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	<title>Great Performances &#187; Roberto Alagna</title>
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		<title>GP at the Met: Don Carlo: About the Opera</title>
		<link>http://www.pbs.org/wnet/gperf/episodes/gp-at-the-met-don-carlo/about-the-opera/1098/</link>
		<comments>http://www.pbs.org/wnet/gperf/episodes/gp-at-the-met-don-carlo/about-the-opera/1098/#comments</comments>
		<pubDate>Wed, 09 Mar 2011 18:54:08 +0000</pubDate>
		<dc:creator>colin fitzpatrick</dc:creator>
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		<category><![CDATA[Opera]]></category>
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		<category><![CDATA[Eric Halfvarson]]></category>
		<category><![CDATA[Ferruccio Furlanetto]]></category>
		<category><![CDATA[GP at The Met]]></category>
		<category><![CDATA[Marina Poplavskaya]]></category>
		<category><![CDATA[Metropolitan Opera]]></category>
		<category><![CDATA[Roberto Alagna]]></category>
		<category><![CDATA[Simon Keenlyside]]></category>
		<category><![CDATA[Spanish Inquisition]]></category>
		<category><![CDATA[The Metropolitan Opera]]></category>
		<category><![CDATA[theater]]></category>
		<category><![CDATA[Verdi]]></category>

		<guid isPermaLink="false">http://www.pbs.org/wnet/gperf/?p=1098</guid>
		<description><![CDATA[The Metropolitan Opera's new production of Verdi's Don Carlo will air on Great Performances at the Met Sunday, April 3 at 12 p.m. ET on PBS (check local listings). The production is conducted by Yannick Nezet-Seguin, directed by Nicholas Hytner, and is starring Roberto Alagna, Marina Poplavskaya, Ferruccio Furlanetto, Simon Keenlyside, and Eric Halfvarson.]]></description>
			<content:encoded><![CDATA[<p>The Metropolitan Opera’s much-admired new production of Verdi’s <strong><em>Don Carlo</em></strong>, conducted by<strong> Yannick</strong> <strong>Nézet-Séguin</strong> and directed by <strong>Nicholas Hytner</strong>, will air on <strong><em>THIRTEEN’s</em></strong><strong> <em>Great Performances</em></strong> <strong><em>at the Met </em></strong>Sunday, April 3 at 12 p.m. ET on PBS (<a href="/wnet/gperf/schedule-met/">check local listings</a>).</p>
<p>In New York, <strong><em>THIRTEEN</em></strong> will air the program Thursday, July 7  at 8 p.m. The program was originally seen live in movie theaters on December 11, 2010 as part of the groundbreaking <em>The Met: Live in HD </em>series, which transmits live performances to more than 1500 movie theaters and performing arts centers in 46 countries around the world.</p>
<p><strong>Watch a preview</strong>:</p>
(<a href='http://www.pbs.org/wnet/gperf/episodes/gp-at-the-met-don-carlo/about-the-opera/1098/'>View full post to see video</a>)
<p><strong><em>Great Performances at the Met</em></strong><em> </em>is a presentation of <strong><em>THIRTEEN</em></strong> for WNET, one of America’s most prolific and respected public media providers.</p>
<p>The Met’s production of Verdi’s grand opera, in which love, war, politics, and religion intertwine against the backdrop of the Spanish Inquisition, stars <strong>Roberto Alagna </strong>as the conflicted title character; <strong>Marina Poplavskaya </strong>as Elisabeth de Valois; <strong>Anna Smirnova </strong>as the scheming Princess Eboli; <strong>Ferruccio Furlanetto </strong>as the tormented tyrant Philip II; <strong>Simon Keenlyside </strong>as the heroic Rodrigo, Marquis of Posa; and <strong>Eric Halfvarson </strong>as the Grand Inquisitor.</p>
<p>Critics and audiences greeted this new production and its cast with kudos: “You’ve heard about total theater? This is it.” (<em>Variety</em>); “A clear-cut hit&#8230; rarely have I seen an opera audience so unanimously satisfied” (<em>Philadelphia Inquirer</em>)<em>; </em>and<em> </em>“Music so glorious not one minute seems superfluous” (<em>Bloomberg</em>).</p>
<p>This production uses the five-act Italian version of <em>Don Carlo, </em>which includes the “Fontainebleau Act.” A co-production of the Metropolitan Opera, Royal Opera House, Covent Garden, and the Norwegian National Opera &amp; Ballet, Hytner’s <em>Don Carlo </em>premiered in London in 2008.</p>
<p>Hytner brought two internationally acclaimed designers to the Met for the first time with <em>Don Carlo</em>: set and costume designer <strong>Bob Crowley, </strong>the winner of five Tony awards for his Broadway designs, and Tony-winning lighting designer <strong>Mark Henderson </strong>who has received five Olivier Awards for his work on the London stage.</p>
<p><strong><em>Great Performances at the Met: Don Carlo</em></strong><em> </em>was directed for live HD<em> </em>transmission by Gary Halvorson and hosted by soprano Deborah Voigt. Jay David Saks is the music producer. The performance is sung in Italian with English subtitles.</p>
<p><strong><em>Great Performances</em></strong> is funded by the National Endowment for the Arts, public television viewers and PBS.  Corporate support for <strong><em>Great Performances at the Met</em></strong> is provided by Toll Brothers, America’s luxury home builder®. This production of <strong><em>Don Carlo</em></strong> was made possible by a generous gift from Mr. and Mrs. William R. Miller.</p>
<p>For the Met, Mia Bongiovanni and Elena Park are Supervising Producers, and Louisa Briccetti and Victoria Warivonchik are Producers. Peter Gelb is Executive Producer. For <em>Great Performances</em>, Bill O’Donnell is Series Producer; David Horn is Executive Producer.</p>
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		<slash:comments>25</slash:comments>
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		<title>GP at the Met: Carmen: Preview the Opera</title>
		<link>http://www.pbs.org/wnet/gperf/episodes/gp-at-the-met-carmen/preview-the-opera/978/</link>
		<comments>http://www.pbs.org/wnet/gperf/episodes/gp-at-the-met-carmen/preview-the-opera/978/#comments</comments>
		<pubDate>Fri, 23 Apr 2010 20:27:52 +0000</pubDate>
		<dc:creator>colin fitzpatrick</dc:creator>
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		<category><![CDATA[Current Season]]></category>
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		<category><![CDATA[Opera]]></category>
		<category><![CDATA[Carmen]]></category>
		<category><![CDATA[Don José]]></category>
		<category><![CDATA[Elīna Garaňca]]></category>
		<category><![CDATA[GP at The Met]]></category>
		<category><![CDATA[Richard Eyre]]></category>
		<category><![CDATA[Roberto Alagna]]></category>
		<category><![CDATA[The Met]]></category>

		<guid isPermaLink="false">http://www.pbs.org/wnet/gperf/?p=978</guid>
		<description><![CDATA[Richard Eyre, the renowned British director of theater and film, explores the passionate drama of Bizet’s Carmen and the power of her desires in his new production at the Metropolitan Opera, which premieres on THIRTEEN’S Great Performances at the Met series. “Her sexuality is a life force, it’s a defining force,” he explains. “Carmen is [...]]]></description>
			<content:encoded><![CDATA[<p>Richard Eyre, the renowned British director of theater and film, explores the passionate drama of Bizet’s <em>Carmen</em> and the power of her desires in his new production at the Metropolitan Opera, which premieres on THIRTEEN’S <strong><em>Great Performances at the Met</em></strong> series. “Her sexuality is a life force, it’s a defining force,” he explains. “<em>Carmen</em> is about sex, violence, and racism—and its corollary: freedom.” As for her portrayal of the free spirited gypsy, Elīna Garanča says, “You don’t get to develop productions of <em>Carmen</em> from scratch too often. Carmen is defined by her unwillingness to settle. She is constantly searching and never satisfied. It may be sex or, more broadly, approval by men. It could also just be a zest for life, and in that she is uncompromising.” Under the baton of acclaimed young Canadian conductor Yannick Nézet-Séguin, Garanča is joined by Roberto Alagna as the obsessed soldier Don José, Barbara Frittoli as his devoted girlfriend Micaëla, and Teddy Tahu Rhodes as the toreador Escamillo. Hosted by celebrated American soprano Renée Fleming, <em>Carmen</em> airs on <strong><em>Great Performances at the Met</em></strong> in primetime on THIRTEEN Thursday, May 13 at 9 p.m. and on PBS stations around the country on Sunday, May 16 at noon (<a href="/wnet/gperf/schedule-met/">check local listings</a>).</p>
<p><strong>Watch a preview of the opera</strong>:</p>
(<a href='http://www.pbs.org/wnet/gperf/episodes/gp-at-the-met-carmen/preview-the-opera/978/'>View full post to see video</a>)
<p>With more than 30 years of experience, Eyre is one of the world’s most respected directors of stage and screen. From 1988-1997, he served as artistic director of Britain’s Royal National Theatre. While at the National, Eyre produced more than 100 productions and directed 27 plays, including <em>Guys and Dolls</em> (Olivier, Evening Standard, and Critics Circle Awards for Best Director); <em>Richard III</em> with Ian McKellen, Tom Stoppard’s <em>The Invention Of Love</em> (Evening Standard Award); <em>King Lear</em> with Ian Holm (winner of Evening Standard, Olivier and Critics Circle Awards) which he also directed for BBC TV and WGBH (Peabody Award); <em>Amy’s View</em> with Judi Dench, and <em>Absence of War</em>, which he also directed for BBC TV. Eyre’s film credits include the Oscar-winning Iris, featuring Judi Dench and Kate Winslett, as well as <em>The Ploughman’s Lunch</em>, <em>Stage Beauty</em>, <em>Notes on a Scandal</em>, and most recently <em>The Other Man</em>. On Broadway, he has directed <em>Vincent in Brixton</em>, <em>The Crucible,</em> and the long-running <em>Mary Poppins</em>. He was knighted in 1997. <em>Carmen</em> is Eyre’s third opera production, having previously directed <em>La Traviata</em> for the Royal Opera, <em>Covent Garden</em>, and <em>Le Nozze di Figaro</em> at the Aix-en-Provence Festival. <em>Great Performances at the Met: Carmen</em> is the seventh of 10 productions airing during the 2009-2010 season. The performance is sung in French with English surtitles. Eyre makes his Met Opera debut directing the new production, as does set and costume designer Rob Howell. Peter Mumford designs the lighting; Christopher Wheeldon creates the choreography for the new staging.</p>
<p><strong><em>Great Performances</em></strong> is funded by the Irene Diamond Fund, the National Endowment for the Arts, the Corporation for Public Broadcasting, public television viewers and PBS. Corporate support for <strong><em>Great Performances at the Met</em></strong> is provided by Toll Brothers, America’s luxury home-builder®.</p>
<p>For the Met, Mia Bongiovanni and Elena Park are Supervising Producers, and Louisa Briccetti and Victoria Warivonchik are Producers. Peter Gelb is Executive Producer. For Great Performances, Bill O’Donnell is Series Producer; David Horn is Executive Producer.</p>
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		<slash:comments>76</slash:comments>
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		<title>GP at the Met: La Rondine: Preview of La Rondine</title>
		<link>http://www.pbs.org/wnet/gperf/episodes/gp-at-the-met-la-rondine/preview-of-la-rondine/718/</link>
		<comments>http://www.pbs.org/wnet/gperf/episodes/gp-at-the-met-la-rondine/preview-of-la-rondine/718/#comments</comments>
		<pubDate>Tue, 21 Apr 2009 16:19:44 +0000</pubDate>
		<dc:creator>colin fitzpatrick</dc:creator>
				<category><![CDATA[Clips & Scenes]]></category>
		<category><![CDATA[Current Season]]></category>
		<category><![CDATA[No Home Page]]></category>
		<category><![CDATA[Opera]]></category>
		<category><![CDATA[Angela Gheorghiu]]></category>
		<category><![CDATA[GP at The Met]]></category>
		<category><![CDATA[La Rondine]]></category>
		<category><![CDATA[Puccini]]></category>
		<category><![CDATA[Roberto Alagna]]></category>

		<guid isPermaLink="false">http://www.pbs.org/wnet/gperf/?p=718</guid>
		<description><![CDATA[Opera’s golden couple, Angela Gheorghiu and husband Roberto Alagna, offer viewers a rare chance to experience Giacomo Puccini’s attempt to meld Italianate opera with the bittersweet Viennese operetta formula Saturday, April 25 at noon (ET) on Great Performances at the Met on PBS HD (check local listings). Last seen at the Met in 1936, La [...]]]></description>
			<content:encoded><![CDATA[<p>Opera’s golden couple, Angela Gheorghiu and husband Roberto Alagna, offer viewers a rare chance to experience Giacomo Puccini’s attempt to meld Italianate opera with the bittersweet Viennese operetta formula Saturday, April 25 at noon (ET) on Great Performances at the Met on PBS HD (<a href="/wnet/gperf/schedule-met/">check local listings</a>). Last seen at the Met in 1936, <em>La Rondine</em> (The Swallow) is the tale of an unhappy kept woman who opts for one last fling with an idealistic young man, then returns – like the swallow – to her rich benefactor, sadder and more worldly wiser.</p>
<p><strong>Watch a preview below</strong>:</p>
<br /><img src="http://www.pbs.org/wnet/gperf/wp-content/blogs.dir/12/files/larondine.jpg" alt="media"><br />

<p>Soprano Gheorghiu and tenor Alagna (“singing with ravishing, tender voices and onstage intimacy,” wrote AP) are the lovers Magda and Ruggero, with tenor Marius Brenciu as Magda’s friend Prunier and veteran Met bass Samuel Ramey as her keeper, the banker Rambaldo.  Marco Armiliato conducts.</p>
<p>The glittering new Art Deco production is by Nicolas Joël, with sets by Ezio Frigerio, costumes by Franca Squarciapino and lighting by Duane Schuler. “A beguiling production,” raved <em>The New York Times</em>, “sophisticated, charming and poignant.”</p>
<p>Great Performances at the Met: <em>La Rondine</em>, the seventh of 11 productions airing this season, is sung in Italian with English surtitles; Giuseppe Adami wrote the libretto, after A.M. Willner and Heinz Reichert. The production was transmitted onstage as part of The Met: Live in HD January 10, 2009, and recorded for this telecast. Brian Large directs, with series favorite Renée Fleming as host. Jay Saks is audio producer.</p>
<p>The world’s most popular (and arguably slowest) opera composer, Giacomo Puccini oversaw <em>La Rondine</em>’s premiere in Monte Carlo in 1917. It followed La Fanciulla del West (Girl of the Golden West)) by seven years and preceded <em>Il Trittico</em> by one.</p>
<p>Great Performances is funded by the Irene Diamond Fund, the National Endowment for the Arts, the Corporation for Public Broadcasting, public television viewers, and PBS. Corporate support for Great Performances at the Met is provided by Toll Brothers. Special funding for this telecast is provided by the Sybil B. Harrington Endowment Fund.</p>
<p>Visit Great Performances Online at pbs.org/gperf for additional information on this and other Great Performances programs.</p>
<p>For the Met, Mia Bongiovanni and Elena Park are Supervising Producers, and Louisa Briccetti and Victoria Warivonchik are Producers. Peter Gelb is Executive Producer. For Great Performances, Bill O’Donnell is Series Producer; David Horn is Executive Producer.</p>
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		<slash:comments>18</slash:comments>
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		<title>GP at The Met: Roméo et Juliette: Production Credits</title>
		<link>http://www.pbs.org/wnet/gperf/episodes/gp-at-the-met-romeo-et-juliette/production-credits/297/</link>
		<comments>http://www.pbs.org/wnet/gperf/episodes/gp-at-the-met-romeo-et-juliette/production-credits/297/#comments</comments>
		<pubDate>Sun, 06 Apr 2008 21:43:37 +0000</pubDate>
		<dc:creator>daniel ross</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[Anna Netrebko]]></category>
		<category><![CDATA[Gounod]]></category>
		<category><![CDATA[GP at The Met]]></category>
		<category><![CDATA[Plácido Domingo]]></category>
		<category><![CDATA[Roberto Alagna]]></category>
		<category><![CDATA[Roméo et Juliette]]></category>
		<category><![CDATA[Shakespeare]]></category>

		<guid isPermaLink="false">http://www.pbs.org/wnet/gperf/?p=297</guid>
		<description><![CDATA[Web Credits

  Producer: Anu Krishnan
Designer: Lenny Drozner
Graphic Art: Ying Zhou-Hudson, Emily Nonouchi
Technical Director: Brian Lee
Production Assistant: Diana Cofresí-Terrero
Copy Editor: Leslie Kriesel
HTML Implementation: Brian Santalone

GREAT PERFORMANCES Web pages copyright © 2007 Educational Broadcasting Corporation.

Thirteen Online is a production of Thirteen/WNET New York's Kravis Multimedia Education Center in New York City. Anthony Chapman, Director of Interactive [...]]]></description>
			<content:encoded><![CDATA[<p><span class="yellowtext"><strong>Web Credits</strong></p>
<p></span> <span class="bodytext"> Producer: Anu Krishnan<br />
Designer: Lenny Drozner<br />
Graphic Art: Ying Zhou-Hudson, Emily Nonouchi<br />
Technical Director: Brian Lee<br />
Production Assistant: Diana Cofresí-Terrero<br />
Copy Editor: Leslie Kriesel<br />
HTML Implementation: Brian Santalone</p>
<p>GREAT PERFORMANCES Web pages copyright © 2007 Educational Broadcasting Corporation.</p>
<p>Thirteen Online is a production of Thirteen/WNET New York&#8217;s Kravis Multimedia Education Center in New York City. Anthony Chapman, Director of Interactive &amp; Broadband. Bob Adleman, Business Manager. Carmen DiRienzo, Vice President and Managing Director, Corporate Affairs.</p>
<p><span class="yellowtext"><strong>Television Credits </strong></p>
<p></span> GREAT PERFORMANCES AT THE MET: &#8220;Roméo et Juliette&#8221;</p>
<p>Directed By<br />
Gary Halvorson</p>
<p>Conductor<br />
Plácido Domingo</p>
<p>Production<br />
Guy Joosten</p>
<p>Set Designer<br />
Johannes Leiacker</p>
<p>Costume Designer<br />
Jorge Jara</p>
<p>Lighting Designer<br />
David Cunningham</p>
<p>Choreographer<br />
Sean Curran</p>
<p>Cast In Order Of Vocal Appearance</p>
<p>Tybalt<br />
Marc Heller</p>
<p>Pâris<br />
Luis Otey</p>
<p>Capulet<br />
Charles Taylor</p>
<p>Juliette<br />
Anna Netrebko</p>
<p>Mercurio<br />
Nathan Gunn</p>
<p>Roméo<br />
Roberto Alagna</p>
<p>Gertrude<br />
Jane Bunnell</p>
<p>Grégorio<br />
David Won</p>
<p>Frère Laurent<br />
Robert Lloyd</p>
<p>Stéphano<br />
Isabel Leonard</p>
<p>Benvolio<br />
Tony Stevenson</p>
<p>The Duke Of Verona<br />
Dean Peterson</p>
<p>Chorus Master<br />
Donald Palumbo</p>
<p>Musical Preparation<br />
Joan Dornemann<br />
Paul Nadler<br />
Denise Massé<br />
Derrick Inouye<br />
Lydia Brown</p>
<p>Assistant Stage Directors<br />
Valerie Kuinka<br />
Gina Lapinski</p>
<p>Fight Director<br />
Dale Anthony Girard</p>
<p>Dramaturg<br />
Paul Cremo</p>
<p>Prompter<br />
Joan Dornemann</p>
<p>Met Titles<br />
Cori Ellison</p>
<p>Assistant To The Set Designer<br />
Michael Bachmann</p>
<p>Masks By<br />
Barneys Fx Makeup, Berlin, Germany<br />
Arndt Von Diepenbroik, Berlin, Germany</p>
<p>A Metropolitan Opera High-Definition Production</p>
<p>Supervising Producers<br />
Mia Bongiovanni<br />
Elena Park</p>
<p>Producers<br />
Louisa Briccetti<br />
Victoria Warivonchik</p>
<p>Audio Producer<br />
Jay David Saks</p>
<p>Associate Director<br />
Christine Clark Bradley</p>
<p>Engineer-In-Charge<br />
Mark Schubin</p>
<p>Technical Supervisor<br />
Ron Washburn</p>
<p>Technical Director<br />
Emmett Loughran</p>
<p>Production Mixer<br />
Tom Holmes</p>
<p>Audio Supervisor<br />
Bill King</p>
<p>Television Lighting<br />
Wayne Chouinard</p>
<p>Writers<br />
Matt Dobkin<br />
Ellen Keel</p>
<p>Camera<br />
Miguel Armstrong<br />
Manny Gutierrez<br />
Charlie Huntley<br />
John Kosmaczewski<br />
Bob Long<br />
Jay Millard<br />
Lyn Noland<br />
Alain Onesto<br />
David Smith<br />
Ron Washburn<br />
Mark Whitman</p>
<p>Robotic Camera Technicians<br />
Rick Compeau<br />
Ron Travisano<br />
Ted Erne<br />
Shawn Harkins</p>
<p>Video<br />
Billy Steinberg<br />
Paul Ranieri<br />
Matty Randazzo</p>
<p>Audio<br />
Mel Becker<br />
Chris Callus<br />
Paul Cohen<br />
Louise De La Fuente<br />
Skip Kent<br />
John Kerswell<br />
Steve Lamphere<br />
Blake Norton<br />
Michael Shoskes</p>
<p>Videotape<br />
Alan Buchner<br />
Steven Joyce</p>
<p>Television Stage Managers<br />
Terence Benson<br />
Electa Brown<br />
Phyllis Digilio</p>
<p>English Subtitles Adapted By<br />
Sonya Friedman</p>
<p>Broadcast Graphics<br />
Deborah Cavanaugh</p>
<p>Score Reader<br />
Ben Sosland</p>
<p>Make-Up For<br />
Ms. Netrebko<br />
Matiki Anoff<br />
Media Librarian/Archivist<br />
Michael Griebel</p>
<p>Production Associates<br />
Marisa Biaggi<br />
Yolanda S. Williams</p>
<p>Backstage Camera<br />
Larry Solomon<br />
Tim Quigley</p>
<p>Steadicam<br />
Claus Stuhlweissenburg</p>
<p>Assistant Camera<br />
Kevin Murphy</p>
<p>Utilities<br />
Tom Carroll<br />
James Washburn</p>
<p>Title Sequence Edited By<br />
Sakae Ishikawa</p>
<p>Production Assistants<br />
Alexandra Eastman<br />
Lisa Hampton<br />
Alyse Horn<br />
Enzo E. Martinez<br />
Harriet Snyder</p>
<p>Video Editor<br />
Gary Bradley</p>
<p>Hd Nitris Editor<br />
Laura Young</p>
<p>Audio Editor<br />
John Bowen</p>
<p>Post-Production Audio Mix<br />
Ken Hahn</p>
<p>Metropolitan Opera Association</p>
<p>General Manager<br />
Peter Gelb</p>
<p>Music Director<br />
James Levine</p>
<p>Assistant Managers<br />
Artistic<br />
Sarah Billinghurst</p>
<p>Technical<br />
Joseph Clark</p>
<p>Editorial &amp; Creative Content<br />
Elena Park</p>
<p>Operations<br />
Stewart Pearce</p>
<p>Finance<br />
Bill Thomas</p>
<p>Development<br />
Coralie Toevs</p>
<p>Director Of Media &amp; Presentations<br />
Mia Bongiovanni</p>
<p>Director Of Worldwide Hd Distribution<br />
Julie Borchard-Young</p>
<p>Artistic Administrator<br />
Jonathan Friend</p>
<p>General Counsel<br />
Sharon E. Grubin</p>
<p>Director Of Development<br />
Elizabeth Hurley</p>
<p>Director Of Marketing<br />
Karen Karp</p>
<p>Senior Artistic Advisor<br />
Eva Wagner-Pasquier</p>
<p>Director Of Human Resources  &amp; Labor Relations<br />
Ann Marie Hackett</p>
<p>Director Of Music Administration<br />
Craig Rutenberg</p>
<p>House Manager<br />
James Naples</p>
<p>Press Director<br />
Sommer Hixson</p>
<p>Director New Business Development<br />
Laura Mitgang</p>
<p>Metropolitan Opera Orchestra<br />
Orchestra Manager<br />
Robert Sirinek</p>
<p>Concertmaster<br />
David Chan</p>
<p>Librarian<br />
Robert Sutherland</p>
<p>Metropolitan Opera Chorus</p>
<p>Metropolitan Opera Ballet</p>
<p>Ballet Mistress<br />
Diana Levy</p>
<p>Stage Managers<br />
Margo Maier<br />
Raymond Menard<br />
Jonathan Waterfield<br />
Scott Moon</p>
<p>Local 1 Iatse</p>
<p>Stage Operations</p>
<p>Master Carpenter<br />
Stephen A. Diaz</p>
<p>Master Electrician<br />
Paul Donahue</p>
<p>Properties Master<br />
James R. Blumenfeld</p>
<p>Wig And Hair Stylist<br />
Tom Watson</p>
<p>Make-Up Artist<br />
Victor Callegari</p>
<p>Wardrobe Supervisor<br />
William Malloy</p>
<p>Costume Shop Head<br />
Lesley Weston</p>
<p>Resident Costume Designer<br />
Sylvia Nolan</p>
<p>Production Facilities<br />
All Mobile Video Inc.</p>
<p>Atlantic Cine Equipment (Ace)<br />
Dolby Laboratories<br />
Remote Recording</p>
<p>Media Counsel<br />
Franklin, Weinrib, Rudell &amp; Vasallo, P.C.</p>
<p>This Stage Production Of Roméo Et Juliette Made Possible By The</p>
<p>Gramma Fisher Foundation, Marshalltown, Iowa</p>
<p>And The Annenberg Foundation</p>
<p>Additional Stage Production Funding Provided By</p>
<p>Mr. And Mrs. Sid R. Bass</p>
<p>Hermione Foundation</p>
<p>Karen And Kevin Kennedy</p>
<p>Mr. And Mrs. William R. Miller</p>
<p>Bill Rollnick And Nancy Ellison Rollnick</p>
<p>And</p>
<p>Mr. And Mrs. Ezra K. Zilkha</p>
<p>For Great Performances</p>
<p>Director, Program Development<br />
Bill O’donnell</p>
<p>Series Producer<br />
David Horn</p>
<p>A Metropolitan Opera Production</p>
<p>In Association With Pbs And Thirteen/Wnet New York</p>
<p>Executive Producer<br />
Peter Gelb</p>
<p>©2008 The Metropolitan Opera</p>
<p><span class="credittext">The contents of these GREAT                PERFORMANCES Web pages are copyrighted under United States and other                copyright laws. You may not download, reproduce, transmit, display,                distribute or make derivative works from the contents of the GREAT                PERFORMANCES Web pages other than for personal use without the advance                written permission of the copyright owner. Any unauthorized use                of any of the contents of the GREAT PERFORMANCES Online Web pages                may result in civil liability and criminal prosecution.</span></span></p>
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		<title>GP at The Met: Roméo et Juliette: Introduction</title>
		<link>http://www.pbs.org/wnet/gperf/episodes/gp-at-the-met-romeo-et-juliette/introduction/296/</link>
		<comments>http://www.pbs.org/wnet/gperf/episodes/gp-at-the-met-romeo-et-juliette/introduction/296/#comments</comments>
		<pubDate>Sun, 06 Apr 2008 21:43:37 +0000</pubDate>
		<dc:creator>daniel ross</dc:creator>
				<category><![CDATA[By Title]]></category>
		<category><![CDATA[Opera]]></category>
		<category><![CDATA[Anna Netrebko]]></category>
		<category><![CDATA[Gounod]]></category>
		<category><![CDATA[GP at The Met]]></category>
		<category><![CDATA[Plácido Domingo]]></category>
		<category><![CDATA[Roberto Alagna]]></category>
		<category><![CDATA[Roméo et Juliette]]></category>
		<category><![CDATA[Shakespeare]]></category>

		<guid isPermaLink="false">http://www.pbs.org/wnet/gperf/?p=296</guid>
		<description><![CDATA[

Ken Howard/Metropolitan Opera

Composer: Charles Gounod

Librettists: Jules Barbier and Michel Carré

Production: Guy Joosten

Conductor: Plácido Domingo

Performers: Anna Netrebko (Juliette), Roberto Alagna (Roméo), Marc Heller (Tybalt), Louis Otey (Paris), Charles Taylor (Capulet), Jane Bunnell (Gertrude), David Won (Grégorio), Tony Stevenson (Benvolio), Dean Peterson (Duke of Verona)

Synopsis:
Soprano Anna Netrebko teams up with tenor Roberto Alagna in Charles Gounod’s sensual [...]]]></description>
			<content:encoded><![CDATA[<div class="captionLeft">
<table>
<tr>
<td><a href="http://www-tc.pbs.org/wnet/gperf/files/2008/11/590_romeo_intro.jpg"><img class="alignnone size-full wp-image-377" title="590_romeo_intro" src="http://www-tc.pbs.org/wnet/gperf/files/2008/11/590_romeo_intro.jpg" alt="romeo et juliette" width="590" height="310" /></a></p>
<p><strong>Ken Howard/Metropolitan Opera</strong></td>
</tr>
</table>
</div>
<p><strong>Composer</strong>: Charles Gounod</p>
<p><strong>Librettists</strong>: Jules Barbier and Michel Carré</p>
<p><strong>Production</strong>: Guy Joosten</p>
<p><strong>Conductor</strong>: Plácido Domingo</p>
<p><strong>Performers</strong>: Anna Netrebko (Juliette), Roberto Alagna (Roméo), Marc Heller (Tybalt), Louis Otey (Paris), Charles Taylor (Capulet), Jane Bunnell (Gertrude), David Won (Grégorio), Tony Stevenson (Benvolio), Dean Peterson (Duke of Verona)</p>
<p><strong>Synopsis</strong>:<br />
Soprano <strong>Anna Netrebko</strong> teams up with tenor <strong>Roberto Alagna</strong> in <strong>Charles Gounod’s</strong> sensual interpretation of <strong>Shakespeare’s</strong> timeless love story. Originally premiered in 1867, Gounod’s opera was a triumph in its time, and is still praised today for its remarkable musical take on Shakespeare. <strong>Plácido Domingo</strong> presides on the conductor’s podium for this tour-de-force presentation.</p>
<p><span class="credittext">Opera synopsis courtesy of the <a class="credittext" href="http://www.metopera.org/" target="_new">Metropolitan Opera</a></span></p>
<p>Funding for GREAT PERFORMANCES AT THE MET: &#8220;Roméo et Juliette&#8221; has been provided by <a href="http://www.tollbrothers.com/homesearch/servlet/HomeSearch?BAC-13WNETMetOpera" target="_new">Toll Brothers</a>, the Irene Diamond Fund, the National Endowment for the Arts, the Corporation for Public Broadcasting, Mr. and Mrs. Sid R. Bass, and PBS.</p>
<p><strong>Related Web Sites</strong></p>
<ul>
<li><a href="http://www.annanetrebko.com/" target="_new">Anna Netrebko, Soprano</a></li>
<li><a href="http://www.naxos.com/composerinfo/bio26074.htm" target="_new">About Composer Charles Gounod<br />
</a></li>
<li><a href="http://www.placidodomingo.com/196/intro.php" target="_new">Plácido Domingo, Conductor</a></li>
</ul>
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