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June 17th, 2009
GP at the Met: Madama Butterfly
Preview of Madama Butterfly

Anthony Minghella’s sumptuous production of Madama Butterfly, Giacomo Puccini’s heartbreaking tale of love and betrayal, offers viewers a rare visual treat Saturday, June 20 at Noon (ET) on Great Performances at the Met on PBS HD (check local listings).

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Great Performances at the Met is a presentation of THIRTEEN in association with WNET.ORG – one of America’s most prolific and respected public media providers.

Minghella, who died unexpectedly in March 2008, marks his debut in opera with the re-staging of Madama Butterfly – this is also the first time in 20 years that a new production has opened at the Met. The New York Times described it as “a gorgeous cinematic spectacle.”

Soprano Patricia Racette stars as Cio-Cio-San, the young geisha who chooses to die honorably, rather than suffer in shame after learning of her husband’s betrayal. Racette returns to the Met stage after her first appearance in the title role drew a wide-range of critical acclaim. “Her singing was robust, nuanced and passionate,” raved The New York Times. “In every dimension, Ms. Racette’s effort was exceptional; hers is a performance not to be missed.” Tenor Marcello Giordani co-stars as Cio-Cio-San’s American husband Pinkerton. The telecast also features mezzo-soprano Maria Zifchak as Cio-Cio-San’s maid Suzuki and baritone Dwayne Croft as Sharpless.

Madama Butterfly, conducted by Patrick Summers, features costumes by Han Feng, with sets by Michael Levine, lighting by Peter Mumford, choreography by Carolyn Choa, and puppetry by the Blind Summit Theater.

Great Performances at the Met: Madama Butterfly is the ninth of 11 productions airing this season on the series. It is sung in Italian with English surtitles. The production was transmitted onstage as part of The Met: Live in HD March 7, 2009, and recorded for this telecast.

Ranked as number one in Opera America’s list of the 20 most-performed operas in North America, Madama Butterfly wasn’t well-received when it opened initally in February 1904. Puccini revised the opera, and several months later, it opened to much success.

Great Performances is funded by the Irene Diamond Fund, the National Endowment for the Arts, the Corporation for Public Broadcasting, public television viewers, and PBS. Corporate support for Great Performances at the Met is provided by Toll Brothers. Special funding for the telecast was provided by The Annenberg Foundation.

For the Met, Mia Bongiovanni and Elena Park are Supervising Producers, and Louisa Briccetti and Victoria Warivonchik are Producers. Peter Gelb is Executive Producer. For Great Performances, Bill O’Donnell is series producer; David Horn is executive producer.

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37 comments

#1

Having, years ago, performed both Goro and Yamadori. I am more than familiar with this opera. After just watching, I am still trembling.. What a fabulous performance and production…BRAVO and BRAVA!

#2

Outstanding drama; voices to make one shiver with excitement . The energy is palpable, the inovative production most welcomed.

#3

What a beautiful and moving re-shaping and staging of this most popular opera. Heart rendering performances.Would love to see it again.

#4

save

#5

Having sung “Butterfly” years ago and seen it many times since, I approached this current production with a “show me” attitude. Well, you did! I was glued to my set and can’t wait to see it again.

#6

Will this be shown again or is it possible to get a copy? I missed it and am told it was brilliant.

#7

I so enjoyed this performance that I would like to
obtain a video. Also where might I get a libretto
in English?
Thanks for a memorable afternoon.

#8

BEST MADAMA BUTTERFLY I EVER SEEN THE CAST WAS OUTSTANDING THE BACK GROUND STAGE AND LIGHTING WITH THE MUSIC COULD MAKE A PERSON FALL IN LOVE AGAIN TO ALL WHO PERFORM AND TO THE STAGE HANDS I THANK YOU A JOB WELL DONE YOU GET A 5 STAR RATING

#9

The most beautiful Madame Buterfly I have ever seen. Heartbreakingly sad and soufully touching. I must see it again and feel its power and beauty.

#10

Incredible performance, heartbreaking and shattering. ====The staging and puppets were a wonderful surprise. Thank you PBS for making this Madame Butterfly an unforgettable experience .

#11

I started watching this incredible performance at 8PM and I was glued to the TV. I didn’t move from my chair. When it ended I remembered I forgot to take out the garbage. Believe me, nothing makes me forget to take out the garbage, but this magnificent, heartbreaking performance had me in another world. I would like a dvd of this performance so I could watch it again and again.

#12

What a superb performance of that beautiful opera. Patricia Racette’s performance was wonderful. Her voice is beautiful and her acting, tremendous. The staging was a feast for the eyes. Thank you to all the talented people who created such a magnificent, unforgettable experience.

#13

Magnificent and exciting singing, acting, costumes, staging, the orchestra, chorus & great synchronizing of all in Puccini’s masterpiece. A memorable evening!! BRAVA!! I missed Saturday’s show. I must see it again, please rebroadcast it and also on Sunday Arts, if possible so my young pianist students and parents can view it and perhaps see good reason to buy the DVD if and when you make it available to all. ENCORE, ENCORE! Thank you, thank you!

#14

Why is it that any classical music performance is no longer presented in Prime Time, at least on KCET? Why are the few Clasical Music performances of any kind hidden away during the day time. It is very difficult for me to watch television during the day, as I am usually involved with other things. Does PBS think that putting on CLASSICAL MUSIC is something to be ashamed of.
Another thing that is driving me crazy is that I was sure that a BALLET performance was advertised on the June KCET Program Guide. I misplaced the guide but have looked without success for any Ballet production every evening this month.

#15

The production was absolutely awesome. The staging with all the Japanese minimal influences–pupperts, origami, latterns, were wonderful and Patricia Racette was a force of nature. Bravo.

#16

EXCELLENT, moving, emotionally powerful performance by Patricia Racette. A great mix of American & Japanese Art

#17

would like to purchase video or dvd of performance of Madame Butterfly i viewed on Sunday afernoon on June 28th.Is this possible? Please advise. Thank you

#18

Congratulations PBS! This was an exquisite performance. Patricia Racette et al. were beautiful. Thank you for enriching my life.

#19

Simply wonderful. Stumbled upon this when flipping through the channels, and training in the ways of the opera myself, I thought it would be something to look at. I was right! Amazing cast and amazing voices. Good Job PBS!

#20

when I lived in NJ we went regularly to the Met Opera, but Butterfly was not one of my favorites. I have just seen the performance on 6/28/09 with Patricia Racette and the new staging and it is awesome! Use of screens and so many other settings, presentation of the little boy – so clever – I was transfixed! Congratulations to all!

#21

I, too, would like to know if a DVD of this
particular performance is available

#22

Simply fabulous. Is aDVD available?

#23

This production is awesome! When will it be rebroadcast, and when will it be available on DVD?

#24

What an incredible production and powerful performance!! Thank you and bravi tutti! More of this type of truly Great Performances (symphony, opera,choral, ballet, recital) PLEASE!! Like the Los Angeles viewer, I am frustrated that the Dallas affiliate seems to downplay classically oriented Great Performances. This Butterfly was broadcast the Sunday afternoon of the 4th of July weekend. Riu and Bocelli get prime time…and I watch something else. Thank you for providing these moving, meaningful performances.

#25

did minghella stage production live in 2006?

#26

Very moving performance by all. The puppetry of the young child was wonderful. The stage settings were minimal and very effective. All my emotions were brought to the surface, pain, sorrow, worry, anticipation,joy and heartbreak. Thank you for showing such a wonderful production.

#27

Watching this opera is an emotional experience. Patricia Racette’s Cio-Cio-San reaches out and grabs your heart and doesn’t let go. You feel her joy then her pain and anguish on being abandonded by Pinkerton. The production is magnificent. It’s hard to adequately describe Patricia Racette’s performance in words, she simply is Cio-Cio-San. When she sings Un Bel Di Vedremo and you watch her exquisite performance, well, your heart aches and there will be tears. Then you will have to see it again!

Ron Robinson
Fairfax, VA

#28

I happened upon this remarkable performance by chance and it will remain one of the most memorable performances of Madama Butterfly that I have seen so far! The use of puppetry gave it an aura of a Japanese folk legend and added to the drama of the performance! Absolutely unforgettable!

#29

I missed the original broadcast but was lucky to catch a rerun this afternoon (7/19/09). This was by far the most moving of the several productions I have enjoyed in my lifetime. My thanks, and congratulations, to all the artists involved. Please contact me when a DVD is available for purchase.

#30

I just discovered this adaptation of Madama Butterfly online. I missed it. When will it be shown again? Please advise me when a DVD is available. Thank you.

#31

I was fortunate enough to actually be @ the Met for this performance and immediately wished to purchase a DVD copy! Thrilled when I heard it there was re-broadcast on PBS–alas, I missed it.PLEASE let me know when/where/how this will be available for purchase-no other production has so enraptured me!

#32

I saw this production this past Fall live at the Metropolitan Opera. It took my breath away. Patricia Racette was for my money the best Butterfly I have ever heard and seen. Her singing and acting made Butterfly come alive. The rest of the cast and the sets were incredible. I hope the Met releases this production on DVD like they have for other HD Broadcasts. Will it be rebroadcast on any PBS stations?

#33

The opera is magnificient and the production was GEORGEOUS!! Even though I’m not Racette’s biggest fan ( her singing and acting where good, she doesn’t strike me a a Butterfly-type) I really, really enjoyed it. I almost cried, like I do pretty much every time I hear/watch Puccini.

#34

I’ve seen this opera 6 times-the Minghella production 2x and Patricia Racette is awesome, incredible, spectacular and I liked the puppet in the production. the AM production is a visual treat and brilliant presentation. WHY IS THERE NO DVD FOR THIS OPERA WITH PR-there is no better MB (of course I’m biased, but PR fans understand…

#35

I watched this opera today on KQED, San Francisco. Although I don’t know much about operas, I do enjoy when I see them. I loved the whole thing, the singing and the modern stage work. I agree with all the comments about this opera before me. Being a Japanese, I especially enjoyed the integration of Kabuki and Bunraku (Japanese puppet), and the minimal stage settings like Noo play. Only thing I felt uncomfortable, however, was the Japanese costumes. While the American costumes were close to the real thing, Japanese costumes were too far-fetched, even though I realize they were also changed to go with the art form of this opera. Especially it terribly bothered me that the bride’s headdress was worn by one of the relatives (her mother?) instead of the bride. There are a few rules you just can’t change. And also, I wished the puppet boy were a bit fairer and the facial features more mixed. He looked just like a Japanese boy, I liked his face though. Am I too fussy? Thank you PBS for the quality programs.

#36

This is my most favorite opera of all, I just love it. This particular opera is just wonderful and Ms. Patricia Racette performs her role with such feeling, I am still crying and shaking from her powerful portrayal. Thank you so much for airing this opera. The props, production, costumes, and supporting cast were just wonderful!

#37

I watched the opera in Munich in a live performance from the Met on 7 March 2009. I was just overwhelmed. For me the addition of the puppet boy added such a strong emotional element. His little face is haunting me ever since. I join Mary Nilan’s urgent question: Why is there no DVD for this opera. Of course it should be available in Germany then as well.

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