“South Pacific” in Concert from Carnegie Hall

Introduction

Joe Sinnott-Thirteen/WNET New York

Joe Sinnott-Thirteen/WNET New York

“SOUTH PACIFIC” IN CONCERT FROM CARNEGIE HALL premiered on April 26, 2006 on PBS (check local listings).

Based on James Michener’s Pulitzer Prize-winning collection of short stories TALES OF THE SOUTH PACIFIC, Rodgers & Hammerstein’s own Pulitzer Prize-winning blockbuster was a landmark of post-World War II Broadway, a provocative romantic drama that beguiled audiences with a hit parade of instant standards. Last June, “South Pacific” reached new heights when, for one enchanted evening, Carnegie Hall presented a magnificent concert production with a dream cast headed by Reba McEntire, Brian Stokes Mitchell, Jason Danieley, Lillias White, and Alec Baldwin. Directed for the concert stage by Walter Bobbie, with musical director Paul Gemignani conducting the Orchestra of St. Luke’s, the performance was acclaimed by THE NEW YORK TIMES as “a state of nearly unconditional rapture,” praising the production for locating “the show’s real staying power in its operatic respect for love as a force that hurts, teases, destroys and ennobles.”

“South Pacific” was among Rodgers and Hammerstein’s most successful and critically acclaimed shows, winning nine Tony Awards®, including Best Musical, in 1950. Although its first Broadway revival will not occur until the 2007-08 season (when it is presented by Lincoln Center Theater), “South Pacific” has lived on in thousands of productions, both professional and amateur, over the years, as well as in two movie versions.

Learn why “South Pacific” had to be a hit for the duo and the difficulties they encountered in presenting the controversial theme at the heart of the musical in the essay by contributor Thomas Hischak. See all the numbers from the musical in the song list, which includes links to video excerpts from the concert performance. Find photos from the original production in the Multimedia Presentation, and read an interview with musical theater star Brian Stokes Mitchell.

Special funding for the program was provided by The Rodgers Family Foundation and The LuEsther T. Mertz Charitable Trust.

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