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		<title>King Lear: Play Summary and Full Text: Full Text Scene Link Directory</title>
		<link>http://www.pbs.org/wnet/gperf/episodes/king-lear/play-summary-and-full-text/full-text-scene-link-directory/632/</link>
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		<pubDate>Tue, 07 Apr 2009 20:08:33 +0000</pubDate>
		<dc:creator>kim maxwell</dc:creator>
				<category><![CDATA[King Lear]]></category>
		<category><![CDATA[No Home Page]]></category>
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		<description><![CDATA[This full text version of King Lear is divided into 40 short scenes or scene segments. Each segment includes the corresponding clip from the Ian McKellen film. Any scene or segment may be linked from the table below.



Segment
Description


Notation 
How this edition of King Lear represents annotations, stage directions, etc.


Roles 
List of Persons of the Play


ACT [...]]]></description>
			<content:encoded><![CDATA[<p>This full text version of King Lear is divided into 40 short scenes or scene segments. Each segment includes the corresponding clip from the Ian McKellen film. Any scene or segment may be linked from the table below.</p>
<table style="height: 312px" border="0" cellspacing="5" width="608" align="top">
<tbody>
<tr>
<th>Segment</th>
<th align="center">Description</th>
</tr>
<tr>
<td><a href="/wnet/gperf/episodes/king-lear/the-play-itself/full-text-with-clips/organization-and-notation/633/"><em><strong>Notation </strong></em></a></td>
<td>How this edition of King Lear represents annotations, stage directions, etc.</td>
</tr>
<tr>
<td><a href="/wnet/gperf/episodes/king-lear/the-play-itself/full-text-with-clips/persons-of-the-play/634/"><em><strong>Roles </strong></em></a></td>
<td>List of Persons of the Play</td>
</tr>
<tr>
<td><strong>ACT I</strong></td>
</tr>
<tr>
<td><a href="/wnet/gperf/episodes/king-lear/the-play-itself/full-text-with-clips/act-i-scene-1a/499/"><em><strong>I.i.a</strong></em></a></td>
<td>Edgar and Gloucester discuss pending division of kingdom, meet Edmund.</td>
</tr>
<tr>
<td valign="top"><a href="/wnet/gperf/episodes/king-lear/the-play-itself/full-text-with-clips/act-i-scene-1b/500/"><strong><em>I.i.b</em></strong></a></td>
<td>Lear asks for love oath. Cordelia refuses, receives nothing. Lear banishes Kent. Lear declares his intention to keep 100 knights and rotate monthly between the castles of Goneril and Regan.</td>
</tr>
<tr>
<td><a href="/wnet/gperf/episodes/king-lear/the-play-itself/full-text-with-clips/act-i-scene-1c/501/"><em><strong>I.i.c </strong></em></a></td>
<td>Cordelia goes away with the King of France.  Goneril and Regan confer.</td>
</tr>
<tr>
<td valign="top"><a href="/wnet/gperf/episodes/king-lear/the-play-itself/full-text-with-clips/act-i-scene-2a/502/"><em><strong>I.ii.a </strong></em></a></td>
<td>Edmund fools his father Gloucester with a forged letter into thinking Edgar means to kill him.</td>
</tr>
<tr>
<td valign="top"><a href="/wnet/gperf/episodes/king-lear/the-play-itself/full-text-with-clips/act-i-scene-2b/503/"><strong><em>I.ii.b </em></strong></a></td>
<td>Edmund persuades Edgar that his father has, on false reports, become violently angry with him (this of course is true).</td>
</tr>
<tr>
<td valign="top"><a href="/wnet/gperf/episodes/king-lear/the-play-itself/full-text-with-clips/act-i-scene-3/504/"><em><strong>I.iii</strong></em></a></td>
<td>Goneril complains to her steward Oswald about Lear’s unruly knights.</td>
</tr>
<tr>
<td valign="top"><a href="/wnet/gperf/episodes/king-lear/the-play-itself/full-text-with-clips/act-i-scene-4a/505/"><em><strong>I.iv.a</strong></em></a></td>
<td>Kent returns in disguise, promises to serve Lear (who has come in with his unruly knights).  Lear pushes Oswald, Kent then trips him, earning a tip.</td>
</tr>
<tr>
<td valign="top"><a href="/wnet/gperf/episodes/king-lear/the-play-itself/full-text-with-clips/act-i-scene-4b/508/"><em><strong>I.iv.b</strong></em></a></td>
<td>Lear’s Fool finally arrives, abuses Lear for his stupid move and cavorts generally.</td>
</tr>
<tr>
<td valign="top"><a href="/wnet/gperf/episodes/king-lear/the-play-itself/full-text-with-clips/act-i-scene-4c/506/"><em><strong>I.iv.c</strong></em></a></td>
<td>Goneril removes one-half of Lear’s knights, sending Lear into a rage and a departure for Regan’s castle.</td>
</tr>
<tr>
<td valign="top"><a href="/wnet/gperf/episodes/king-lear/the-play-itself/full-text-with-clips/act-i-scene-5/507/"><em><strong>I.v.</strong></em></a></td>
<td>Lear sends a message with Kent.  He and Fool bemoan their states.</td>
</tr>
<tr>
<td><strong>ACT II</strong></td>
</tr>
<tr>
<td valign="top"><a href="/wnet/gperf/episodes/king-lear/the-play-itself/full-text-with-clips/act-ii-scene-1/537/"><em><strong>II.i</strong></em></a></td>
<td>At Gloucester’s house.  Edmund feigns fight with Edgar, cuts himself to make it convincing, draws Gloucester into seeking Edgar’s life, wins favor of Cornwall, Regan’s husband.</td>
</tr>
<tr>
<td valign="top"><a href="/wnet/gperf/episodes/king-lear/the-play-itself/full-text-with-clips/act-ii-scene-2a/536/"><strong><em>II.ii.a</em></strong></a></td>
<td>Kent verbally abuses Oswald, provoking a sword fight, stopped by Cornwall.  Kent’s continued rudeness earns him an evening in the stocks.</td>
</tr>
<tr>
<td valign="top"><a href="/wnet/gperf/episodes/king-lear/the-play-itself/full-text-with-clips/act-ii-scene-2b/535/"><em><strong>II.ii.b</strong></em></a></td>
<td>Edgar decides that safety can only be realized by faking complete madness.</td>
</tr>
<tr>
<td valign="top"><a href="/wnet/gperf/episodes/king-lear/the-play-itself/full-text-with-clips/act-ii-scene-2c/534/"><em><strong>II.ii.c</strong></em></a></td>
<td>Lear arrives at Gloucester’s, finds Kent in the stocks, attempts to assert his powers as king.  Kent is released.</td>
</tr>
<tr>
<td valign="top"><a href="/wnet/gperf/episodes/king-lear/the-play-itself/full-text-with-clips/act-ii-scene-2d/533/"><em><strong>II.ii.d</strong></em></a></td>
<td>At first sympathetic to Lear, Regan supports her sister’s reduction of his train.  Goneril arrives, the pair deprive him of all but one, at which Lear charges from the house into a brutal storm.</td>
</tr>
<tr>
<td valign="top"><a href="/wnet/gperf/episodes/king-lear/the-play-itself/full-text-with-clips/act-ii-scene-2e/532/"><em><strong>II.ii.e</strong></em></a></td>
<td>Regan orders the doors closed against the ravages of the weather outside.</td>
</tr>
<tr>
<td><strong>ACT III</strong></td>
</tr>
<tr>
<td valign="top"><a href="/wnet/gperf/episodes/king-lear/the-play-itself/full-text-with-clips/act-iii-scene-1/531/"><em><strong>III.i</strong></em></a></td>
<td>Kent gives message for Cordelia and a ring for recognition to messenger knight.</td>
</tr>
<tr>
<td><a href="/wnet/gperf/episodes/king-lear/the-play-itself/full-text-with-clips/act-iii-scene-2/530/"><em><strong>III.ii</strong></em></a></td>
<td>Lear howls against the storm.  The Fool and then Kent (in disguise still) attempt to get him into shelter.</td>
</tr>
<tr>
<td valign="top"><a href="/wnet/gperf/episodes/king-lear/the-play-itself/full-text-with-clips/act-iii-scene-3/529/"><em><strong>III.iii</strong></em></a></td>
<td>Gloucester foolishly tells Edmund of a letter he has received announcing an invasion of England by France to redress the wrongs committed against Lear.  Edmund decides immediately to betray him to Cornwall.</td>
</tr>
<tr>
<td valign="top"><a href="/wnet/gperf/episodes/king-lear/the-play-itself/full-text-with-clips/act-iii-scene-4a/528/"><em><strong>III.iv.a</strong></em></a></td>
<td>Lear, Kent, and the Fool seek shelter, find Edgar disguised as a madman.  Madness becomes the scene.  Lear insists on being disrobed completely.</td>
</tr>
<tr>
<td valign="top"><a href="/wnet/gperf/episodes/king-lear/the-play-itself/full-text-with-clips/act-iii-scene-4b/527/"><strong><em>III.iv.b </em></strong></a></td>
<td>Gloucester arrives with a torch.  After Lear confers with his “philosopher” Edgar, they repair to a shelter next to Gloucester’s house.</td>
</tr>
<tr>
<td valign="top"><a href="/wnet/gperf/episodes/king-lear/the-play-itself/full-text-with-clips/act-iii-scene-5/526/"><em><strong>III.v</strong></em></a></td>
<td>On the evidence provided by Edmund, Cornwall declares Gloucester a traitor, and names Edmund the Duke of Gloucester.</td>
</tr>
<tr>
<td valign="top"><a href="/wnet/gperf/episodes/king-lear/the-play-itself/full-text-with-clips/act-iii-scene-6/525/"><em><strong>III.vi</strong></em></a></td>
<td>The mad quartet conduct a mock trial of Goneril and Regan.  Gloucester returns, insists Lear be taken to Dover for safety, but is then captured himself.</td>
</tr>
<tr>
<td valign="top"><a href="/wnet/gperf/episodes/king-lear/the-play-itself/full-text-with-clips/act-iii-scene-7/524/"><em><strong>III.vii</strong></em></a></td>
<td>Charging Gloucester with treason, Cornwall gouges out Gloucester’s eyes.  A servant kills Cornwall in return.  Regan kills the servant.  Another servant patches Gloucester’s eyes, but he is banished from his own home.</td>
</tr>
<tr>
<td><strong>ACT IV</strong></td>
</tr>
<tr>
<td valign="top"><a href="/wnet/gperf/episodes/king-lear/the-play-itself/full-text-with-clips/act-iv-scene-1/523/"><em><strong>IV.i</strong></em></a></td>
<td>Edgar finds Gloucester blinded, leads him to Dover.</td>
</tr>
<tr>
<td valign="top"><a href="/wnet/gperf/episodes/king-lear/the-play-itself/full-text-with-clips/act-iv-scene-2/522/"><em><strong>IV.ii</strong></em></a></td>
<td>Edmund returns with Goneril, promises her his love, then departs.  Albany rebukes her, she replies spitefully, sends a (fateful) message to Edmund.</td>
</tr>
<tr>
<td valign="top"><a href="/wnet/gperf/episodes/king-lear/the-play-itself/full-text-with-clips/act-iv-scene-3/521/"><em><strong>IV.iii</strong></em></a></td>
<td>Kent meets a gentleman who advises that the King of France has returned to France, and the invading armies are now led by Monsieur la Far (from whom we hear no more).</td>
</tr>
<tr>
<td valign="top"><a href="/wnet/gperf/episodes/king-lear/the-play-itself/full-text-with-clips/act-iv-scene-4/520/"><em><strong>IV.iv</strong></em></a></td>
<td>Cordelia appears, knowing of Lear’s madcap ways, orders him to be found.</td>
</tr>
<tr>
<td valign="top"><a href="/wnet/gperf/episodes/king-lear/the-play-itself/full-text-with-clips/act-iv-scene-5/519/"><strong><em>IV.v</em></strong></a></td>
<td>Oswald finds Regan, refuses to give her the letter intended for Edmund.  Regan declares herself, now widowed, more fit for Edmund’s attentions.  She tells Oswald to kill Gloucester if he encounters him, as he is a menace even in his blind state.</td>
</tr>
<tr>
<td valign="top"><a href="/wnet/gperf/episodes/king-lear/the-play-itself/full-text-with-clips/act-iv-scene-6a/518/"><em><strong>IV.vi.a</strong></em></a></td>
<td>Edgar leads Gloucester to Dover, persuades him that they stand over its high cliffs.  Gloucester throws himself over the cliffs.  Edgar, in a different voice, seems to revive him, after which Gloucester decides to let nature end his life.</td>
</tr>
<tr>
<td valign="top"><a href="/wnet/gperf/episodes/king-lear/the-play-itself/full-text-with-clips/act-iv-scene-6b/517/"><em><strong>IV.vi.b</strong></em></a></td>
<td>Lear comes in, has madcap but penetrating conversation with Gloucester about almost everything.</td>
</tr>
<tr>
<td valign="top"><a href="/wnet/gperf/episodes/king-lear/the-play-itself/full-text-with-clips/act-iv-scene-6c/516/"><em><strong>IV.vi.c</strong></em></a></td>
<td>Cordelia’s guard find Lear, attempt to take him, but Lear runs away.</td>
</tr>
<tr>
<td valign="top"><a href="/wnet/gperf/episodes/king-lear/the-play-itself/full-text-with-clips/act-iv-scene-6d/515/"><em><strong>IV.vi.d</strong></em></a></td>
<td>Oswald arrives, recognizes Gloucester, attempts to kill him, but Edgar kills Oswald instead.  He discovers the letter to Edmund and realizes the threat to Albany.</td>
</tr>
<tr>
<td valign="top"><a href="/wnet/gperf/episodes/king-lear/the-play-itself/full-text-with-clips/act-iv-scene-7/514/"><em><strong>IV.vii</strong></em></a></td>
<td>Lear and Cordelia reunite after Lear recovers from a long sleep.</td>
</tr>
<tr>
<td><strong> ACT V</strong></td>
</tr>
<tr>
<td valign="top"><a href="/wnet/gperf/episodes/king-lear/the-play-itself/full-text-with-clips/act-v-scene-1/513/"><strong><em>V.i</em></strong></a></td>
<td>Edmund and Albany organize England’s forces. Edgar approaches Albany with the letter, says to let the trumpet sound if France should lose the impending war.</td>
</tr>
<tr>
<td valign="top"><a href="/wnet/gperf/episodes/king-lear/the-play-itself/full-text-with-clips/act-v-scene-2/512/"><strong><em>V.ii</em></strong></a></td>
<td>Edgar takes Gloucester to a safe place.  The war happens.  Lear and Cordelia lose.</td>
</tr>
<tr>
<td valign="top"><a href="/wnet/gperf/episodes/king-lear/the-play-itself/full-text-with-clips/act-v-scene-3a/511/"><em><strong>V.iii.a</strong></em></a></td>
<td>Edmund sends Cordelia and Lear to prison, secretly orders a guard to kill them.</td>
</tr>
<tr>
<td valign="top"><a href="/wnet/gperf/episodes/king-lear/the-play-itself/full-text-with-clips/act-v-scene-3b/630/"><strong><em>V.iii.b</em></strong></a></td>
<td>Albany seeks Lear and Cordelia, but Edmund argues for their being sequestered for a day to let the troops recover. Goneril poisons Regan. Albany arrests Edmund for treason, but Goneril intervenes. Albany challenges Edmund and calls for the trumpets.</td>
</tr>
<tr>
<td valign="top"><a href="/wnet/gperf/episodes/king-lear/the-play-itself/full-text-with-clips/act-v-scene-3c/510/"><strong><em>V.iii.c</em></strong></a></td>
<td>Edgar arrives disguised as a warrior, kills Edmund. Goneril leaves and kills herself. Dying, Edmund discloses what he ordered for Lear and Cordelia. They dispatch soldiers to rescue them.</td>
</tr>
<tr>
<td valign="top"><a href="/wnet/gperf/episodes/king-lear/the-play-itself/full-text-with-clips/act-v-scene-3d/509/"><em><strong>V.iii.d</strong></em></a></td>
<td>They are too late. Lear comes in carrying Cordelia, howling. He expires in grief. Albany cedes power it seems to Edgar as Kent leaves to join his master.</td>
</tr>
<tr>
<td valign="top"><em><strong>Editing</strong></em></td>
<td>Principles and resources applied to editing King Lear for WNET Great Performances</td>
</tr>
</tbody>
</table>
]]></content:encoded>
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		<title>King Lear: Play Summary and Full Text: Full Text with Clips: Act V Scene 3d</title>
		<link>http://www.pbs.org/wnet/gperf/episodes/king-lear/play-summary-and-full-text/full-text-with-clips/act-v-scene-3d/509/</link>
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		<pubDate>Tue, 07 Apr 2009 18:32:42 +0000</pubDate>
		<dc:creator>kim maxwell</dc:creator>
				<category><![CDATA[King Lear]]></category>
		<category><![CDATA[No Home Page]]></category>
		<category><![CDATA[full text]]></category>
		<category><![CDATA[Shakespeare]]></category>
		<category><![CDATA[summary]]></category>
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		<description><![CDATA[Lear enters carrying Cordelia, howling.  Lear knows she is dead, but in desperation or madness still looks for signs of life.  He melts a little—“her voice was ever soft, gentle and low, an excellent thing in woman”—then declares that he killed her killer, with some sense of bravura.  He spots Kent, now [...]]]></description>
			<content:encoded><![CDATA[<p>Lear enters carrying Cordelia, howling.  Lear knows she is dead, but in desperation or madness still looks for signs of life.  He melts a little—“her voice was ever soft, gentle and low, an excellent thing in woman”—then declares that he killed her killer, with some sense of bravura.  He spots Kent, now in his old habit, who connects his disguised self to his real self.  Kent gives Lear the news of his other daughters, but Lear responds nonsensically.   A messenger announces Edmund’s death.  “That’s but a trifle” says Albany.</p>
<p>Albany attempts to restore some order to the kingdom, with power restored to Lear and suitable honors to Kent and Edgar, but Lear pays no attention.  “And my poor fool is hanged. . . O thou’lt come no more. Never, never, never, never, never.”  He asks to have his shirt unbuttoned and comes close to Cordelia one last time, “do you see this? look on her: look, her lips, look there, look there.”  He expires of grief.</p>
<p>Albany once more attempts repair, suggesting that Edgar and Kent “rule in this realm and the gored state sustain.”  Kent declines: “I have a journey, sir, shortly to go; My master calls me, I must not say no.”  Edgar concludes the play with this choral quatrain:</p>
<blockquote><p>The weight of this sad time we must obey,<br />
Speak what we feel, not what we ought to say.<br />
The oldest hath borne most; we that are young<br />
Shall never see so much, nor live so long.</p></blockquote>
<p style="text-align: center"><a href="/wnet/gperf/episodes/king-lear/the-play-itself/full-text-with-clips/act-v-scene-3c/510/">Act V Scene 3c</a> . . . Editing</p>
<p style="text-align: left"><br /><img src="http://www.pbs.org/wnet/gperf/wp-content/blogs.dir/12/files/39.jpg" alt="media"><br />

<p><strong>ACT V. SCENE III.  SEGMENT  D.</strong></p>
<p><em>Enter Lear with Cordelia in his arms. </em></p>
<p>KING LEAR<br />
Howl, howl, howl, howl! O, you are men of stones.     [295]<br />
Had I your tongues and eyes, I&#8217;d use them so<br />
That heaven&#8217;s vault should crack. She&#8217;s gone for ever.<br />
I know when one is dead, and when one lives.<br />
She&#8217;s dead as earth. Lend me a looking glass.<br />
If that her breath will mist or stain the stone,      [300]<br />
Why then she lives.</p>
<p>KENT                                        Is this the promised end?</p>
<p>EDGAR     Or image of that horror?</p>
<p>ALBANY                                                                         Fall, and cease!</p>
<p>KING LEAR<br />
This feather stirs. She lives. If it be so,    [305]<br />
It is a chance which does redeem all sorrows<br />
That ever I have felt.</p>
<p>KENT                                         O my good master!</p>
<p>KING LEAR     Prithee, away.</p>
<p>EDGAR                                                           &#8216;Tis noble Kent, your friend.    [310]</p>
<p>KING LEAR<br />
A plague upon you, murderers, traitors all.<br />
I might have saved her. Now she&#8217;s gone for ever.<br />
Cordelia, Cordelia. Stay a little. Ha?<br />
What is&#8217;t thou say&#8217;st? Her voice was ever soft,<br />
Gentle and low, an excellent thing in woman.     [315]<br />
I killed the slave that was a-hanging thee</p>
<p>Captain     &#8216;Tis true, my lords, he did.</p>
<p>KING LEAR                                                                 Did I not, fellow?<br />
I have seen the day, with my good biting falchion<br />
I would have made them skip. I am old now,    [320]<br />
And these same crosses spoil me. Who are you?<br />
Mine eyes are not o&#8217;th&#8217; best, I&#8217;ll tell you straight.</p>
<p>KENT<br />
If fortune brag of two she loved and hated,<br />
One of them we behold.</p>
<p>KING LEAR     This is a dull sight. Are you not Kent?    [325]</p>
<p>KENT                                                                      The same,<br />
Your servant Kent. Where is your servant Caius?</p>
<p>KING LEAR<br />
He&#8217;s a good fellow, I can tell you that.<br />
He&#8217;ll strike, and quickly too. He&#8217;s dead and rotten.</p>
<p>KENT  No, my good lord, I am the very man—    [330]</p>
<p>KING LEAR     I&#8217;ll see that straight.</p>
<p>KENT<br />
That from your first of difference and decay<br />
Have followed your sad steps.</p>
<p>KING LEAR                     You are welcome hither.</p>
<p>KENT<br />
Nor no man else. All&#8217;s cheerless, dark, and deadly.    [335]<br />
Your eldest daughters have fordone themselves,<br />
And desperately are dead.</p>
<p>KING LEAR                                      Ay, so I think.</p>
<p>ALBANY<br />
He knows not what he says, <span style="color: #ff0000">and vain it is<br />
That we present us to him.    [340]<br />
</span></p>
<p><span style="color: #ff0000">EDGAR                                                  Very bootless </span></p>
<p><em>Enter a Messenger.</em></p>
<p>Messenger      Edmund is dead, my lord.</p>
<p>ALBANY<br />
<span style="color: #ff0000">That&#8217;s but a trifle here.<br />
You lords and noble friends, know our intent.</span><br />
What comfort to this great decay may come    [345]<br />
Shall be applied.  For us we will resign<br />
During the life of this old majesty<br />
To him our absolute power. <em>[to Edgar and Kent]</em> <span style="color: #ff0000">You, to your rights,<br />
With boot and such addition as your honors<br />
Have more than merited.</span> All friends shall taste    [350]<br />
The wages of their virtue, and all foes<br />
The cup of their deservings. O, see, see!</p>
<p>KING LEAR<br />
And my poor fool is hanged. No, no, no life.<br />
Why should a dog, a horse, a rat have life,<br />
And thou no breath at all? Thou&#8217;lt come no more.    [355]<br />
Never, never, never, never, never.<br />
Pray you, undo this button. Thank you, sir.<br />
Do you see this? Look on her, look, her lips,<br />
Look there, look there.     <em>He dies.</em></p>
<p>EDGAR                     He faints! My lord, my lord!    [360]</p>
<p>KENT     Break, heart, I prithee, break!</p>
<p>EDGAR                                                                          Look up, my lord.</p>
<p>KENT<br />
Vex not his ghost. O, let him pass! <span style="color: #ff0000">He hates him much<br />
That would upon the rack of this tough world<br />
Stretch him out longer.    [365]<br />
</span></p>
<p>EDGAR                       He is gone, indeed.</p>
<p><span style="color: #ff0000">KENT<br />
The wonder is he hath endured so long.<br />
He but usurped his life.</span></p>
<p>ALBANY<br />
<span style="color: #ff0000">Bear them from hence. Our present business<br />
Is general woe. </span>Friends of my soul, you twain    [370]<br />
Rule in this realm, and the gored state sustain.</p>
<p>KENT<br />
I have a journey, sir, shortly to go;<br />
My master calls me, I must not say no.</p>
<p>EDGAR<br />
The weight of this sad time we must obey,<br />
Speak what we feel, not what we ought to say.    [375]<br />
The oldest hath borne most; we that are young<br />
Shall never see so much, nor live so long.</p>
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		<title>King Lear: Play Summary and Full Text: Full Text with Clips: Act V Scene 3c</title>
		<link>http://www.pbs.org/wnet/gperf/episodes/king-lear/play-summary-and-full-text/full-text-with-clips/act-v-scene-3c/510/</link>
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		<pubDate>Tue, 07 Apr 2009 18:27:47 +0000</pubDate>
		<dc:creator>kim maxwell</dc:creator>
				<category><![CDATA[King Lear]]></category>
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		<description><![CDATA[Edgar enters, refuses to disclose his identity, but lays the charges at Edmund, “false to thy gods, thy brother and thy father . . . a most toad-spotted traitor.”

Edmund hurls them back, “this sword of mine shall give them instant way.” They then fight, and Edmund falls.  Albany calls to save him, so he [...]]]></description>
			<content:encoded><![CDATA[<p>Edgar enters, refuses to disclose his identity, but lays the charges at Edmund, “false to thy gods, thy brother and thy father . . . a most toad-spotted traitor.”</p>
<p>Edmund hurls them back, “this sword of mine shall give them instant way.” They then fight, and Edmund falls.  Albany calls to save him, so he may have his own charge.  The letter comes out.  Goneril claims immunity as queen: “the laws are mine, not thine.”</p>
<p>She leaves, followed by an officer on Albany’s orders.  Edmund now admits all he has done, but asks for Edgar’s identity.  Edgar forthwith provides it.  “My name is Edgar and thy father’s son.  The gods are just, and of our pleasant vices make instruments to plague us.”  Albany elicits a history from Edgar, a speech which moves Edmund to do some good. They are interrupted by the officer rushing on stage to announce the deaths of Regan and Goneril &#8212; Goneril having poisoned Regan and then taken her own life.</p>
<p>Albany orders the bodies brought forth, but as they are being carried in he remembers Lear and Cordelia: “great thing of us forgot.”  Edmund now confesses his order to hang Cordelia, blaming the decision on despair.  He is carried off, leaving the stage free for the final scene with Lear and his three daughters.</p>
<p style="text-align: center"><a href="wnet/gperf/episodes/king-lear/the-play-itself/full-text-with-clips/act-v-scene-3b/630/">Act V Scene 3b</a> . . . <a href="/wnet/gperf/episodes/king-lear/the-play-itself/full-text-with-clips/act-v-scene-3d/509/">Act V Scene 3d</a></p>
<br /><img src="http://www.pbs.org/wnet/gperf/wp-content/blogs.dir/12/files/gp-kinglear-039.jpg" alt="media"><br />

<p><strong>ACT V. SCENE III. SEGMENT C.</strong><br />
<em></em></p>
<p><em>Enter Edgar armed.</em></p>
<p><span style="color: #ff0000">ALBANY<br />
Ask him his purposes, why he appears<br />
Upon this call o&#8217;the trumpet.</span></p>
<p>Herald                                                           <span style="color: #ff0000"> What are you?</span><br />
Your name, your quality, <span style="color: #ff0000">and why you answer<br />
This present summons?    [135]<br />
</span></p>
<p>EDGAR                                   Know my name is lost,<br />
By treason&#8217;s tooth bare-gnawn and canker-bit.<br />
Yet am I noble as the adversary<br />
I come to cope.</p>
<p>ALBANY                     Which is that adversary?      [140]</p>
<p>EDGAR     What&#8217;s he that speaks for Edmund, Earl of Gloucester?</p>
<p>EDMUND     Himself. What sayst thou to him?</p>
<p>EDGAR                                                                                 <span style="color: #ff0000">Draw thy sword,<br />
That if my speech offend a noble heart,<br />
Thy arm may do thee justice. Here is mine.      [145]<br />
Behold, it is the privilege of mine honors,<br />
My oath, and my profession. I protest,<br />
Maugre thy strength, youth, place, and eminence,<br />
Despite thy victor sword and fire-new fortune,<br />
Thy valor and thy heart,</span> thou art a traitor—      [150]<br />
False to thy gods, thy brother, and thy father;<br />
<span style="color: #ff0000">Conspirant &#8216;gainst this high-illustrious prince;<br />
And from th’extremest upward of thy head<br />
To the descent and dust below thy foot,<br />
A most toad-spotted traitor.</span> Say thou no,      [155]<br />
<span style="color: #ff0000">This sword, this arm, and my best spirits are bent<br />
To prove upon thy heart, whereto I speak,</span><br />
Thou liest.</p>
<p>EDMUND        <span style="color: #ff0000"> In wisdom I should ask thy name.<br />
But, since thy outside looks so fair and warlike,      [160]<br />
And that thy tongue some say of breeding breathes,<br />
What safe and nicely I might well delay<br />
By rule of knighthood, I disdain and spurn.</span><br />
Back do I toss these treasons to thy head,<br />
<span style="color: #ff0000">With the hell-hated lie o&#8217;erwhelm thy heart,      [165]<br />
Which, for they yet glance by and scarcely bruise,</span><br />
This sword of mine shall give them instant way,<br />
Where they shall rest for ever. Trumpets, speak.</p>
<p><em>Alarums. Fights. [Edmund falls.] </em></p>
<p>ALBANY   Save him, save him!</p>
<p>GONERIL                                               This is practice, Gloucester.      [170]<br />
By th&#8217; law of arms thou wast not bound to answer<br />
An unknown opposite. Thou art not vanquished,<br />
But cozened and beguiled.</p>
<p>ALBANY                                          <span style="color: #ff0000">Shut your mouth, dame,<br />
Or with this paper shall I stop it. Hold, sir.      [175]</span><br />
Thou worse than any name, read thine own evil.<br />
No tearing, lady; I perceive you know it.</p>
<p>GONERIL<br />
Say if I do; the laws are mine, not thine.<br />
Who can arraign me for&#8217;t.</p>
<p>ALBANY                                   Most monstrous! oh!      [180]<br />
Know&#8217;st thou this paper?</p>
<p>GONERIL                                Ask me not what I know.</p>
<p><em>Exit</em></p>
<p>ALBANY <em>[To officer] </em>Go after her. She&#8217;s desperate. Govern her.</p>
<p>EDMUND<br />
What you have charged me with, that have I done,<br />
And more, much more. The time will bring it out.      [185]<br />
&#8216;Tis past, and so am I. But what art thou<br />
<span style="color: #ff0000">That hast this fortune on me? If thou&#8217;rt noble,<br />
I do forgive thee.</span></p>
<p>EDGAR                               <span style="color: #ff0000">Let&#8217;s exchange charity.</span><br />
I am no less in blood than thou art, Edmund;      [190]<br />
<span style="color: #ff0000">If more, the more thou hast wronged me.</span><br />
My name is Edgar, and thy father&#8217;s son.<br />
<span style="color: #ff0000">The gods are just, and of our pleasant vices<br />
Make instruments to plague us.<br />
The dark and vicious place where thee he got      [195]<br />
Cost him his eyes.</span></p>
<p>EDMUND                          <span style="color: #ff0000">Thou hast spoken right; &#8217;tis true.</span><br />
The wheel is come full circle; I am here.</p>
<p><span style="color: #ff0000">ALBANY<br />
Methought thy very gait did prophesy<br />
A royal nobleness. I must embrace thee.      [200]<br />
Let sorrow split my heart if ever I<br />
Did hate thee or thy father.</span></p>
<p><span style="color: #ff0000">EDGAR                           Worthy prince, I know&#8217;t.</span></p>
<p>ALBANY<br />
Where have you hid yourself?<br />
How have you known the miseries of your father?      [205]</p>
<p>EDGAR<br />
By nursing them, my lord. List a brief tale,<br />
<span style="color: #ff0000">And when &#8217;tis told, O, that my heart would burst!</span><br />
The bloody proclamation to escape<br />
That followed me so near—<span style="color: #ff0000">O, our lives&#8217; sweetness,<br />
That we the pain of death would hourly die      [210]<br />
Rather than die at once!—</span>taught me to shift<br />
Into a madman&#8217;s rags, <span style="color: #ff0000">t’assume a semblance<br />
That very dogs disdained; </span>and in this habit<br />
Met I my father with his bleeding rings,<br />
Their precious stones new lost; became his guide,      [215]<br />
Led him, begged for him, saved him from despair,<br />
Never—O fault!—revealed myself unto him,<br />
Until some half-hour past, when I was armed.<br />
<span style="color: #ff0000">Not sure, though hoping, of this good success,<br />
I asked his blessing, and from first to last      [220]<br />
Told him my pilgrimage.</span> But his flawed heart,<br />
Alack, too weak the conflict to support<br />
&#8216;Twixt two extremes of passion, joy and grief,<br />
Burst smilingly.</p>
<p>EDMUND<br />
This speech of yours hath moved me,      [225]<br />
And shall perchance do good. <span style="color: #ff0000">But speak you on;<br />
You look as you had something more to say.</span></p>
<p>ALBANY<br />
If there be more, more woeful, hold it in,<br />
<span style="color: #ff0000">For I am almost ready to dissolve,<br />
Hearing of this.      [230]</span></p>
<p>[EDGAR                          <span style="color: #ff0000">This would have seemed a period<br />
To such as love not sorrow, but another<br />
To amplify too much would make much more,<br />
And top extremity.</span><br />
Whilst I was big in clamor came there in a man,      [235]<br />
Who, having seen me in my worst estate,<br />
<span style="color: #ff0000">Shunned my abhorred society, </span>but then finding<br />
Who &#8217;twas that so endured, <span style="color: #ff0000">with his strong arms</span><br />
He fastened on my neck and bellowed out<br />
As he&#8217;d burst heaven, threw him on my father,      [240]<br />
Told the most piteous tale of Lear and him<br />
That ever ear received, <span style="color: #ff0000">which in recounting<br />
His grief grew puissant and the strings of life<br />
Began to crack.  Twice then the trumpets sounded,<br />
And there I left him tranced.      [245]</span></p>
<p>ALBANY                                                   But who was this?</p>
<p>EDGAR<br />
Kent, sir, the banished Kent, <span style="color: #ff0000">who in disguise<br />
Followed his enemy King and did him service<br />
Improper for a slave.]</span></p>
<p><em>Enter a Gentleman, with a bloody knife</em></p>
<p>Gentleman                        Help, help, O, help!      [250]</p>
<p><span style="color: #ff0000">EDGAR           What kind of help?</span></p>
<p>&lt;<span style="color: #ff0000">ALBANY                                                         Speak, man.</span></p>
<p>EDGAR    What means that bloody knife?</p>
<p>Gentleman                                                           &#8216;Tis hot, it smokes.<br />
It came even from the heart of—O, she&#8217;s dead!      [255]</p>
<p>ALBANY     Who dead?  Speak, man.</p>
<p>Gentleman<br />
Your lady, sir, your lady, and her sister<br />
By her is poisoned. She confesses it.</p>
<p>EDMUND<br />
I was contracted to them both.  All three<br />
Now marry in an instant.      [260]</p>
<p>EDGAR                                                 Here comes Kent.</p>
<p>ALBANY<br />
Produce their bodies, be they alive or dead.<br />
<span style="color: #ff0000">This judgment of the heavens that makes us tremble<br />
Touches us not with pity.</span></p>
<p><em>[Exit Gentleman.] Enter Kent</em></p>
<p>O, is this he?      [265]<br />
<span style="color: #ff0000">The time will not allow the compliment<br />
Which very manners urges.</span></p>
<p>KENT                                                              I am come<br />
To bid my King and master aye good night.<br />
Is he not here?      [270]</p>
<p>ALBANY                   <span style="color: #ff0000">Great thing of us forgot!</span><br />
Speak, Edmund, where&#8217;s the King? And where&#8217;s Cordelia?<br />
See&#8217;st thou this object, Kent?</p>
<p><em>[The bodies of Goneril and Regan are brought in]</em></p>
<p>KENT                                                       Alack, why thus?</p>
<p>EDMUND<br />
Yet Edmund was beloved.      [275]<br />
<span style="color: #ff0000">The one the other poisoned for my sake,<br />
And after slew herself.</span></p>
<p><span style="color: #ff0000">ALBANY    Even so, cover their faces.</span></p>
<p>EDMUND<br />
I pant for life. Some good I mean to do,<br />
Despite of mine own nature. Quickly send—      [280]<br />
Be brief in it—to the castle, for my writ<br />
Is on the life of Lear and on Cordelia.<br />
Nay, send in time.</p>
<p>ALBANY                    Run, run, O, run.</p>
<p>EDGAR<span style="color: #ff0000"><br />
To who, my lord?</span> Who hath the office?  Send      [285]<br />
Thy token of reprieve.</p>
<p>EDMUND<br />
<span style="color: #ff0000">Well thought on.</span> Take my sword.<br />
The captain, give it the captain.</p>
<p><span style="color: #ff0000">ALBANY               Haste thee, for thy life.</span></p>
<p><span style="color: #ff0000">EDMUND<br />
He hath commission from thy wife and me      [290]<br />
To hang Cordelia in the prison, and<br />
To lay the blame upon her own despair,<br />
That she fordid herself.</span></p>
<p>ALBANY   The gods defend her. <span style="color: #ff0000">Bear him hence awhile.</span></p>
<p><em>[Edmund borne off] </em></p>
]]></content:encoded>
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		<title>King Lear: Play Summary and Full Text: Full Text with Clips: Act V Scene 3b</title>
		<link>http://www.pbs.org/wnet/gperf/episodes/king-lear/play-summary-and-full-text/full-text-with-clips/act-v-scene-3b/630/</link>
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		<pubDate>Tue, 07 Apr 2009 18:22:50 +0000</pubDate>
		<dc:creator>kim maxwell</dc:creator>
				<category><![CDATA[King Lear]]></category>
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		<description><![CDATA[Albany and the two daughters come in.  Albany admires Edmund’s valor in battle, and asks for custody of Lear and Cordelia.  Edmund says he has them under detention to avoid their appeal to the common people.  As a delaying tactic, he asks for a day of recovery for the troops who suffer [...]]]></description>
			<content:encoded><![CDATA[<p>Albany and the two daughters come in.  Albany admires Edmund’s valor in battle, and asks for custody of Lear and Cordelia.  Edmund says he has them under detention to avoid their appeal to the common people.  As a delaying tactic, he asks for a day of recovery for the troops who suffer and bleed; the morrow will be a fitter time.  Albany insists upon his superior station, but is interrupted by Regan, who equally insists that Edmund bore her commission in battle, hence deserves equal station.  Goneril objects: “not so hot!”  She attempts to appropriate him, and the two argue until Regan begins to feel ill.</p>
<p>Regan attempts to turn her troops and prisoners over to Edmund, but Albany arrests Edmund for treason, claiming he has already pledged himself to Goneril.  Throwing down a gauntlet, he calls “let the trumpets sound.”  Regan feels worse—“sick, O, sick”—and Goneril admits in an aside that she administered a poison to her sister.  Edmund accepts the challenge.  Regan must be supported out, and the trumpet sounds three times.</p>
<p style="text-align: center"><a href="/wnet/gperf/episodes/king-lear/the-play-itself/full-text-with-clips/act-v-scene-3a/511/">Act V Scene 3a</a> . . . <a href="/wnet/gperf/episodes/king-lear/the-play-itself/full-text-with-clips/act-v-scene-3c/510/">Act V Scene 3c</a></p>
<br /><img src="http://www.pbs.org/wnet/gperf/wp-content/blogs.dir/12/files/gp-kinglear-038.jpg" alt="media"><br />

<p><strong>ACT V. SCENE III. SEGMENT B.</strong></p>
<p><em>Flourish. Enter Albany, Goneril, Regan, Soldiers</em></p>
<p>ALBANY<br />
Sir, you have showed today your valiant strain,<br />
And fortune led you well. You have the captives          [45]<br />
Who were the opposites of this day&#8217;s strife.<br />
I do require them of you, <span style="color: #ff0000">so to use them<br />
As we shall find their merits and our safety<br />
May equally determine.</span></p>
<p>EDMUND                                                                 Sir, I thought it fit         [50]<br />
To send the old and miserable King<br />
To some retention and appointed guard,<br />
<span style="color: #ff0000">Whose age had charms in it, whose title more,<br />
To pluck the common bosom on his side<br />
And turn our impressed lances in our eyes    [55]<br />
Which do command them.</span> With him I sent the queen,<br />
My reason all the same. And they are ready<br />
Tomorrow, or at further space, t&#8217; appear<br />
Where you shall hold your session. <span style="color: #ff0000">[At this time<br />
We sweat and bleed—the friend hath lost his friend,         [60]<br />
And the best quarrels in the heat are cursed<br />
By those that feel their sharpness.<br />
The question of Cordelia and her father<br />
Requires a fitter place.]</span></p>
<p>ALBANY                                                             Sir, by your patience,         [65]<br />
I hold you but a subject of this war,<br />
Not as a brother.</p>
<p>REGAN                              That&#8217;s as we list to grace him.<br />
Methinks our pleasure might have been demanded,<br />
Ere you had spoke so far. He led our powers,    [70]<br />
Bore the commission of my place and person,<br />
The which immediacy may well stand up<br />
And call itself your brother.</p>
<p>GONERIL                                                                                      Not so hot.<br />
In his own grace he doth exalt himself    [75]<br />
More than in your addition.</p>
<p>REGAN                                                                                             In my rights,<br />
By me invested, he compeers the best.</p>
<p>GONERIL       That were the most if he should husband you.</p>
<p>REGAN       Jesters do oft prove prophets.    [80]</p>
<p>GONERIL                                                                                                             Holla, holla!<br />
That eye that told you so looked but asquint.</p>
<p>REGAN<br />
Lady, I am not well, else I should answer<br />
From a full-flowing stomach. General,<br />
Take thou my soldiers, prisoners, patrimony.    [85]<br />
Dispose of them, of me. The walls are thine.<br />
Witness the world that I create thee here<br />
My lord and master.</p>
<p>GONERIL                               Mean you to enjoy him?</p>
<p>ALBANY       The let-alone lies not in your good will.    [90]</p>
<p>EDMUND       Nor in thine, lord.</p>
<p>ALBANY                               Half-blooded fellow, yes.</p>
<p>REGAN     Let the drum strike and prove my title thine.</p>
<p>ALBANY<br />
Stay yet. Hear reason. Edmund, I arrest thee<br />
On capital treason, and in thine attaint,    [95]<br />
This gilded serpent. For your claim, fair sister,<br />
I bar it in the interest of my wife.<br />
&#8216;Tis she is subcontracted to this lord,<br />
<span style="color: #ff0000">And I, her husband, contradict your banns.</span><br />
If you will marry, make your loves to me;    [100]<br />
My lady is bespoke.</p>
<p>GONERIL                                       An interlude!</p>
<p>ALBANY<br />
Thou art armed, Gloucester. Let the trumpet sound.<br />
If none appear to prove upon thy person<br />
Thy heinous, manifest, and many treasons,    [105]<br />
There is my pledge. <em>[throws a glove]</em> <span style="color: #ff0000">I&#8217;ll prove it on thy heart,<br />
Ere I taste bread, thou art in nothing less<br />
Than I have here proclaimed thee.</span></p>
<p>REGAN     Sick, O sick!</p>
<p>GONERIL [Aside]           If not, I&#8217;ll ne&#8217;er trust medicine.    [110]</p>
<p>EDMUND    <em>[throws a glove]</em><br />
<span style="color: #ff0000">There&#8217;s my exchange.</span> What in the world he is<br />
That names me traitor, villainlike he lies.<br />
Call by thy trumpet. <span style="color: #ff0000">He that dares approach,<br />
On him, on you—who not?—I will maintain<br />
My truth and honor firmly.    [115]<br />
</span></p>
<p><em>Enter a Herald</em></p>
<p>ALBANY                                                                               A herald, ho!<br />
<span style="color: #ff0000">Trust to thy single virtue, for thy soldiers,<br />
All levied in my name, have in my name<br />
Took their discharge.</span></p>
<p>REGAN                      My sickness grows upon me.    [120]</p>
<p>ALBANY     She is not well. Convey her to my tent. [Exit Regan]<br />
Come hither, herald. Let the trumpet sound,<br />
And read out this.<em> A trumpet sounds</em></p>
<p><em>Herald reads<br />
</em><br />
&#8216;If any man of quality or degree within<br />
the lists of the army will maintain upon Edmund,    [125]<br />
supposed Earl of Gloucester, that he is a manifold<br />
traitor, let him appear by the third sound of the<br />
trumpet. He is bold in his defence.&#8217;  <em>1 trumpet</em><br />
Again!    <em>2 trumpet</em><br />
Again!    3 trumpet    [130]</p>
<p><em>Trumpet answers within</em></p>
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		<title>King Lear: Play Summary and Full Text: Full Text with Clips: Act V Scene 3a</title>
		<link>http://www.pbs.org/wnet/gperf/episodes/king-lear/play-summary-and-full-text/full-text-with-clips/act-v-scene-3a/511/</link>
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		<pubDate>Tue, 07 Apr 2009 18:19:51 +0000</pubDate>
		<dc:creator>kim maxwell</dc:creator>
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		<description><![CDATA[Edmund orders Lear and Cordelia guarded until a higher authority (Albany, Goneril, or Regan) can decide their fate.  Cordelia is depressed, but Lear makes light of their state: “No, no, no, no.  Come let’s away to prison. . . .”  He is taken out defiantly.  Secretly Edmund passes a paper to [...]]]></description>
			<content:encoded><![CDATA[<p>Edmund orders Lear and Cordelia guarded until a higher authority (Albany, Goneril, or Regan) can decide their fate.  Cordelia is depressed, but Lear makes light of their state: “No, no, no, no.  Come let’s away to prison. . . .”  He is taken out defiantly.  Secretly Edmund passes a paper to a captain with orders to kill Cordelia and Lear on the promise of fortune and the threat of unemployment.  “If it be man’s work, I’ll do it.”</p>
<p style="text-align: center"><a href="/wnet/gperf/episodes/king-lear/the-play-itself/full-text-with-clips/act-v-scene-2/512/">Act V Scene 2</a> . . . <a href="/wnet/gperf/episodes/king-lear/the-play-itself/full-text-with-clips/act-v-scene-3b/630/">Act V Scene 3b</a></p>
<br /><img src="http://www.pbs.org/wnet/gperf/wp-content/blogs.dir/12/files/gp-kinglear-037.jpg" alt="media"><br />

<p><strong>ACT V. SCENE III. SEGMENT A.</strong> The British camp near Dover.</p>
<p><em>Enter in conquest with drum and colors, Edmund, Lear and<br />
Cordelia as prisoners, Soldiers, Captain. </em></p>
<p>EDMUND<br />
<span style="color: #ff0000">Some officers take them away.</span> Good guard,<br />
Until their greater pleasures first be known<br />
That are to censure them.</p>
<p>CORDELIA                                          We are not the first<br />
Who with best meaning have incurred the worst.      [5]<br />
<span style="color: #ff0000">For thee, oppressed King, am I cast down.<br />
Myself could else outfrown false fortune&#8217;s frown.</span><br />
Shall we not see these daughters and these sisters?</p>
<p>KING LEAR<br />
No, no, no, no. Come, let&#8217;s away to prison.<br />
We two alone will sing like birds i&#8217;th&#8217; cage.      [10]<br />
When thou dost ask me blessing, I&#8217;ll kneel down,<br />
And ask of thee forgiveness. So we&#8217;ll live,<br />
And pray, and sing, and tell old tales, and laugh<br />
At gilded butterflies, and hear poor rogues<br />
Talk of court news.  And we&#8217;ll talk with them too,      [15]<br />
Who loses and who wins, who&#8217;s in, who&#8217;s out,<br />
And take upon&#8217;s the mystery of things<br />
As if we were God&#8217;s spies. <span style="color: #ff0000">And we&#8217;ll wear out<br />
In a walled prison packs and sects of great ones<br />
That ebb and flow by the moon.      [20]</span></p>
<p>EDMUND                                Take them away.</p>
<p>KING LEAR<br />
Upon such sacrifices, my Cordelia,<br />
The gods themselves throw incense. Have I caught thee?<br />
He that parts us shall bring a brand from heaven,<br />
And fire us hence like foxes. Wipe thine eyes.       [25]<br />
<span style="color: #ff0000">The good-years shall devour them, flesh and fell,<br />
Ere they shall make us weep.  We&#8217;ll see &#8216;em starve<br />
first. Come.</span></p>
<p><em>Exit [Lear and Cordelia, guarded]</em></p>
<p>EDMUND<br />
Come hither, captain. Hark.<br />
Take thou this note.  Go follow them to prison.      [30]<br />
One step I have advanced thee. If thou dost<br />
As this instructs thee, thou dost make thy way<br />
To noble fortunes.  <span style="color: #ff0000">Know thou this, that men<br />
Are as the time is;</span> to be tender-minded<br />
Does not become a sword. <span style="color: #ff0000">Thy great employment      [35]<br />
Will not bear question. Either say thou&#8217;lt do&#8217;t,<br />
Or thrive by other means.</span></p>
<p>Captain                                                 I&#8217;ll do &#8216;t, my lord.</p>
<p><span style="color: #ff0000">EDMUND<br />
About it, and write “happy” when thou’st done’t.<br />
Mark, I say, instantly, and carry it so    [40]<br />
As I have set it down.</span></p>
<p><span style="color: #ff0000">[Captain<br />
I cannot draw a cart, nor eat dried oats.<br />
If it be man's work, I'll do 't.]</span></p>
<p><em>Exit Captain</em></p>
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		<title>King Lear: Play Summary and Full Text: Full Text with Clips: Act V Scene 2</title>
		<link>http://www.pbs.org/wnet/gperf/episodes/king-lear/play-summary-and-full-text/full-text-with-clips/act-v-scene-2/512/</link>
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		<pubDate>Tue, 07 Apr 2009 18:18:03 +0000</pubDate>
		<dc:creator>kim maxwell</dc:creator>
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		<description><![CDATA[In the play’s shortest scene, the battle takes place.  Edgar first secludes Gloucester under a tree and leaves (for what we do not know).  He returns to disclose that Cordelia has lost the battle and that she and Lear are in custody.  He takes Gloucester’s hand to lead him away, but Gloucester [...]]]></description>
			<content:encoded><![CDATA[<p>In the play’s shortest scene, the battle takes place.  Edgar first secludes Gloucester under a tree and leaves (for what we do not know).  He returns to disclose that Cordelia has lost the battle and that she and Lear are in custody.  He takes Gloucester’s hand to lead him away, but Gloucester refuses: “a man may rot here.”  Edgar becomes philosophical—“men must endure their going hence even as their coming hither”—and then utters one of the play’s most ambiguous lines: “ripeness is all.”</p>
<p style="text-align: center"><a href="/wnet/gperf/episodes/king-lear/the-play-itself/full-text-with-clips/act-v-scene-1/513/">Act V Scene 1</a> . . . <a href="/wnet/gperf/episodes/king-lear/the-play-itself/full-text-with-clips/act-v-scene-3a/511/">Act V Scene 3a</a></p>
<br /><img src="http://www.pbs.org/wnet/gperf/wp-content/blogs.dir/12/files/gp-kinglear-036.jpg" alt="media"><br />

<p><strong>ACT V. SCENE II.</strong> A field between the two camps.</p>
<p><em>Alarum within. Enter, with drum and colors, Lear, Cordelia,<br />
and Soldiers, over the stage, and exeunt </em></p>
<p><em>Enter Edgar and Gloucester</em></p>
<p>EDGAR<br />
Here, father, take the shadow of this tree<br />
For your good host.  Pray that the right may thrive.<br />
If ever I return to you again,<br />
I&#8217;ll bring you comfort.</p>
<p>GLOUCESTER                     Grace go with you, sir!    [5]<em> </em></p>
<p><em>Exit [Edgar]</em></p>
<p><em>Alarum and retreat within. Enter Edgar</em></p>
<p>EDGAR<br />
Away, old man. Give me thy hand.  Away!<br />
King Lear hath lost, he and his daughter ta&#8217;en.<br />
Give me thy hand. Come on.</p>
<p>GLOUCESTER     No farther, sir; a man may rot even here.</p>
<p>EDGAR<br />
What, in ill thoughts again? Men must endure      [10]<br />
Their going hence, even as their coming hither.<br />
Ripeness is all.  Come on.</p>
<p><span style="color: #ff0000">GLOUCESTER                     And that&#8217;s true too.</span></p>
<p><em>Exeunt</em></p>
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		<title>King Lear: Play Summary and Full Text: Full Text with Clips: Act V Scene 1</title>
		<link>http://www.pbs.org/wnet/gperf/episodes/king-lear/play-summary-and-full-text/full-text-with-clips/act-v-scene-1/513/</link>
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		<pubDate>Tue, 07 Apr 2009 18:16:28 +0000</pubDate>
		<dc:creator>kim maxwell</dc:creator>
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		<description><![CDATA[Edmund, with Regan, sends a gentleman off to see if Albany is willing to fight or not.  Regan then asks directly if he is sleeping with Goneril.  He insists he is not, but she seems not to quite believe him, ordering him to “be not familiar with her.”

Goneril now comes in with Albany. [...]]]></description>
			<content:encoded><![CDATA[<p>Edmund, with Regan, sends a gentleman off to see if Albany is willing to fight or not.  Regan then asks directly if he is sleeping with Goneril.  He insists he is not, but she seems not to quite believe him, ordering him to “be not familiar with her.”</p>
<p>Goneril now comes in with Albany.  In an aside, Goneril declares that she would rather lose the battle than Edmund.  Albany then distinguishes between his support for Lear and Cordelia but his determined opposition to a French invasion.  Edmund promises to meet up with Albany at his tent, and leaves, with both women, each carping at the other.</p>
<p>Alone, Albany is visited by Edgar from the shadows, who gives him the letter he took from Oswald.  He says that if Albany wins, he should sound the trumpet, and Edgar will carry out his revenge, “wretched though I seem.”  He exits quickly.  Edmund returns, alerting Albany to the enemy’s proximity and true forces discovered by reconnaissance, and urges Albany to be ready.  Alone, Edmund deliberates on his two women, which to have—both, one, or none—and the circumstances of jealousy he must deal with. He decides to await the outcome of the battle before determining a course.</p>
<p style="text-align: center"><a href="/wnet/gperf/episodes/king-lear/the-play-itself/full-text-with-clips/act-iv-scene-7/514/">Act IV Scene 7</a> . . . <a href="/wnet/gperf/episodes/king-lear/the-play-itself/full-text-with-clips/act-v-scene-2/512/">Act V Scene 2</a></p>
<br /><img src="http://www.pbs.org/wnet/gperf/wp-content/blogs.dir/12/files/35.jpg" alt="media"><br />

<p><strong>ACT V. SCENE I.</strong> The British camp, near Dover.</p>
<p><em>Enter with drum and colors, Edmund, Regan, Gentlemen, and Soldiers</em></p>
<p>EDMUND<br />
Know of the duke if his last purpose hold,<br />
<span style="color: #ff0000">Or whether since he is advised by aught<br />
To change the course.</span> He&#8217;s full of alteration<br />
And self-reproving.  Bring his constant pleasure.  <em>[exit Gentleman]</em></p>
<p>REGAN    Our sister&#8217;s man is certainly miscarried.      [5]</p>
<p>EDMUND     &#8216;Tis to be doubted, madam.</p>
<p>REGAN                                                                    Now, sweet lord,<br />
You know the goodness I intend upon you.<br />
Tell me but truly—but then speak the truth—<br />
Do you not love my sister?      [10]</p>
<p>EDMUND                           In honored love.</p>
<p>REGAN<br />
But have you never found my brother&#8217;s way<br />
To the forfended place?</p>
<p>[EDMUND                                       That thought abuses you.</p>
<p><span style="color: #ff0000">REGAN<br />
I am doubtful that you have been conjunct      [15]<br />
And bosomed with her, as far as we call hers.]</span></p>
<p><span style="color: #ff0000">EDMUND      No, by mine honor, madam.</span></p>
<p><span style="color: #ff0000">REGAN<br />
I never shall endure her.  Dear my lord,<br />
Be not familiar with her.</span></p>
<p><span style="color: #ff0000">EDMUND                                        Fear me not—    [20]<br />
</span></p>
<p><em>Enter, with drum and colors, Albany, Goneril, Soldiers</em></p>
<p><span style="color: #ff0000">She and the Duke her husband.</span></p>
<p>[GONERIL  <em>[aside]</em><br />
I had rather lose the battle than that sister<br />
Should loosen him and me.]</p>
<p>ALBANY<br />
Our very loving sister, well bemet.<br />
Sir, this I heard. The King is come to his daughter,     [25]<br />
With others whom the rigor of our state<br />
Forced to cry out. [Where I could not be honest,<br />
I never yet was valiant.  For this business,<br />
It touches us, as France invades our land,<br />
Not bolds the King, with others whom I fear      [30]<br />
Most just and heavy causes make oppose.</p>
<p>EDMUND     Sir, you speak nobly.]</p>
<p>REGAN                                                                Why is this reasoned?</p>
<p>GONERIL<br />
Combine together &#8216;gainst the enemy,<br />
For these domestic and particular broils    [35]<br />
Are not the question here.</p>
<p>ALBANY                              Let&#8217;s then determine<br />
With the ancient of war on our proceedings.</p>
<p>[EDMUND    I shall attend you presently at your tent.]</p>
<p>REGAN     Sister, you&#8217;ll go with us?     [40]</p>
<p>GONERIL     No</p>
<p>REGAN     &#8216;Tis most convenient; pray you, go with us.</p>
<p>GONERIL     O, ho, I know the riddle.—I will go.</p>
<p><em>Exeunt both the armies.  Enter Edgar. </em><em>[Albany remains]</em></p>
<p>EDGAR<br />
If e&#8217;er your grace had speech with man so poor,<br />
Hear me one word.    [45]</p>
<p>ALBANY    <em>[to soldiers]</em> I&#8217;ll overtake you. <em>[to Edgar] </em>Speak.</p>
<p>EDGAR<br />
Before you fight the battle, ope this letter.<br />
If you have victory, let the trumpet sound<br />
For him that brought it. Wretched though I seem,<br />
I can produce a champion that will prove    [50]<br />
What is avouched there.<span style="color: #ff0000">If you miscarry,<br />
Your business of the world hath so an end,<br />
And machination ceases.</span> Fortune love you.</p>
<p>ALBANY     Stay till I have read the letter.</p>
<p>EDGAR                                                              I was forbid it.    [55]<br />
When time shall serve, let but the herald cry,<br />
And I&#8217;ll appear again.</p>
<p>ALBANY   Why, fare thee well. I will o&#8217;erlook thy paper.</p>
<p><em>Exit [Edgar]    Enter Edmund.</em></p>
<p>EDMUND<br />
<span style="color: #ff0000">The enemy&#8217;s in view; draw up your powers.<br />
Here is the guess of their true strength and forces    [60]<br />
By diligent discovery.</span> But your haste<br />
Is now urged on you.</p>
<p>ALBANY                     We will greet the time.</p>
<p><em>Exit.</em></p>
<p><span style="color: #ff0000">EDMUND<br />
To both these sisters have I sworn my love,<br />
Each jealous of the other, as the stung    [65]<br />
Are of the adder. Which of them shall I take?<br />
Both? One? Or neither? Neither can be enjoyed,<br />
If both remain alive.  To take the widow<br />
Exasperates, makes mad her sister Goneril,<br />
And hardly shall I carry out my side,    [70]<br />
Her husband being alive. Now then, we&#8217;ll use<br />
His countenance for the battle, which being done,<br />
Let her who would be rid of him devise<br />
His speedy taking off. As for the mercy<br />
Which he intends to Lear and to Cordelia,    [75]<br />
The battle done, and they within our power,<br />
Shall never see his pardon, for my state<br />
Stands on me to defend, not to debate.</span></p>
<p><em>Exit</em></p>
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		<title>King Lear: Play Summary and Full Text: Full Text with Clips: Act IV Scene 7</title>
		<link>http://www.pbs.org/wnet/gperf/episodes/king-lear/play-summary-and-full-text/full-text-with-clips/act-iv-scene-7/514/</link>
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		<pubDate>Tue, 07 Apr 2009 18:13:20 +0000</pubDate>
		<dc:creator>kim maxwell</dc:creator>
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		<description><![CDATA[Cordelia praises Kent’s goodness, who deflects it: “to be acknowledged madam is over paid.”  She encourages him to change back to his normal clothing, but he declines, until “time and I think meet.”  A gentleman comes in to say that Lear is sleeping, but that he has slept a long time and perhaps [...]]]></description>
			<content:encoded><![CDATA[<p>Cordelia praises Kent’s goodness, who deflects it: “to be acknowledged madam is over paid.”  She encourages him to change back to his normal clothing, but he declines, until “time and I think meet.”  A gentleman comes in to say that Lear is sleeping, but that he has slept a long time and perhaps should be wakened.  As Cordelia advises him to take his own counsel, Lear is carried in on a chair or bed.  He has been dressed and cleaned, an important sign of his gradual revival.  Cordelia orders the music louder, and leans over to kiss Lear on the forehead.  She speaks kindly of what he has endured, suggesting that a lesser soul would have succumbed entirely.  At last he awakes, in a kind of stupor, protesting that he should not be taken from the grave: “Thou art a soul in bliss, but I am bound by a wheel of fire that mine own tears do scald like molten lead.”</p>
<p>She asks if he knows her; he seems not to immediately, asking instead where he has been.  He is not sure he is sentient.  He tries to move, she restrains him, and he laments his age (80), a less than perfect mind, and that he remembers so little.  Finally he says, “I think this lady to be my child Cordelia.”</p>
<p>“And so I am, I am” she replies, and weeps.  He stills her tears, and says, “I know you do not love me, for your sisters have, as I do remember, done me wrong.  You have some cause, they have not.”</p>
<p>“No cause, no cause” is her reply.  He wonders if he is in France.  Assured he is in England, Lear relaxes and at the gentleman’s urging, repairs to rest.  Cordelia, Kent, and the gentleman then get to the business of war.</p>
<p style="text-align: center"><a href="/wnet/gperf/episodes/king-lear/the-play-itself/full-text-with-clips/act-iv-scene-6d/515/">Act IV Scene 6d</a> . . . <a href="/wnet/gperf/episodes/king-lear/the-play-itself/full-text-with-clips/act-v-scene-1/513/">Act V Scene 1</a></p>
<br /><img src="http://www.pbs.org/wnet/gperf/wp-content/blogs.dir/12/files/kingandcordi.jpg" alt="media"><br />

<p><strong>ACT IV. SCENE VII.</strong> A tent in the French camp.</p>
<p><em>Enter Cordelia, Kent, and Gentleman.</em></p>
<p>CORDELIA<br />
O thou good Kent, how shall I live and work<br />
To match thy goodness? My life will be too short,<br />
And every measure fail me.</p>
<p>KENT<br />
To be acknowledged, madam, is o&#8217;erpaid.<br />
<span style="color: #ff0000">All my reports go with the modest truth,      [5]<br />
Nor more, nor clipped, but so.</span></p>
<p>CORDELIA                          <span style="color: #ff0000"> Be better suited.</span><br />
These weeds are memories of those worser hours.<br />
<span style="color: #ff0000">I prithee, put them off.</span></p>
<p>KENT                                                  <span style="color: #ff0000">Pardon me, dear madam.   [10]</span><br />
Yet to be known shortens my made intent.<br />
My boon I make it, that you know me not<br />
Till time and I think meet.</p>
<p>CORDELIA<br />
Then be&#8217;t so, my good lord. <span style="color: #ff0000"><em>[To the Gentleman]</em> How does the King?</span></p>
<p><span style="color: #ff0000">Gentleman      Madam, sleeps still.     [15]</span></p>
<p><span style="color: #ff0000">CORDELIA                                                                   O you kind gods,<br />
Cure this great breach in his abused nature.<br />
Th&#8217; untuned and jarring senses, O, wind up<br />
Of this child-changed father.</span></p>
<p>Gentleman                                                  So please your majesty      [20]<br />
That we may wake the King? He hath slept long.</p>
<p>CORDELIA<br />
Be governed by your knowledge, and proceed<br />
<span style="color: #ff0000">I&#8217;th&#8217; sway of your own will. </span>Is he arrayed?</p>
<p><em>Enter Lear in a chair carried by servants.</em></p>
<p>Gentleman<br />
Ay, madam. In the heaviness of his sleep<br />
We put fresh garments on him.      [25]<br />
Be by, good madam, when we do awake him;<br />
<span style="color: #ff0000">I doubt not of his temperance.</span></p>
<p><span style="color: #ff0000">[CORDELIA                                                        Very well.</span></p>
<p>Gentleman      Please you, draw near. Louder the music there.]</p>
<p>CORDELIA<br />
O my dear father. <span style="color: #ff0000">Restoration hang       [30]<br />
Thy medicine on my lips, and </span>let this kiss<br />
Repair those violent harms that my two sisters<br />
Have in thy reverence made.</p>
<p>KENT                                                                  Kind and dear princess.</p>
<p>CORDELIA<br />
Had you not been their father, these white flakes       [35]<br />
Had challenged pity of them. Was this a face<br />
To be opposed against the warring winds?<br />
<span style="color: #ff0000">[To stand against the deep dread-bolted thunder?<br />
In the most terrible and nimble stroke<br />
Of quick, cross lightning? To watch—poor perdu—      [40]<br />
With this thin helm?]</span> Mine enemy&#8217;s dog,<br />
Though he had bit me, should have stood that night<br />
Against my fire. <span style="color: #ff0000">And wast thou fain, poor father,<br />
To hovel thee with swine, and rogues forlorn,<br />
In short and musty straw? Alack, alack!      [45]<br />
&#8216;Tis wonder that thy life and wits at once<br />
Had not concluded all.</span> He wakes. Speak to him.</p>
<p>Gentleman       Madam, do you. &#8216;Tis fittest.</p>
<p>CORDELIA       How does my royal lord? How fares your majesty?</p>
<p>KING LEAR<br />
You do me wrong to take me out o&#8217;th&#8217; grave.      [50]<br />
Thou art a soul in bliss, but I am bound<br />
Upon a wheel of fire that mine own tears<br />
Do scald like molten lead.</p>
<p>CORDELIA                              Sir, do you know me?</p>
<p>KING LEAR      You are a spirit, I know. Where did you die?      [55]</p>
<p>CORDELIA      Still, still far wide!</p>
<p>Gentleman    He&#8217;s scarce awake. Let him alone awhile.</p>
<p>KING LEAR<br />
Where have I been? Where am I? Fair daylight?<br />
I am mightily abused. <span style="color: #ff0000">I should ev&#8217;n die with pity,<br />
To see another thus.</span> I know not what to say.      [60]<br />
I will not swear these are my hands. Let&#8217;s see—<br />
I feel this pin prick. Would I were assured<br />
Of my condition.</p>
<p>CORDELIA     <em>[kneels]</em> O look upon me, sir,<br />
And hold your hands in benediction o&#8217;er me.      [65]<br />
No, sir, you must not kneel.</p>
<p>KING LEAR                                                 Pray, do not mock me.<br />
I am a very foolish fond old man,<br />
Fourscore and upward, not an hour more nor less.<br />
And, to deal plainly,      [70]<br />
I fear I am not in my perfect mind.<br />
Methinks I should know you, and know this man,<br />
Yet I am doubtful for I am mainly ignorant<br />
What place this is, and all the skill I have<br />
Remembers not these garments. <span style="color: #ff0000">Nor I know not       [75]<br />
Where I did lodge last night. </span>Do not laugh at me,<br />
For, as I am a man, I think this lady<br />
To be my child Cordelia.</p>
<p>CORDELIA                                            And so I am, I am.</p>
<p>KING LEAR<br />
Be your tears wet? Yes, faith. I pray, weep not.      [80]<br />
<span style="color: #ff0000">If you have poison for me, I will drink it.</span><br />
I know you do not love me, for your sisters<br />
Have, as I do remember, done me wrong.<br />
You have some cause, they have not.</p>
<p>CORDELIA                                                                         No cause, no cause.      [85]</p>
<p>KING LEAR      Am I in France?</p>
<p>KENT                                                                            In your own kingdom, sir.</p>
<p>KING LEAR      Do not abuse me.</p>
<p>Gentleman<br />
Be comforted, good madam. The great rage,<br />
You see, is killed in him, <span style="color: #ff0000">and [yet it is danger      [90]<br />
To make him even o&#8217;er the time he has lost.]</span><br />
Desire him to go in. <span style="color: #ff0000">Trouble him no more<br />
Till further settling.</span></p>
<p>CORDELIA                            Will&#8217;t please your highness walk?</p>
<p>KING LEAR<br />
You must bear with me.      [95]<br />
Pray you now, forget and forgive. I am old and foolish.</p>
<p><em>Exeunt [all but Kent and Gentleman]</em></p>
<p><span style="color: #ff0000">[Gentleman      Holds it true, sir, that the Duke of Cornwall was so slain?</span></p>
<p><span style="color: #ff0000">KENT      Most certain, sir.</span></p>
<p><span style="color: #ff0000">Gentleman      Who is conductor of his people?</span></p>
<p><span style="color: #ff0000">KENT      As 'tis said, the bastard son of Gloucester.      [100]</span></p>
<p><span style="color: #ff0000">Gentleman<br />
They say Edgar his banished son is with the Earl<br />
of Kent in Germany.</span></p>
<p><span style="color: #ff0000">KENT<br />
Report is changeable. &#8216;Tis time to look about. The<br />
powers of the kingdom approach apace.</span></p>
<p><span style="color: #ff0000">Gentleman    The arbitrement is like to be bloody. Fare you well, sir.      [105]</span></p>
<p><em>Exit</em></p>
<p>KENT<br />
My point and period will be throughly wrought,<br />
Or well or ill, as this day&#8217;s battle&#8217;s fought.</p>
<p><em>Exit]</em></p>
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		<title>King Lear: Play Summary and Full Text: Full Text with Clips: Act IV Scene 6d</title>
		<link>http://www.pbs.org/wnet/gperf/episodes/king-lear/play-summary-and-full-text/full-text-with-clips/act-iv-scene-6d/515/</link>
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		<pubDate>Tue, 07 Apr 2009 17:59:43 +0000</pubDate>
		<dc:creator>kim maxwell</dc:creator>
				<category><![CDATA[King Lear]]></category>
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		<description><![CDATA[Oswald enters and sees Gloucester, the traitor.  Almost gleeful (he has beat Edmund to it), he draws to kill him, but Edgar intervenes and kills Oswald instead.  Before dying, Oswald asks Edgar to deliver a letter from Goneril to Edmund in which she declares herself for him as future wife as soon as [...]]]></description>
			<content:encoded><![CDATA[<p>Oswald enters and sees Gloucester, the traitor.  Almost gleeful (he has beat Edmund to it), he draws to kill him, but Edgar intervenes and kills Oswald instead.  Before dying, Oswald asks Edgar to deliver a letter from Goneril to Edmund in which she declares herself for him as future wife as soon as Albany had been disposed of.  Outraged he promises to himself to advise Albany of the plot (rather as Edmund has used a similar captured letter to undo Gloucester).  He drags the body offstage, returns as Gloucester meditates on his own sorrows, and, as drums sound in the background, takes his father to a safer place.</p>
<p style="text-align: center"><a href="/wnet/gperf/episodes/king-lear/the-play-itself/full-text-with-clips/act-iv-scene-6c/516/">Act IV Scene 6c</a> . . . <a href="/wnet/gperf/episodes/king-lear/the-play-itself/full-text-with-clips/act-iv-scene-7/514/">Act IV Scene 7</a></p>
<br /><img src="http://www.pbs.org/wnet/gperf/wp-content/blogs.dir/12/files/33.jpg" alt="media"><br />

<p><strong>ACT IV. SCENE VI. SEGMENT D.</strong></p>
<p><em>Enter Steward</em></p>
<p>OSWALD<br />
A proclaimed prize. Most happy.<br />
<span style="color: #ff0000">That eyeless head of thine was first framed flesh      [245]<br />
To raise my fortunes.</span> Thou old unhappy traitor,<br />
Briefly thyself remember. The sword is out<br />
That must destroy thee.</p>
<p>GLOUCESTER                             Now let thy friendly hand<br />
Put strength enough to&#8217;t.     <em>[Edgar interposes]</em> [250]</p>
<p><span style="color: #ff0000">OSWALD                                               Wherefore, bold peasant,<br />
Darest thou support a published traitor? Hence,<br />
Lest that th’infection of his fortune take<br />
Like hold on thee. Let go his arm.</span></p>
<p><span style="color: #ff0000">EDGAR      Ch&#8217;ill not let go, zir, without vurther &#8216;casion.      [255]</span></p>
<p><span style="color: #ff0000">OSWALD      Let go, slave, or thou diest!</span></p>
<p>EDGAR<br />
<span style="color: #ff0000">Good gentleman, go your gate, and let poor volk<br />
pass. An chud ha&#8217; bin zwaggered out of my life,<br />
&#8216;twould not ha&#8217; bin zo long as &#8217;tis by a vortnight.</span><br />
Nay, come not near th&#8217;old man. Keep out, che vor      [260]<br />
ye, or Ise try whether your costard or my ballow be<br />
the harder. Ch&#8217;ill be plain with you.</p>
<p>OSWALD      Out, dunghill</p>
<p>EDGAR<br />
Ch&#8217;ill pick your teeth, zir. Come, no matter vor<br />
your foins.  <em>[They fight, Oswald falls.]</em> [265]</p>
<p>OSWALD<br />
Slave, thou hast slain me. Villain, take my purse.<br />
If ever thou wilt thrive, bury my body,<br />
And give the letters which thou find&#8217;st about me<br />
To Edmund, Earl of Gloucester. <span style="color: #ff0000">Seek him out<br />
Upon the English party. </span>O, untimely death, death.   <em>[dies]</em> [270]</p>
<p>EDGAR<br />
<span style="color: #ff0000">I know thee well—</span>a serviceable villain,<br />
<span style="color: #ff0000">As duteous to the vices of thy mistress<br />
As badness would desire.</span></p>
<p>GLOUCESTER                What, is he dead?</p>
<p>EDGAR<br />
<span style="color: #ff0000">Sit you down, father; rest you.      [275]<br />
Let&#8217;s see these pocket. The letters that he speaks of<br />
May be my friends. </span>He&#8217;s dead. I am only sorry<br />
He had no other deathsman. Let us see.<br />
<span style="color: #ff0000">Leave, gentle wax, and manners blame us not.<br />
To know our enemies&#8217; minds, we rip their hearts.      [280]<br />
Their papers is more lawful. </span> <em>Reads the letter</em></p>
<p>“Let our reciprocal vows be remembered. You have<br />
many opportunities to cut him off. <span style="color: #ff0000">If your will<br />
want not, time and place will be fruitfully offered.</span><br />
There is nothing done if he return the conqueror;      [285]<br />
then am I the prisoner, and his bed my goal. From<br />
the loathed warmth whereof deliver me, and supply<br />
the place for your labor.  Your (wife, so I would say)<br />
<span style="color: #ff0000">affectionate servant,</span> Goneril.”</p>
<p><span style="color: #ff0000">O undistinguished space of woman&#8217;s will.      [290]</span><br />
A plot upon her virtuous husband&#8217;s life,<br />
And the exchange my brother. <span style="color: #ff0000">Here in the sands<br />
Thee I&#8217;ll rake up, the post unsanctified<br />
Of murderous lechers, and in the mature time<br />
With this ungracious paper strike the sight      [295]<br />
Of the death-practiced Duke. For him &#8217;tis well<br />
That of thy death and business I can tell.</span></p>
<p><span style="color: #ff0000">GLOUCESTER<br />
The King is mad. How stiff is my vile sense,<br />
That I stand up and have ingenious feeling<br />
Of my huge sorrows? Better I were distract,      [300]<br />
So should my thoughts be severed from my griefs,<br />
And woes by wrong imaginations lose<br />
The knowledge of themselves.</span></p>
<p><span style="color: #ff0000">EDGAR                         Give me your hand.    <em>Drum afar off</em><br />
Far off, methinks, I hear the beaten drum.      [305]<br />
Come, father, I&#8217;ll bestow you with a friend.</span></p>
<p><em>Exeunt</em></p>
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		<title>King Lear: Play Summary and Full Text: Full Text with Clips: Act IV Scene 6c</title>
		<link>http://www.pbs.org/wnet/gperf/episodes/king-lear/play-summary-and-full-text/full-text-with-clips/act-iv-scene-6c/516/</link>
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		<pubDate>Tue, 07 Apr 2009 17:52:50 +0000</pubDate>
		<dc:creator>kim maxwell</dc:creator>
				<category><![CDATA[King Lear]]></category>
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		<description><![CDATA[A gentleman with attendants appears, calling upon his attendants to seize Lear on his daughter’s behalf.  Lear misunderstands and thinks he has been captured.  In his antic mood, he promises to die bravely.  His captors declare him their king and release him, but he runs off the stage as if a kind [...]]]></description>
			<content:encoded><![CDATA[<p>A gentleman with attendants appears, calling upon his attendants to seize Lear on his daughter’s behalf.  Lear misunderstands and thinks he has been captured.  In his antic mood, he promises to die bravely.  His captors declare him their king and release him, but he runs off the stage as if a kind of game.  The gentleman remains, in part to explain to the audience that they represent Cordelia.  Edgar then asks him the meaning of the noise they hear. It is the sign of an impending battle, to begin within the hour perhaps.  The gentleman suggests that Cordelia is nearby, but her army has moved on.  After the gentleman leaves, Gloucester repeats his pledge to die naturally.  He asks again who Edgar may be, and Edgar again gives an elliptical reply, refusing to acknowledge himself to his father.</p>
<p style="text-align: center"><a href="/wnet/gperf/episodes/king-lear/the-play-itself/full-text-with-clips/act-iv-scene-6b/517/">Act IV Scene 6b</a> . . . <a href="/wnet/gperf/episodes/king-lear/the-play-itself/full-text-with-clips/act-iv-scene-6d/515/">Act IV Scene 6d</a></p>
<br /><img src="http://www.pbs.org/wnet/gperf/wp-content/blogs.dir/12/files/32.jpg" alt="media"><br />

<p><strong>ACT IV. SCENE VI. SEGMENT C.</strong></p>
<p><em>Enter a Gentleman</em><em> [with Attendant]</em></p>
<p>Gentleman<br />
O, here he is. Lay hand upon him. Sir,<br />
Your most dear daughter—</p>
<p>KING LEAR<br />
No rescue? What, a prisoner? <span style="color: #ff0000">I am even<br />
The natural fool of fortune.</span> Use me well;       [200]<br />
You shall have ransom. Let me have surgeons;<br />
I am cut to the brains.</p>
<p>Gentleman                    You shall have any thing.</p>
<p>KING LEAR                                        No seconds? All myself?<br />
<span style="color: #ff0000">Why, this would make a man a man of salt,       [205]<br />
To use his eyes for garden water-pots,<br />
[Ay, and laying autumn's dust.</span></p>
<p><span style="color: #ff0000">Gentleman                             Good sir—</span></p>
<p>KING LEAR<br />
I will die bravely, like a bridegroom.<br />
<span style="color: #ff0000">What?</span> I will be jovial. <span style="color: #ff0000">Come, come.    [210]</span><br />
I am a king, my masters, know you that.</p>
<p>Gentleman       You are a royal one, and we obey you.</p>
<p>KING LEAR<br />
Then there&#8217;s life in&#8217;t. Come, an you get it,<br />
You shall get it with running. Sa, sa, sa, sa.</p>
<p><em>Exit [running, attendants follow]</em></p>
<p><span style="color: #ff0000">Gentleman<br />
A sight most pitiful in the meanest wretch,      [215]<br />
Past speaking of in a king. Thou hast one daughter,<br />
Who redeems nature from the general curse<br />
Which twain have brought her to.</span></p>
<p><span style="color: #ff0000">EDGAR                                      Hail, gentle sir.</span></p>
<p><span style="color: #ff0000">Gentleman      Sir, speed you. What&#8217;s your will?      [220]</span></p>
<p>EDGAR                                                         Do you hear aught,<br />
Sir, of a battle toward?</p>
<p>Gentleman                                       Most sure and vulgar.<br />
<span style="color: #ff0000">Every one hears that, which can distinguish sound.</span></p>
<p>EDGAR<br />
But by your favor, how near&#8217;s the other army?       [225]</p>
<p>Gentleman<br />
Near and on speedy foot. <span style="color: #ff0000">The main descry<br />
Stands on the hourly thought.</span></p>
<p><span style="color: #ff0000">EDGAR                           I thank you, sir.  That&#8217;s all.</span></p>
<p>Gentleman<br />
Though that the queen on special cause is here,<br />
Her army is moved on.    [230]</p>
<p>EDGAR                             I thank you, sir.</p>
<p><em>Exit [Gentleman]</em></p>
<p>GLOUCESTER<br />
You ever gentle gods, take my breath from me.<br />
Let not my worser spirit tempt me again<br />
To die before you please.</p>
<p>EDGAR                                                       Well pray you, father.      [235]</p>
<p><span style="color: #ff0000">GLOUCESTER    Now, good sir, what are you?</span></p>
<p>EDGAR<br />
<span style="color: #ff0000">A most poor man made tame to fortune&#8217;s blow,<br />
Who, by the art of known and feeling sorrows,<br />
Am pregnant to good pity. Give me your hand,</span><br />
I&#8217;ll lead you to some biding.      [240]</p>
<p>GLOUCESTER                                         Hearty thanks.<br />
The bounty and the benison of heaven<br />
<span style="color: #ff0000">To boot, to boot!</span></p>
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