the concert for <em>The New York Times</em>, Stephen Holden wrote, “The thing at which Mr. Bublé excels is traditional pop singing, with an ear to the present. Whether swinging moderately hard or crooning, he effortlessly bridges the gaps among old-style big-band music, rhythm and blues, and mainstream pop. The cavernous Garden felt like an intimate nightclub.”</p>
<p>The multi-platinum-selling Bublé made his <strong><em>Great Performances </em></strong>debut in December 2005 with his first solo television special <strong><em>Caught In The Act.</em></strong> <strong><em></em></strong></p>
<p><strong><em>Michael Bublé Meets Madison Square Garden</em></strong> airs on THIRTEEN as part of the <strong><em>Great Performances</strong></em> series on Thursday, March 4 at 10 p.m. (<a href="/wnet/gperf/schedule/">check local listings for availability on other PBS stations</a>)</p>
<p><strong><em>G</em></strong><strong><em>reat Performances </em></strong>is a production of THIRTEEN in association with WNET.ORG – one of America’s most prolific and respected public media providers.</p>
<p>With 80 sold-out U.S. appearances, Bublé’s 2008-09 concert tour was attended by more than 1.5 million fans worldwide. Released on DVD+CD, the Madison Square Garden concert won a Grammy as “Best Traditional Pop Album” in February 2010. Last October, Bublé’s current album <em>Crazy Love</em> (produced by David Foster, Bob Rock and Humberto Gatica) jumped to number one on the <em>Billboard</em> charts upon its release. Bublé’s previous albums have sold more than 15 million copies. His 2007 CD, the Grammy-winning <em>Call Me Irresponsible</em>, was a number one album in the U.S. and around the globe. His 2005 <em>It’s Time</em> album sold six million copies worldwide and holds the record as the longest running title to remain on the <em>Billboard</em> Traditional Jazz charts for two full years, remaining at the number one position for more than 80 weeks.</p>
<p><strong><em>Great Performances</em></strong> is funded by the Irene Diamond Fund, Vivian Milstein, the LuEsther T. Mertz Charitable Trust and public television viewers. For <strong><em>Great Performances</em></strong>, Bill O’Donnell is series producer and David Horn is executive producer.</p>
<p>For more information on Michael Bublé, please go to: <a href="http://www.michaelbuble.com/">www.michaelbuble.com</a> and <a href="http://www.bungalow-b.com/">www.bungalow-b.com</a>.</p>
<p><img class="alignnone size-full wp-image-921" src="http://www-tc.pbs.org/wnet/gperf/files/2010/02/full-buble.jpg" alt="Michael Buble" width="610" height="407" /></p>
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