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	<title>Great Performances &#187; Judith Blegen</title>
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		<title>GP at The Met: L&#8217;Elisir D&#8217;Amore: Production Credits</title>
		<link>http://www.pbs.org/wnet/gperf/episodes/gp-at-the-met-lelisir-damore/production-credits/112/</link>
		<comments>http://www.pbs.org/wnet/gperf/episodes/gp-at-the-met-lelisir-damore/production-credits/112/#comments</comments>
		<pubDate>Thu, 06 Sep 2007 20:07:31 +0000</pubDate>
		<dc:creator>daniel ross</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[Donizetti]]></category>
		<category><![CDATA[GP at The Met]]></category>
		<category><![CDATA[Judith Blegen]]></category>
		<category><![CDATA[Luciano Pavarotti]]></category>
		<category><![CDATA[Nicola Rescigno]]></category>

		<guid isPermaLink="false">http://www.pbs.org/wnet/gperf/?p=112</guid>
		<description><![CDATA[Web Credits

 Producer: Anu Krishnan
Designer: Lenny Drozner
Graphic Art: Gabriel Torres
Technical Director: Brian Lee
Production Assistant: Diana Cofresí-Terrero
Copy Editor: Leslie Kriesel
HTML Implementation: Brian Santalone

GREAT PERFORMANCES Web pages copyright © 2007 Educational Broadcasting Corporation.

Thirteen Online is a production of Thirteen/WNET New York's Kravis Multimedia Education Center in New York City. Anthony Chapman, Director of Interactive &#38; Broadband. Bob [...]]]></description>
			<content:encoded><![CDATA[<p><span class="yellowtext"><strong>Web Credits</strong></span></p>
<p><span class="bodytext"> Producer: Anu Krishnan<br />
Designer: Lenny Drozner<br />
Graphic Art: Gabriel Torres<br />
Technical Director: Brian Lee<br />
Production Assistant: Diana Cofresí-Terrero<br />
Copy Editor: Leslie Kriesel<br />
HTML Implementation: Brian Santalone</span></p>
<p>GREAT PERFORMANCES Web pages copyright © 2007 Educational Broadcasting Corporation.</p>
<p>Thirteen Online is a production of Thirteen/WNET New York&#8217;s Kravis Multimedia Education Center in New York City. Anthony Chapman, Director of Interactive &amp; Broadband. Bob Adleman, Business Manager. Tamara E. Robinson, Vice President &amp; Director, Programming.</p>
<p><span class="yellowtext"><strong>Television Credits </strong></span></p>
<p>GREAT PERFORMANCES AT THE MET: &#8220;L&#8217;Elisir D&#8217;Amore&#8221;</p>
<p>Gaetano Donizetti<br />
&#8220;L&#8217;Elisir D&#8217;Amore&#8221;</p>
<p>Conducted by<br />
Nicola Rescigno</p>
<p>Production by<br />
Nathaniel Merrill</p>
<p>Set and Costume Designer<br />
Robert O&#8217;Hearn</p>
<p>Lighting Designer<br />
Gil Wechsler</p>
<p>Cast<br />
Adina<br />
Judith Blegen</p>
<p>Nemorino<br />
Luciano Pavarotti</p>
<p>Sergeant Belcore<br />
Brent Ellis</p>
<p>Dr. Dulcamara<br />
Sesto Bruscantini</p>
<p>Giannetta<br />
Louise Wohlafka</p>
<p>Choreographer<br />
Todd Bolender</p>
<p>Chorus Master<br />
David Stivender</p>
<p>Musical Preparation<br />
Joan Dornemann</p>
<p>Assistant Stage Manager<br />
Pamela Mcrae</p>
<p>Prompter<br />
Joan Dornemann</p>
<p>Recitative Accompanist<br />
Gildo Di Nunzio</p>
<p>Metropolitan Opera Administration<br />
General Manager<br />
Anthony A. Bliss</p>
<p>Music Director and Principal Conductor<br />
James Levine</p>
<p>Assistant Managers<br />
Joan Ingpen<br />
Joseph Volpe<br />
Marilyn Shapiro</p>
<p>Production Advisor<br />
John Dexter</p>
<p>Artistic Administrator<br />
Charles Riecker</p>
<p>Technical Director<br />
Joseph Clark</p>
<p>Metropolitan Opera Orchestra<br />
Personnel Manager<br />
Abraham Marcus</p>
<p>Concert Master<br />
Raymond Gniewek</p>
<p>Metropolitan Opera Chorus</p>
<p>Metropolitan Opera Ballet<br />
Ballet Master<br />
Donald Mahler</p>
<p>Stage Managers<br />
Tom Connell<br />
Chris Mahan<br />
Stanley Levine</p>
<p>Stage Operations<br />
Master Carpenter<br />
Stephen Diaz</p>
<p>Master Electrician<br />
Sander Hacker</p>
<p>Properties Master<br />
Arthur Ashenden</p>
<p>Wig and Hair Stylist<br />
Nina Lawson</p>
<p>Makeup Artist<br />
Victor Callegari</p>
<p>Wardrobe Mistress<br />
Christina Calamari</p>
<p>This stage production of &#8220;L&#8217;Elisir D&#8217;Amore&#8221; was made possible by a gift from the Metropolitan Opera Club, Mr. R. Livingston Ireland &amp; Margaret Allen Ireland, Mrs. John Barry Ryan, and Mrs. Albert D. Lasker</p>
<p>LIVE FROM THE MET<br />
Executive Producer<br />
Michael Bronson</p>
<p>Producer<br />
Clemente D&#8217;Alessio</p>
<p>Directed by<br />
Kirk Browning</p>
<p>Associate Director<br />
Alan Skog</p>
<p>Associate Producer<br />
Karen Adler</p>
<p>Engineering Consultant<br />
John Leay</p>
<p>Audio Design<br />
John Pfeiffer</p>
<p>Transmission Consultant<br />
Mark Schubin</p>
<p>English Subtitles<br />
Sonya Friedman</p>
<p>Continuity<br />
Gerald Fitzgeralt</p>
<p>Intermission Feature<br />
Gene Searchinger<br />
Equinox Films</p>
<p>Production Supervisor<br />
Norman C. Berns</p>
<p>Editors<br />
Judith Fleth<br />
David Dean<br />
Steve Rosofsky</p>
<p>Senior Technician<br />
Ralph Parisi, Sr.</p>
<p>Technical Director<br />
Rosario Augugilaro</p>
<p>Audio<br />
Gino Aldo Lombardo<br />
Michael Shoskes<br />
Bill King</p>
<p>Video<br />
Bill Steinberg<br />
Paul C. York</p>
<p>Camera<br />
Juan Barrera<br />
John Geher<br />
Les Leibowitz<br />
Mike Lieberman<br />
Jake Ostroff<br />
Ron Washburn</p>
<p>Television Stage Managers<br />
Terrence Benson<br />
Tony Marshall<br />
Diana Wenman</p>
<p>Production Assistants<br />
Scott Fraser<br />
Karen McLaughlin</p>
<p>Production Facilities<br />
Reeves Teletape</p>
<p>Copyright 1981 by Metropolitan Opera Association</p>
<p><span class="credittext">The contents of these GREAT                PERFORMANCES Web pages are copyrighted under United States and other                copyright laws. You may not download, reproduce, transmit, display,                distribute or make derivative works from the contents of the GREAT                PERFORMANCES Web pages other than for personal use without the advance                written permission of the copyright owner. Any unauthorized use                of any of the contents of the GREAT PERFORMANCES Online Web pages                may result in civil liability and criminal prosecution.</span></p>
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		<title>GP at The Met: L&#8217;Elisir D&#8217;Amore: Introduction</title>
		<link>http://www.pbs.org/wnet/gperf/episodes/gp-at-the-met-lelisir-damore/introduction/111/</link>
		<comments>http://www.pbs.org/wnet/gperf/episodes/gp-at-the-met-lelisir-damore/introduction/111/#comments</comments>
		<pubDate>Thu, 06 Sep 2007 20:02:25 +0000</pubDate>
		<dc:creator>daniel ross</dc:creator>
				<category><![CDATA[By Title]]></category>
		<category><![CDATA[Opera]]></category>
		<category><![CDATA[Donizetti]]></category>
		<category><![CDATA[GP at The Met]]></category>
		<category><![CDATA[Judith Blegen]]></category>
		<category><![CDATA[Luciano Pavarotti]]></category>
		<category><![CDATA[Nicola Rescigno]]></category>

		<guid isPermaLink="false">http://www.pbs.org/wnet/gperf/?p=111</guid>
		<description><![CDATA[

GREAT PERFORMANCES AT THE MET pays tribute to the life of Luciano Pavarotti, who died on September 6, 2007, with an encore performance of one of his most treasured roles, Nemorino in Donizetti's "L'Elisir D'Amore" ("The Elixir of Love"). The two-and-one-half-hour, two-act opera was originally broadcast on PBS stations from the stage of the Metropolitan [...]]]></description>
			<content:encoded><![CDATA[<p><a href="http://www-tc.pbs.org/wnet/gperf/files/2008/11/590_lelisir_intro.jpg"><img class="alignnone size-medium wp-image-339" title="590_lelisir_intro" src="http://www-tc.pbs.org/wnet/gperf/files/2008/11/590_lelisir_intro.jpg" alt="" width="590" height="310" /></a></p>
<p>GREAT PERFORMANCES AT THE MET pays tribute to the life of Luciano Pavarotti, who died on September 6, 2007, with an encore performance of one of his most treasured roles, Nemorino in <a href="http://www.pbs.org/wnet/gperf/education/donizetti.html">Donizetti</a>&#8217;s &#8220;L&#8217;Elisir D&#8217;Amore&#8221; (&#8221;The Elixir of Love&#8221;). The two-and-one-half-hour, two-act opera was originally broadcast on PBS stations from the stage of the Metropolitan Opera in New York City on March 2, 1981. A highlight of the telecast is Pavarotti&#8217;s stunning rendition of &#8220;Una Furtiva Lagrima,&#8221; an aria he made his own in his illustrious career. Charlie Rose introduces the In Memoriam broadcast.</p>
<p><strong>Composer</strong>: Gaetano Donizetti</p>
<p><strong>Librettist</strong>: Libretto by Felice Romani, based on Eugène Scribe&#8217;s libretto &#8220;Le Philtre&#8221;</p>
<p><strong>Production</strong>: Nathaniel Merrill</p>
<p><strong>Conductor</strong>: Nicola Rescigno</p>
<p><strong>Performers</strong>: Judith Blegen (Adina), Luciano Pavarotti (Nemorino), Brent Ellis (Sergeant Belcore), Sesto Bruscantini (Dr. Dulcamara), and Louise Wohlafka (Giannetta)</p>
<p><strong>Synopsis</strong>:<br />
<strong><span class="yellowtext">Act I</span></strong><br />
Adina, wealthy owner of a local farm, her friend Giannetta and a group of peasants are resting beneath a shade tree on her estate. At a distance Nemorino, a young villager, laments he has nothing to offer Adina but love. The peasants urge their mistress to read them a story &#8212; how Tristan won the heart of Isolde by drinking a magic love potion. No sooner has Adina done so than Sgt. Belcore swaggers in with his troops. The soldier&#8217;s conceit amuses her, but he is not dissuaded from asking her hand in marriage. Saying she will think it over, she orders refreshments for his comrades. When Adina and Nemorino are left alone, he awkwardly declares his love. She tells him his time would be better spent looking after his ailing uncle than mooning over her, for she is fickle as a breeze.</p>
<p>In the town piazza, villagers hail the traveling salesman Dr. Dulcamara, who proclaims the virtues of his patent medicine. Since it is inexpensive, the villagers buy eagerly. When they have gone, Nemorino asks Dulcamara if he sells the elixir of love described in Adina&#8217;s book. Pulling out a bottle of Bordeaux, the charlatan declares this is the very draught. Though it costs him his last cent, Nemorino buys the wine and hastily drinks it. Adina enters to find him tipsy; certain of winning her love, he pretends indifference. To punish him, Adina flirts with Belcore, who, informed that he must return to his garrison, persuades her to marry him at once. Horrified, Nemorino begs Adina to wait one more day, but she ignores him and invites the entire village to her wedding feast. Nemorino rushes away, moaning that he has been ruined by Dulcamara&#8217;s elixir.</p>
<p><strong><span class="yellowtext">Act II</span></strong><br />
At a local tavern, the pre-wedding supper is in progress. Dulcamara, self-appointed master of ceremonies, sits with the bridal couple. Adina&#8217;s mind is distracted by the doctor, who suggests they blend their voices in a barcarole about a gondoliera and her wealthy suitor. When the duet ends, Adina goes off with Belcore to sign the marriage contract; the guests disperse. Remaining behind, Dulcamara is joined by Nemorino, who begs for another bottle of elixir; his pleas are rejected, because he has no money. Belcore returns, annoyed that Adina has postponed the wedding until nightfall; he spies Nemorino and asks why he is so sad. The youth explains his financial plight, whereupon the sergeant persuades him to join the army and receive a bonus awaiting all volunteers. Belcore leads the perplexed Nemorino off to sign him up, enabling him to buy more elixir.</p>
<p>Peasant girls, gathered in the square, hear from Giannetta that Nemorino&#8217;s uncle has died and willed him a fortune. When the youth reels in, giddy from a second bottle of wine, they besiege him with attention; unaware of his new wealth, he believes the elixir finally has taken effect. Adina and Dulcamara arrive in time to see him leave with a bevy of beauties, and she, angry that he has sold his freedom to Belcore, grows doubly furious. Hoping to sell Adina a bottle of elixir, Dulcamara claims that Nemorino&#8217;s popularity is due to the magic potion. Adina replies she will win him back through her own charms. Reentering alone in a pensive mood, Nemorino takes heart because of a tear he has seen on Adina&#8217;s cheek, but when she appears, he acts disinterested. She confesses she bought back his enlistment papers because she loves him.</p>
<p>Back in the piazza, Belcore marches in to find Adina affianced to Nemorino; declaring that thousands of women await him, he accepts the situation philosophically. Attributing Nemorino&#8217;s happiness and inheritance to the elixir, Dulcamara quickly sells more bottles before making his escape.</p>
<p><span class="credittext">Opera synopsis courtesy of <a class="credittext" href="http://www.metoperafamily.org/operanews/" target="_new">Opera News</a>.</span></p>
<p><strong>Related Web Sites</strong></p>
<ul>
<li><a href="http://www.lucianopavarotti.com/" target="_new">Luciano Pavarotti</a></li>
<li><a href="http://www.bach-cantatas.com/Bio/Blegen-Judith.htm" target="_new">Bach Cantatas: Short Biographies: Judith Blegen</a></li>
<li><a href="http://www.gaetanodonizetti.net/en/home.asp" target="_new">Fondazione Donizetti</a></li>
<li><a href="http://wc02.allmusic.com/cg/amg.dll?p=amg&amp;sql=41:48323" target="_new">All Music Guide: Nicola Rescigno</a></li>
<li><a href="http://www.charlierose.com/home" target="_new">Charlie Rose</a></li>
</ul>
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