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Charles Isherwood of The New York Times observed, “[Composer] David Bryan evokes the powerhouse funk of James Brown, the hot guitar riffs of Chuck Berry, the smooth harmonies of the Temptations, the silken, bouncy pop of the great girl groups of the period.” The New York Post raved “Of such thrills, Broadway is made.” The Associated Press called Memphis “The very essence of what a Broadway musical should be.”

Memphis takes place in the smoky halls and underground clubs of the segregated 50’s, where a young white DJ named Huey Calhoun (Kimball) falls in love with everything he shouldn’t: rock and roll and an electrifying black singer Felicia Farrell (Glover). Memphis is an original story about the cultural revolution that erupted when his vision met her voice, and the music changed forever.

Filled with high-octane dancing, songs that perfectly capture the era, and an absorbing tale of fame and forbidden love, the show offers soaring emotion and roof-raising rock ‘n’ roll.

The show’s Tony®-winning original score features music by Bon Jovi’s founding member and keyboardist David Bryan and lyrics by Bryan and Joe DiPietro (I Love You, You’re Perfect, Now Change), who also pens the musical’s book. . The show is based on a concept by the late George W. George (producer of the Tony nominated Bedroom Farce and the film My Dinner With Andre), with direction by Tony nominee Christopher Ashley (Xanadu) and choreography by Sergio Trujillo, (Jersey Boys, Next to Normal).

The critically acclaimed production of Memphis won a total of four 2010 Tony Awards including Best Musical, Best Score (David Bryan and Joe DiPietro), Best Book (Joe DiPietro), and Best Orchestrations (David Bryan and Daryl Waters). Memphis is currently in its 3rd smash year on Broadway, delighting audiences nightly at the Shubert Theatre (225 West 44th Street).

Memphis recently launched a U.S. national tour in Memphis, TN, which opened to critical acclaim in October 2011 at the historic Orpheum Theatre.

Memphis will be released on Blu-ray™, DVD and digital download on January 24th by Shout! Factory, in association with Broadway Worldwide.

Great Performances is a production of THIRTEEN for WNET, one of America’s most prolific and respected public media providers. For nearly 50 years, WNET has been producing and broadcasting national and local arts programming to the New York community.

Great Performances is funded by The National Endowment for the Arts, the Irene Diamond Fund, Vivian Milstein, The Starr Foundation, the Philip and Janice Levin Foundation, Joseph A. Wilson, The LuEsther T. Mertz Charitable Trust, public television viewers, and PBS.

For Great Performances, Bill O’Donnell is series producer; David Horn is executive producer.

The high definition production was captured by Broadway Worldwide live-in-performance at the Shubert Theatre. Broadway Worldwide is led by executive producer Bruce Brandwen, with five-time Emmy® winning director Don Roy King and Grammy® winning sound producer Matt Kaplowitz.

Tony Bennett: Duets II, a presentation of THIRTEEN’s Great Performances, features the singer’s greatest hits, performed by Bennett and today’s biggest stars, including John Mayer, Michael Bublé, k.d. lang, Sheryl Crow, Willie Nelson, Queen Latifah, Norah Jones, Josh Groban, Faith Hill, Alejandro Sanz, Carrie Underwood and more.

The sessions, filmed to capture the magic of these performers singing with the master of the Great American Songbook, airs on Friday, January 27, 2012, at 9 p.m. on PBS (check local listings).

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Great Performances is a production of THIRTEEN for WNET, one of America’s most prolific and respected public media providers. For nearly 50 years, WNET has been producing and broadcasting national and local arts programming to the New York community.

The album took more than six months to record, with each track recorded face-to-face with his singer partners in studios around the world, from LA to Nashville to London.  Among the many highlights is Amy Winehouse’s last recorded track (“Body and Soul”), which was produced in London’s famous Abbey Road Studios in March.  Other tracks were recorded in New York in late July: the Richard Rodgers-Lorenz Hart classic, “The Lady Is a Tramp” with Lady Gaga, and the Alan and Marilyn Bergman classic, “How Do You Keep the Music Playing,” with Aretha Franklin, and “Stranger in Paradise” with Andrea Bocelli, recorded at the singer’s Italian home (see full track listing below).

The CD received kudos from all quarters. The Wall Street Journal noted that the singer was “…constantly reaffirming his position as pop music’s greatest living patriarch,” and Associated Press observed, “Tony Bennett is as timeless as the songs he sings on ‘Duets II.’”

The musical segments are highlighted by insights on the process from the performers, making for an up-close look at one of the year’s most celebrated recordings. The sessions were filmed by Oscar-winning cinematographer Dion Beebe (“Chicago,” “Memoirs of a Geisha,” “Collateral”), providing a personal, behind-the-scenes look at Bennett’s latest collaborations and his artistic approach with each song.

Entering his seventh decade as a recording artist with more than 100 albums and 15 Grammy Awards including the Grammy Lifetime Achievement Award, Bennett has earned his legendary status many times over.  He remains the Columbia recording artist with the greatest longevity at the label.  His 2007 primetime special, “Tony Bennett:  An American Classic,” won seven Emmy Awards and was directed by Academy Award winner Rob Marshall.

He has performed for Presidents Eisenhower, Kennedy, Johnson, Carter, Reagan, Geroge H.W. Bush, Clinton, George W. Bush and Obama.  He also worked with and marched alongside Martin Luther King in his 1965 civil rights march and was honored with the Martin Luther King’s Salute to Greatness Award.

In addition to performing, he is a visual artist as well, with three of his original paintings featured in the permanent collection at the Smithsonian, including his portraits of Ella Fitzgerald and Duke Ellington.  His humanitarian efforts are renowned, and the United Nations honored him with their Humanitarian Award in 2007.

He has published three books — his autobiography, The Good Life, and two collections of his paintings, Tony Bennett: What My Heart Has Seen and Tony Bennett in the Studio: A Life of Art and Music.  Bennett founded, in association with the Department of Education in New York City, the Frank Sinatra School of the Arts — a public arts high school in his hometown of Astoria, Queens. With his wife, Susan, he established Exploring the Arts, a charitable organization that supports arts education in NYC public high schools.  Exploring the Arts supports 14 public high schools throughout New York City.

In the fall of 2007, a documentary of Bennett’s life and career, produced by Clint Eastwood, “Tony Bennett: The Music Never Ends,” aired on THIRTEEN’s American Masters on PBS.

The full song program follows:

“The Lady Is a Tramp” (Lady Gaga)
“One for My Baby (And One More for the Road)” (John Mayer)
“Body and Soul” (Amy Winehouse)
“Don’t Get Around Much Anymore” (Michael Bublé)
“Blue Velvet” (k.d. lang)
“How Do You Keep the Music Playing” (Aretha Franklin)
“The Girl I Love” (Sheryl Crow)
“On the Sunny Side of the Street” (Willie Nelson)
“Who Can I Turn To (When Nobody Needs Me)” (Queen Latifah)
“Speak Low” (Norah Jones)
“This Is All I Ask” (Josh Groban)
“Watch What Happens” (Natalie Cole)
“Stranger in Paradise” (Andrea Bocelli)
“The Way You Look Tonight” (Faith Hill)
“Yesterday I Heard the Rain” (Alejandro Sanz)
“It Had to Be You” (Carrie Underwood)

Great Performances is funded by the National Endowment for the Arts, Vivian Milstein, the LuEsther T. Mertz Charitable Trust, the Starr Foundation, the Filomen M. D’Agostino Foundation, the Philip and Janice Levin Foundation, public television viewers, and PBS.

Tony Bennett: Duets II is produced by RPM TV Productions, Inc. For Great Performances, Bill O’Donnell is series producer; David Horn is executive producer.

Herbie Hancock, Gustavo Dudamel and the LA Phil Celebrate Gershwin, featuring that classic piece as well as “An American in Paris” and Hancock’s unique improvisation on the great standard “Someone to Watch Over Me,” airs on THIRTEEN’s Great Performances Friday, January 6 at 9 p.m. on PBS (check local listings).

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Since his early teens, Gershwin had been enamored with the music he heard uptown in Harlem, quickly becoming the center of the jazz universe. His first attempt at a serious composition, the mini-opera Blue Monday, a story about characters in a Harlem nightclub was a flop and received only one performance.

Upon seeing the opera, band leader Paul Whiteman was enthused enough to commission Gershwin to write a concert piece in the jazz idiom for a program of American music, and Gershwin, was emboldened to take it on. As he later explained, “I heard it as a sort of musical kaleidoscope of America – of our vast melting pot, of our unduplicated national pep, of our metropolitan madness.”

Rhapsody was introduced on February 12, 1924, with the composer as soloist in Ferde Grofé’s orchestration for jazz band. The piece made an indelible mark on the history of American music, on the fraternity of serious composers and performers – many of whom were present at the premiere – and on Gershwin himself, for its enthusiastic reception encouraged him to other and more serious projects.

It was a trip to Paris that inspired Gershwin to work in earnest on a recent commission he had received from the New York Philharmonic, one that would capture in music the tumult of Paris’ streets with their distinctive taxi horns, and create a concert work that didn’t center on the piano.

Back in New York, Gershwin finished An American in Paris, which he subtitled “A Tone Poem for Orchestra.” In an interview in the August 18, 1928 edition of Musical America, he said of the work: “this new piece, really a rhapsodic ballet, is the most modern music I have ever attempted.” He also gave a brief “program note” of the work:

An American in Paris was wildly successful with audiences – and Hollywood – and established Gershwin as an original voice in concert halls worldwide, a voice that resonates to this day.

“Someone to Watch Over Me” was composed by George Gershwin with lyrics by Ira Gershwin for the musical Oh, Kay! (1926), where it was introduced by British star Gertrude Lawrence. It has been performed by numerous artists in both popular and jazz versions.
The Los Angeles Times noted admiringly, “The L.A. Philharmonic is noted for its flexibility, and the solo riffs were jazzy, authentic and unself-conscious, all of which is a real rarity in the symphonic world.”

Concurrently serving as Music Director of the Los Angeles Philharmonic (his third season), the Gothenburg Symphony Orchestra, and the Simón Bolívar Symphony Orchestra of Venezuela, Dudamel’s musical leadership spans three continents.

Beyond the forty-three weeks of his yearly schedule, he also guest conducts with a few of the world’s greatest orchestras each season. This season he returns to the Vienna Philharmonic and the Berlin Philharmonic, along with the Orchestre Philharmonique de Radio France in Paris and the Israel Philharmonic. He also returns to La Scala, where he regularly conducts, for a performance of Mahler Symphony No. 2.

Herbie Hancock is a true icon of modern music. Throughout his explorations, he has transcended limitations and genres. His illustrious career has spanned five decades and 14 Grammys, including Album of the Year for River: The Joni Letters.

Hancock also maintains a thriving career outside the performing stage and recording studio. Recently named by the Los Angeles Philharmonic as Creative Chair for Jazz, he currently also serves as Institute Chairman of the Thelonious Monk Institute of Jazz, and he’s a founder of The International Committee of Artists for Peace. Hancock was made a UNESCO Goodwill Ambassador in July of 2011.

In 2010, Hancock released the critically-acclaimed, multiple Grammy-winning CD, Herbie Hancock’s The Imagine Project. Utilizing the universal language of music to express its central themes of peace and global responsibility, the ‘Imagine’ project features a stellar group of musicians.

Herbie Hancock, Gustavo Dudamel and the LA Phil Celebrate Gershwin is a production of THIRTEEN in association with WNET, Bernard Fleisher Moving Images, WDR in cooperation with ARTE, Los Angeles Philharmonic Association, and C Major.

Great Performances is funded by The National Endowment for the Arts, the Anna-Maria and Stephen Kellen Arts Fund, Vivian Milstein, Jody and John Arnhold, The LuEsther T. Mertz Charitable Trust, The Starr Foundation, the Filomen M. D’Agostino Foundation, the Philip and Janice Levin Foundation, public television viewers, and PBS.

Herbie Hancock, Gustavo Dudamel and the LA Phil Celebrate Gershwin is directed by Enrique Sanchez Lansch. Producer: Bernhard Fleischer. Producer for WDR/ARTE: Lothar Mattner. For Great Performances, John Walker is producer; Bill O’Donnell is series producer; David Horn is executive producer.

Hugh Laurie: Let Them Talk – A Celebration of New Orleans Blues airs on THIRTEEN’s Great Performances Friday, September 30 at 9 p.m. ET on PBS (check local listings). Download or listen to “Police Dog Blues” below. The download will be available until 10/4/2011.

Download “Police Dog Blues,” the tenth track on Hugh Laurie’s debut album Let Them Talk.

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Defying simple categorization, Laurie finds his greatest satisfaction and inspiration from the mixture of blues and jazz that grew out of New Orleans at the beginning of the last century. He was inspired as a teenager by hearing blues great Professor Longhair’s “Tipitina.” Let Them Talk is Laurie’s very personal journey into the heart and soul of that music: “Here I am in the French Quarter playing with all these amazing musicians. This may be about as good as it gets. In fact, this may be what heaven is like.”

Laurie sings a wide selection of tunes, accompanying himself on piano or guitar, and backed by some of the town’s top-flight musicians. He refuses to pigeonhole his selections. “There are only two categories: good and bad. Those are the only things that matter.”

Throughout the hour, there are intimate performances and rehearsals with blues legends Allen Toussaint and Irma Thomas, known as the “Soul Queen of New Orleans,” as well as another fellow traveler from Great Britain similarly inspired by this uniquely American music, Sir Tom Jones.

Hugh Laurie: Let Them Talk – A Celebration of New Orleans Blues also includes documentary segments showing Laurie’s daytime and nocturnal travels around the city on foot, by bike, or car, including a visit to the legendary Euclid Records shop, where he reverently inspects the classic LPs there.

Laurie dubs the city “the most romantic place on earth” and observes that this is “a city that doesn’t fear death. It’s looked death in the eye.” This aspect is reflected in its music, he notes. “Death is the minor key. Life is the major key.”

He freely admits he’s following “in the footsteps of Martin Scorsese, Ken Burns, and Spike Lee,” all of whom memorably trod similar cinematic musical paths.

Of Laurie’s piano prowess, Jones observes admiringly, “He must have listened to a lot of blues players, a lot of boogie-woogie players,” and notes that Laurie’s playing resembles that of Jerry Lee Lewis. Thomas marvels that when she saw him on the keyboards on House, she “could tell he was actually playing.”

With concert sequences filmed at the historic Latrobe’s building in the French Quarter, the musical selections include New Orleans blues standards along with forgotten and neglected gems.

Song Listing

“Swanee River” (Foster/Charles)
Hugh Laurie

“Baby What Do You Want Me to Do”/“You Got Me Running” (Jimmy Read)
Miss Lovell White & The Austin Blues Society Band

“You Don’t Know My Mind” (Williams/Gray/Liston)
Hugh Laurie

“You Don’t Know Me” (Walker/Arnold)
Lady on Guitar

“Copperhead Road” (Steve Earle)
Group Singing and Playing Guitars

“Luckenbach Texas (Back to the Basics of Love)” (Moman/Emmons)
Group Singing and Playing Banjos/Guitars

“John Henry” (Traditional Arrangement – Chatman)
Hugh Laurie/Irma Thomas

“St. James Infirmary” (Traditional Arrangement – Primrose)
Hugh Laurie

“Buddy Bolden’s Blues” (Traditional Arrangement – Morton)
Hugh Laurie

“Baby Please Make A Change” (Mississippi Sheiks)
Hugh Laurie/Tom Jones/Irma Thomas

“Let Them Talk”
Hugh Laurie

“Tipitina” (Professor Longhair)
Hugh Laurie

No stranger to public television, Laurie’s “Jeeves and Wooster” (with comedy partner Stephen Fry) was a popular Masterpiece Theatre presentation in the early 1990s.

Great Performances is a production of THIRTEEN for WNET New York Public Media, one of America’s most prolific and respected public media providers. For nearly 50 years, WNET has been producing and broadcasting national and local arts programming to the New York community.

Hugh Laurie: Let Them Talk – A Celebration of New Orleans Blues was directed for television by JP Davidson. For Great Performances, Bill O’Donnell is series producer, and David Horn is executive producer.

Major funding for the Great Performances telecast is provided by Vivian Milstein, LuEsther T. Mertz, the Philip and Janice Levin Foundation, and the Filomen M. D’Agostino Foundation.

The eclectic, crowd-pleasing program is set to include Beethoven’s Triple Concerto in C major, Op. 56, performed by Ax, Ma, and Shaham, a selection of Duke Ellington songs – including “Solitude,” “Sophisticated Lady,” “On a Turquoise Cloud,” and “It Don’t Mean a Thing if it Ain’t Got That Swing” — performed by McDonald, and full performances of Antonin Dvořák’s Carnival Overture and George Gershwin’s An American in Paris.