Stage and screen legend Julie Andrews returns for the third time to host the merry annual New Year’s celebration with the Vienna Philharmonic, under the direction of Mariss Jansons from Vienna’s Musikverein. This is Jansons’ second time at the podium of this much cherished event. The famed Vienna Boys’ Choir will add their celestial voices to the gala.
From Vienna: The New Year’s Celebration 2012, featuring the infectious melodies of the Strauss Family and contemporaries, will air live Sunday, January 1 at 2:30 p.m. ET on PBS (check local listings) with an encore performance that evening at 7:30 p.m. (In New York, THIRTEEN will air the broadcast at 9 p.m.)
Watch a preview:
The venerable concert is the largest world-wide event in classical music reaching over a billion people annually through radio and television in 72 countries. The Vienna Philharmonic’s traditional New Year’s program has showcased Viennese musical culture at the highest level, and since the first television broadcast in 1959, sent the world a New Year’s greeting in the spirit of hope, friendship and peace. (The telecast has been a Great Performances tradition on PBS since 1985.)
Andrews is delighted to return to Vienna for what has become for her a most pleasurable tradition. “It is always a privilege and a wonderful spoiling to visit Vienna, especially at holiday time. The sights and sounds are glorious and I bask in the irresistible music all around me, particularly the beautiful Strauss waltzes.”
She has been a frequent and luminous presence on Great Performances, starting with “An Evening with Alan Jay Lerner” (1989); “Julie Andrews in Concert” (1990); “Some Enchanted Evening: Celebrating Oscar Hammerstein II” (1995); “Back on Broadway” which spotlighted her return to the Great White Way in “Victor/Victoria” (1995); “Hey, Mr. Producer! The Musical World of Cameron Mackintosh” (1998); “My Favorite Broadway: The Leading Ladies” (1999); its follow-up “My Favorite Broadway: The Love Songs” (2001); and the restoration of the classic 1957 “Rodgers & Hammerstein’s Cinderella” (2004). She also hosted the Emmy Award-winning series Broadway: The American Musical in 2004.
At press time, the musical program was scheduled to run as follows:
Joseph Hellmesberger Jun.
Danse Diabolique
Josef Strauss
Artists Greeting, French Polka, op. 274
Johann Strauss
Enjoy Life, Waltz, op. 340
Johann Strauss Sr.
Sperl Galopp, op. 42
Hans Christian Lumbye
Steam Railway, Galopp
Josef Strauss
Fireproof, French Polka, op. 269
(with The Vienna Boys’ Choir)
Eduard Strauss
Carmen Quadrille
Peter I. Tschaikowsky
Panorama from the Ballet “Sleeping Beauty”
Peter I. Tschaikowsky
Waltz from the Ballet “Sleeping Beauty”
Johann und Josef Strauss
Pizzicato Polka op. 25
Johann Strauss
Persian March, op. 289
Josef Strauss
Burning Love, Polka Mazurka, op. 129
Johann Strauss
Thunder and Lightning, Fast Polka, op. 324
Johann Strauss
Tick Tock, Fast Polka, op. 365
Johann Strauss
The Blue Danube Waltz, op. 314
Johann Strauss Sr.
Radetzky March, op. 228
As is customary with these broadcasts, Ms. Andrews will travel from her home base in the Musikverein hall itself to visit multiple picturesque Vienna landmarks: a steam railway for Lumbye’s “Steam Railway” gallop; the Belvedere Palace for the three ballet sequences, choreographed by Davide Bombana; and the Augarten Palais, home of The Vienna Boys’ Choir.
The Vienna Boys’ Choir is one of the oldest boys’ choirs existing in the world since 1498 when Maximilian I called the first dozen boys to the court as members of the newly formed court music band. Numerous vocalists, violinists, conductors, and pianists have sung in their ranks: Joseph Haydn, Franz Schubert, Karl Zeller, Hans Richter, Lovro von Matacic and Clemens Krauss. In the days of the First Republic they were regarded as Austria’s “singing ambassadors.” Since those days the Vienna Boys’ Choir has given concerts under nearly all the great conductors of this century: Claudio Abbado, Leonard Bernstein, Nikolaus Harnoncourt, Herbert von Karajan, Carlos Kleiber, Lorin Maazel, Riccardo Muti and Sir George Solti. And, every Sunday the Vienna Boys’ Choir sing solemn mass in Vienna’s Hofburg chapel, continuing a tradition unbroken since 1498.
Since the autumn of 2003, Mariss Jansons has been the principal conductor of the Bavarian Radio Symphony Orchestra and Chorus and since September 2004 principal conductor of the Royal Concertgebouw Orchestra in Amsterdam, therefore presiding over two of Europe’s most prestigious orchestras, both steeped in tradition.
From 1979 up to the year 2000, Jansons was music director of the Oslo Philharmonic, which during his tenure became an international orchestra of note. He was also involved with the Saint Petersburg Philharmonic as permanent conductor from 1971 until 1999. In addition to that he also appeared as principal guest conductor for the London Philharmonic Orchestra between 1992 and 1997. From 1997 until 2004 he was Music Director of the Pittsburgh Symphony Orchestra.
Mariss Jansons has worked together with the world’s most important orchestras, guesting with great success for leading American and European orchestras.
Jansons first conducted the New Year’s Concert of the Vienna Philharmonic in 2006.
On January 10, Sony Classical will release the live recording via CD-on-demand exclusively at Amazon.com and ArkivMusic and through all major digital service providers, followed by a nationwide CD release on January 24, and DVD and Blu-ray on February 7th.
Great Performances is funded by the Anna-Maria and Stephen Kellen Arts Fund, Vivian Milstein, Vera von Kuffner Eberstadt, The Starr Foundation and the Philip and Janice Levin Foundation, public television viewers, and PBS. Exclusive corporate support for the concert is provided by Rolex.
From Vienna: The New Year’s Celebration is directed by Karina Fibich, with John Walker as producer/writer. For Great Performances, John Walker and Cara Cosentino are producers; Bill O’Donnell is series producer; David Horn is executive producer.



I’m sure this program will be wonderful. I looked through it to see if there would be any compositions by Josef Lanner. He was my great great uncle and he hired Josef Strauss to be a part of his (Lanner’s) orchestra playing Lanner’s waltzes. The Strauss family then fine tuned the “waltz”. They were friends and were even buried next to each other. Have a very happy new year!
Hi Alison,
It doesn’t look like Joseph Lanner is on the program this time, but of all non-Strauss composers he has been featured more often than anyone else, with a total of ten compositions in 23 New Year’s concerts, beginning in 1961.
Happy New Year!
Jeroen Tempelman
Johann Strauss Society of New York
Sonja Ennis
Have been watching this New Years celebration for years. This year’s performance is the best since Karajan. 1 million BRAVOS! What a gift Mariss Janson is. The choreography during the dance interludes was amazing (the best ever) and the ballet dancers were spectacular. Most of them must have had Cecchetti training…………….:)
Thank you so much and all the best in 2012
Will the full program be posted on the Great Performances website shortly after the broadcast?
I couldn’t watch at 9.00 pm. Will the concert be repeated in NY city ? Sorry to hear about the changes ! No afternoon broadcast !!! No encore performance in New York !!! No New years greating from the orchestra !!! Ms Andrews talking toooo much !!! The concert could be televised directly from Vienna in its entirety since it takes place in the morning New years day and they are 6 hours ahead of us ! I have been watching it since I was a little girl, living in different countries and now In NY since 30 years. Could we improve on this when making changes, don’t diminish the experience, please !!!!
Yes, I missed my new year’s wished from teh orchestra too. And Why? Was it an editing decision over watching a visitor interrupt a rehearsal? Jule can interrupt my rehearsals anytime, by the way.
Looking forward to this. My cousin is the only American that plays in the Vienna Philharmonic and we’re very proud of him! He’s from Middle TN, so we should all watch and be proud. He’ll be in the trombone section!
Is your cousin Jeremy Wilson? How did he make it all the way to the Vienna Philharmonic from Tennessee?
Which one of the three was he. So cool.
Why is the program published here so different from the one published on the Philharmonic site? Is PBS pasting in performances from the past?
I checked out the Vienna Philharmonic website as well. It runs much longer than the 90 minutes that PBS allocates. If you want to listen to the entire concert live, go to the website for the Austrian Radio and tune in at 5:15 tomorrow morningo. I’ll be doing both — the live radiocast and the PBS.
What radio station would it be broadcast-ed on?
It is a shame that THIRTEEN no longer broadcast this on New Years Day afternoon. We looked forward to and enjoyed the afternoon performance for many years.
Is there a reason you will broadcast a repeat of Masterpiece Classics instead?
I echo Clint’s comment!
So sad! My family has watched and listened every New Year’s Day afternoon for many, many years.
9:00 p.m. is too late for children, the next generation of classical music fans!
Again, so sad and disappointing!
What, only ONE Strauss waltz on the whole program (not counting encores)?
The complete programme includes Rathausball-Tanze Op.438 by Johann II, Delirien Op.212 by Josef and Wiener Burger by Ziehrer.
I had the pleasure of experiencing Mariss Jansons about 10 years ago when he performed Mahler with the Pittsburgh Symphony at the Berlin Philharmonic. And I saw him live from Vienna in 2006, of course. This is one fine conductor and i can’t wait for the 2012 performance!
I was fortunate to attend several of Jansons’ rehearsals for the 2006 live and in person at the Musikvereinsaal, developed a great admiration for him at that time, and have been looking forward to his New Year’s Day return ever since.
When exactly is the concert in Central Time?! Is it 1:30PM? The actual one and the encore? I tried to check the listings but nothing shows up and I tried external sites but I don’t think they’re accurate. Thank you!
Gloria:
The program starts at 8:00pm CT on New Year’s Day (ok, night), 9:00pm ET.
I can not find the performance shown on Public Television for Jan. 1., 2012. Can you help?
Hello. I am trying to find out the air time in San Francisco.
We have no cable (& I barely ever turn on the tv set), so I am not sure what channel line up will apply to me.
Anyone out there know where and when it will air in SF ?
It would be so nice if the live/real version were broadcast in the States (the same version that the Austrians see). Why does it have to be butchered with Julie Andrews and scenes that were filmed some time in the summer? Anyone seriously care about that?? I love Julie Andrews but she has no business in moderating the New Year’s concert and turning it into a Sound-of-Music sequel. Just give it to us in its pure form PLEASE!!
I wholeheartedly agree, but I fear that we qualify for such dumbing-down. Just look at us!
The Ballet Dancers were wonderful. Could someone please let me know the name of the wonderful building that they performed in.
Loved the whole performance.
Maureen – if you mean where the New Year’s concert takes place, it is the Vienna Musikverein. It’s the home of the Philharmonic orchestra. The ballet is usually filmed at various places. Happy New Year!
I agree about the Dancers! Who are they?
Happy New Year!
I should have said, “who are those masked women?”
Happy New Year anyway.
It was the Belvedere Museum in Vienna.
I believe it was at Belvedere Castle.
My family lives in Austria and watched the fireworks all over Vienna from a friends terrace. My son and I toasted here with mango apple cider. We had the pleasure of watching live from the Brandenburg Gate the celebration on DW TV. Please PBS bring back the afternoon program!!! Happy New Year to all of you . 2012 will be great!
It has been a wonderful tradition to watch the concert in the afternoon with the who,e family.
PBS please bring back the afternoon program! Thank you in advance!
How come there are no women in Austria?
I always enjoy this concert each New Year’s day. Looking forward to later.
We have been trying to find out when the TV program is showing?
We need to know today!
Prosit Neu Jahr!
I’m sitting outdoors on the East Coast with my soon to be 80 yr. old Viennese mother! Splendid to read what you all have shared from your hearts & minds.
We’ll soon enjoy the Vienna New Year’s Concert with 3 generations of family – one being my 13 yr. old daughter who plays the violin & loves to figure skate!
Servus~
Heather, Melanie, Georgeanna & David
Without Lanner’s graceful conversion of the traditional landl, would the Strauss’s ever have made it themselves?
I can’t get enough Lanner…. and I miss the wonderful Schrammel Quartet providing a chamber music rendition of these treasures that would fit in your favorite coffee haus or heurigen, much of what makes VIennese music infectious is lost.
I hope some year FROM VIENNA will take us to the small, but vital heart of this exquisite musical convention.
And when will there be a true INTERNET broadcast?” From Vienna” survived the Nazis and was broadcast even during WWII… can’t it reach an even wider audience today?
T
Hi,
I saw the concert last night on SBS Australia from 9.30pm to 12.00pm and I was entranced.It was lovely. Forget the hype and the criticism, just enjoy the music and thank God it was done in a most beautiful and peaceful setting, much removed from thr crises in the middle east. Julie Andrews was an asset, she may be after the publicity and an actress, but she has a good heart, she’s not arrogant. We need some good old-fashioned schmaltz to brighten everyone up.
A very good concert,well done to everyone,
Cheers,
Peter Richards
Sydney, Australia
Why was the annual New Years address omitted this year? Usually the Blue Danube Waltz is interrupted at the beginning by the audience. Anyone know why?
Gee, I thought it was me in my old age where I knew something was wrong but was reminded by my Austrian wife that there was a definite break of “tradition.”
I’m hoping it was in the PBS editing, where those few moments of the “t” word were left on the cutting room floor.
Or perhaps it was just the choice of a Russian band leader.
I’m relatively certain that Yohnny would have reveled in the applause and opportunity to wish everyone a Happy New Year.
I’d like to know too why it was omitted. A very poor editing decision, in my estimation. How do you televise the concert and yet not include the opening of Blue Danube and the New Year’s greeting by the Maestro and Philharmonic? Who deemed this to be disposable and why? Hope this is not a trend.
Who is the beautiful blond ballerina in Blue Danube?
I was extremely disappointed that the orchestra did not have any females in it when there are so many females in the world of music who are of the same or better caliber than many of the males. I guess the last bastion of male supremacy still exists.
This year you have seen ladies in the orchestra. Earlier there were no women, because it was a tradition. Everything happenning in New years concert is TRADITION. interrupting blue danube aswell, because people are waiting for it and since ever ther has been Blue Danube and Radetzky-Marsch.
When’s the repeat?
I missed the first half hour because some genius at my cable provider screwed up the listing in the electronic program guide.
We have no cable or t.v.; can I find the broadcast online/streamed somewhere? I am in AZ in the U.S.; this is my first time in years and years that I can not see the TV broadcast…one of my favorite traditions….
I am so disappointed that in Trinidad, W.I. we do not have PBS on all our Cable Services. A friend just called to tell me to watch the programme, and I am unable to do so.
I tried to view the Performance on PBS website, but found that it is unavailable there as well.
The Vienna Philharmonic Orchestra’s New Year Concert would have been my viewing choice, but, alas……………!!
I will echo Henry’s comment about the lack of females in the Vienna Philharmonic. I seem to recall that there were a couple of token women in the orchestra a few years ago. The men must have closed ranks and returned to their “tradition” of an all-male orchestra. The music is always a pleasure but I’m glad to express my displeasure at this organization’s chauvinistic policy of excluding women.
I have always been bothered by the lack of women in this orchestra. I would enjoy the whole performance so much more if there was an equal representation of women.
Thank God women have not “stormed the Bastille” in every area of life! I am a woman and I can tell you that it is NOT what it is cracked up to be to have to deal with women CONSTANTLY in the workforce, in life, and everywhere else! I seek refuge in the male species, and you might count your blessings that some women prefer the company of men in some situations.
Happy New Year.
P.S. Julie didn’t seem to mind.
Bren, you are so right.
Why do some shallow people (those who have raised the point about not seeing women in the orchestra) have to look for their sex obsessions everywhere they look?
I look forward to this concert on PBS each New Year. The program today was excellent. I so enjoyed the featuered sites around Vienna (one of my favorite cities). Many thanks to the muscians and Viennese for sharing this treasure with the rest of the world.
Grace
Cleveland, Ohio USA
Friends of Great Performances,
I saw her, a harpist, during the The Blue Danube Waltz, op. 314, a Women. 20 centuries of Austrian Civilization and please do not tell me that there is only one talented women musician deemed talented enough to be a Member of the Orchestra!
In case you missed this comment: I will echo Henry’s comment about the lack of females in the Vienna Philharmonic. I seem to recall that there were a couple of token women in the orchestra a few years ago. The men must have closed ranks and returned to their “tradition” of an all-male orchestra. The music is always a pleasure but I’m glad to express my displeasure at this organization’s chauvinistic policy of excluding women.
A mark of civilizations advancement is equality of opportunity for Musicians. Please do not invite a Civil Rights Action, or make it necessary to carry out actions to deny broadcasts that promote or enable chauvinism in choosing Members of the Vienna Philharmonic.
You have no idea why they did or did not include women.
The women were and are excluded for prejudicial reasons. it was long time official policy until a few decades ago, but is still in practice.today. In Austria, women were (and still are) not thought to be capable of providing high quality instrumental music, as per policy. You can look up the history easily on the web. This time, I noted a woman cellist and harpist, down from 4 women last year. The cameraman avoided any close up shots of them, except two 1-second shots. It is really a shame that the Austrians have this genteel form of sexual discrimination which, while not in a league with Devout Islam and Orthodox Judaism (as noted in the recent Middle East news stories), is disturbing nevertheless in the 21st century. I saw many women in the audience, including many Asian women. Women musicians in Austria are probably discouraged from applying and go to other countries for musical work. Well, despite that, it still was an entertaining show, with the dancers, scenery (including the train), art, food, boys choir (with plenty of racial diversity there), and Julie Andrews. She is so splendid, and her return (after being away last year to attend to her dying husband) was a welcome thing.