Echo, the remarkable matriarch of a family of elephants in Kenya’s Amboseli National Park, was most studied elephant in the world, the subject of several books and documentaries, including two NATURE films. For nearly four decades, elephant expert Cynthia Moss, and award-winning filmmaker Martyn Colbeck were on hand to record the trials and triumphs of Echo and her family, documenting the intense loyalties and deep caring that are so fundamental to all elephants, creating a moving record of a life we all can share.

Echo died of natural causes at the age of 65 in May of 2009, leaving the family she had cared for and guided for so long to face the worst drought ever recorded in Amboseli on their own. It was a final test of the years of Echo’s leadership. Had she taught them all they would need to survive without her? Could her wisdom continue to provide for them even after her death?

With rich archival footage and warm recollections, Moss and Colbeck share their memories of Echo and her family as they follow the fortunes of Echo’s family during the drought. Echo is shown caring for her newborn son, Ely, who overcame the crippling condition he was born with thanks to her patience and extraordinary perseverance. Echo is also shown making a heartbreaking decision to abandon her mortally-wounded daughter, Erin, in order to save Erin’s young calf, Email. Moss and Colbeck have especially fond memories of Echo’s mischievous baby daughter, Ebony, whose playful nature was so endearing to them both. And they marvel as they recall Echo’s rescue of Ebony when she was kidnapped by a rival clan, remembering it as one of the defining moments of her leadership.

Happily, Echo’s legacy lives on. Though other elephant families suffer devastating losses, her family is able to survive the drought, retaining her wisdom for future generations, keeping her memory alive.

The natural world is filled with “moments of impact” – the split seconds when animals come into contact with each other and the world around them. Previously many of these moments were too fast or too hidden for us to see. But now new camera technologies reveal what’s behind these remarkable moments, and cutting edge animations illustrate the “inside story” of animal bioengineering that allows each moment of impact to take place.

Episode 1: Hunters & Herds
They are the scenes of some of the largest concentrations of predators and prey on the planet – the vast tracts of grassland and savannah found on every continent but Antarctica. Yet survival in this kind of open, horizontal world is far from easy, with few places to hide, a scarcity of vegetation, drought, fire and the threat of attack by some of the world’s fastest and most powerful hunters.

From Africa’s Serengeti to California’s grasslands, some of nature’s most dramatic moments are caught, examined and “fractured” into their unique parts … within creatures great and small … to reveal the amazing abilities that give each animal the instinct, intelligence and brute prowess to survive. From elaborate impact sequences that spin around animals caught in a “frozen moment” to animations that go inside their bodies – a unique view of animals’ amazing biomechanics is revealed.

Episode 2: Jungle
Teeming with creatures in every shape and form, the jungle is the most diverse habitat on the planet and home to nearly half of the world’s plant and animal species. Rising hundreds of feet from the dark depths of the tropical forest floor, through layers of twisting branch and canopy full of life – this vertical landscape pushes the limits of animal engineering.

The jungle’s layers are peeled back to dissect more amazing moments of impact. Stealth and ambush reign in the jungle and survival depends on highly tuned senses and ingenious defenses. From ninja ants to flying snakes, cameras dive underwater, sail through trees and penetrate fur, feathers, skin and bone to reveal the science of some amazing animal engineering hidden deep in the jungle.

Moment of Impact premieres over two Sundays, April 4 and April 11, 2010.

We have seen them dressed in costumes and dancing at circuses, living solitary lives at zoos or giving our children a thrill with a ride on their back. But the largest land animals live a life that is completely foreign to us when left to their own in the wild — one complete with battles and births, kidnappings and camaraderie. More than fifteen years ago, Martyn Colbeck began to document in film and photos the lives of African elephants. For the better part of two decades, he has grown particularly close to the elephant matriarch, Echo, and her close-knit family, who have never failed to astonish, amuse, and inspire him.

The family seems to accept Colbeck into their world, and perhaps even considers him one of their own. The result is that he can record unimpeded the gentle love, and tight bonds that elephants feel for each other. Colbeck’s film gives us a glimpse into the complex world of elephant society. We meet Echo and begin to understand the importance of such a majestic matriarch to her devoted clan. He shows us their language and ways of communication. And he captures remarkable scenes such as the rare birth of a crippled calf that the family desperately and collectively tries to help to its feet. The film causes us to question if this could be about more than simply survival. Is there a deeper emotion we have just been privileged enough to witness through Colbeck’s lens?

In scene after moving scene, Colbeck makes us fall in love with Echo, Erin, Enid, Ely, and the rest of this loving family. He conveys through his film and in a special interview with NATURE what complicated, powerful, tender, funny — and, yes, unforgettable — creatures elephants are.

To order a copy of Unforgettable Elephants, please visit the NATURE Shop.

Online content for Unforgettable Elephants was originally posted April 2007.

Elephants, the largest land animals on the planet, are among the most exuberantly expressive of creatures. Joy, anger, grief, compassion, love; the finest emotions reside within these hulking masses. Through years of research, scientists have found that elephants are capable of complex thought and deep feeling. In fact, the emotional attachment elephants form toward family members may rival our own.

Joy

In the wild, joy is an emotion that elephants have no shame in showing. They express their happiness and joy when they are amongst their loved ones-family and friends. Playing games and greeting friends or family members all elicit displays of joy.

But the one event that stirs a level of elephant happiness beyond compare is the birth of a baby elephant. In Unforgettable Elephants, the birth of Ebony is one such occasion. The excitement of several of the females in Echo’s family can’t be contained as they are heard bellowing and blaring during the birth of the new baby.

Another highly emotional occasion in an elephant’s life is an elephant reunion. This joyful meeting between related, but separated, elephants is one of exuberance and drama. The greeting ceremony marks the incredible welcoming of a formerly absent family member. During the extraordinary event, the elephants about to be united begin calling each other from a quarter a mile away. As they get closer, their pace quickens. Their excitement visibly flows as fluid from their temporal glands streams down the sides of their faces. Eventually, the elephants make a run towards each other, screaming and trumpeting the whole time. When they finally make contact, they form a loud, rumbling mass of flapping ears, clicked tusks and entwined trunks. The two leaning on each other, rubbing each other, spinning around, even defecating, and urinating (for this is what elephants do when they are experiencing sheer delight). With heads held high, the reunited pair fill the air with a symphony of trumpets, rumbles, screams, and roars. Bliss.

Love

There is no greater love in elephant society than the maternal kind. Nobody who observes a mother with her calf could doubt this. It is one of the most touching aspects of elephant social customs. The calf is so small compared to the adult that it walks under its mother, who, incredibly, does not step on it or trip over it. Mother and child remain in constant touch. If a calf strays too far from its mother, she will fetch it. The mother often touches her child with trunk and legs, helping it to its feet with one foot and her trunk. She carries it over obstacles and hauls it out of pits or ravines. She pushes it under her to protect it from predators or hot sun. She bathes it, using her trunk to spray water over it and then to scrub it gently. The mother steers her calf by grasping its tail with her trunk, and the calf follows, holding its mother’s tail. When the calf squeals in distress, its mother and others rush to its protection immediately. It is easy to see why the bond between mother and daughter lasts 50 years or more.

Grief

One of the most moving displays of elephant emotion is the grieving process. Elephants remember and mourn loved ones, even many years after their death. When an elephant walks past a place that a loved one died he or she will stop and take a silent pause that can last several minutes. While standing over the remains, the elephant may touch the bones of the dead elephant (not the bones of any other species), smelling them, turning them over and caressing the bones with their trunk. Researchers don’t quite understand the reason for this behavior. They guess the elephants could be grieving. Or they could they be reliving memories. Or perhaps the elephant is trying to recognize the deceased. Whatever the reason, researchers suspect that the sheer interest in the dead elephant is evidence that elephants have a concept of death.

Researchers have described mother elephants who appear to go through a period of despondency after the death of a calf, dragging behind the herd for days. They’ve also witnessed an elephant herd circling a dead companion disconsolately. After some time, and likely when they realized the elephant was dead, the family members broke off branches, tore grass clumps and dropped these on the carcass. Another researcher noted a family of African elephants surrounding a dying matriarch. The family stood around her and tried to get her up with their tusks and put food in her mouth. When the rest of the herd finally moved on, one female and one calf stayed with her, touching her with their feet.

Rage and Stress

Terror, rage and stress, unfortunately, are also commonplace in the elephant repertoire of emotions. Terror afflicts baby African elephants who wake up screaming in the middle of the night after they have witnessed their families murdered and poached — a type of Post Traumatic Stress Disorder.

Some researchers suggest a species-wide trauma is taking place in wild elephant populations. They say that elephants are suffering from a form of chronic stress after sustaining decades of killings and habitat loss. The recent surge in cases of wild elephant rage reported by the media is a sad indicator of the kind of stress that wild elephants are undergoing. Nearly 300 persons are killed every year by wild elephants in India. But the increasing numbers of deaths are closely correlated to the ever-increasing human presence in traditional wild elephant habitats, as well as the the effects of climate change, and loss of territory and resources. The ongoing competition between elephants and humans for available land and resources is leading to ever more unfortunate and often deadly consequences.

Human activity does more than put a stress on elephants to find resources. It can often disrupt the complex and delicate web of familial and societal relations that are so important in elephant society. Calves are carefully protected and guarded by members of the matriarchal elephant family. Any perception of danger triggers a violent reaction from the matriarch and, subsequently, the entire family. The extremes a family will go to protect a vulnerable new calf are reported in the news stories as fits of unprovoked “elephant rage.” Charging a village, storming into huts where harvested crop is stored, plundering fields and, if disturbed, turning violent are some of the instances reported by the media.

Compassion and Altruism

Compassion is not reserved for offspring alone in elephant society. Elephants appear to make allowances for other members of their herd. Observers noted that one African herd always traveled slowly because one of its members had never recovered from a broken leg. And in another case, a park warden reported a herd that traveled slowly because one female was carrying around a dead calf. One perplexing report was of an adult elephant making repeated attempt to help a baby rhinoceros stuck in the mud. She continued to try to save the baby rhino despite the fact that its mother charged her each time. Risking her life for the sake of an animal that is not her own, not related to her, or even her own species is remarkably altruistic in nature.

While there is a great deal more to learn about what elephants feel, such accounts are astonishing. They reveal a creature that weeps, revels, rages and grieves. They lead us to believe that the depth of elephant emotional capacity knows no limit. They are striking for they suggest that elephants act on feelings and not solely for survival.

In a Tanzanian jungle, a scientist and a medicine man follow a chimpanzee in search of a cure for a deadly disease. On the plains of Kenya, a woman learns a powerful lesson about family — from a pair of elephants. And in the Florida Keys, an eight-year old boy with a genetic illness utters his first words, for a chance to swim with dolphins.

From the ancient world to the modern, human lives have been influenced by animals in matters that reach far beyond the food chain. Wisdom of the Wild illustrates some of the surprising ways in which animals help teach, heal, and strengthen people, in body, mind, and spirit.

To order a copy of Wisdom of the Wild, visit the NATURE Shop.

Online content for Wisdom of the Wild was originally posted December 1999.

Journey with Meg Ryan to the jungles of Thailand in search of the white elephant, a rare creature coveted by royalty — and threatened by extinction.

To Americans, a white elephant is a metaphor for an encumbrance, a worthless possession. To the people of Thailand, a white elephant is a highly unusual creature to be venerated, one that, along with the darker-hued members of its species, is facing escalating threats to its survival. To the actress Meg Ryan, an encounter with one is the culmination of a lifelong dream. NATURE gets a rare glimpse of the unique pachyderm in The White Elephants of Thailand with Meg Ryan.

The film presents elephants in their everyday contact with the people of Thailand, whose treatment of them ranges from adoration to exploitation. At the same time, we see them through the eyes of an American movie star — as the larger-than-life, awe-inspiring embodiment of childhood dreams.

Online content for The White Elephants of Thailand with Meg Ryan was originally posted February 2002.

NATURE explores the unusual problems created as the struggle to give Asian elephants a home is fought worldwide.

They have a history of captivity that stretches over 200 years. They participate with humans in a surprising array of professions, including tourism, construction, and performance. And their gigantic footsteps may disappear from the face of the earth.

The enigmatic subjects of NATURE: The Urban Elephant, Asian elephants are losing territory to the inevitable process of deforestation. Industrialization all over Asia has hurt the mahouts, or elephant drivers, so that the trained elephants and their riders are being driven into major cities such as Bangkok to earn a meager living receiving donations and food from curious tourists.

Elephants forced into a captive life suffer emotionally, physically, and as a species. In “Safe Haven” one woman explains why created a santuary for retired performing elephants after giving up her own circus career.

Join The Urban Elephant’s trunk-raising salute to these talented, intelligent, and troubled creatures that we have just begun to understand.

To order a copy of The Urban Elephant, please visit the NATURE Shop.

Online content for The Urban Elephant was originally posted November 2000.

Who can resist the magnetic allure of a baby? The presence of little ones of any species invariably generates instant attention and concern from onlookers. In fact, it seems that both humans and animals are hard-wired to find youngsters adorable. The practical and essential reasons why the very young have an ability to play on our heart strings are explored in Baby Tales.

Baby Tales demonstrates how young animals learn and develop, and examines the role of “cuteness” in helping to forge and solidify bonds between mother and offspring. Many newborns in the animal kingdom are entirely dependent upon their mothers — and sometimes their fathers, as well — for survival. And, especially in the wild, nurturing and protecting the young can require enormous effort, courage, and self-sacrifice. The cuteness of offspring creates a strong visual bond that helps evoke a caring response in parents, which must spend months, if not years, feeding, protecting, and teaching their young to survive on their own.

To order a copy of Baby Tales, please visit the NATURE Shop.

Online content for Baby Tales was originally posted March 2001.

What would you do if you woke up in the middle of the night and found Earth’s largest land animals trampling your most treasured possessions? If you are a farmer in Northeast India, answering that question is no idle game — it is a matter of survival when a wild Asian elephant herd wanders out of its forest home in search of a meal, stomping through the rice fields that provide your food and livelihood. If you are lucky, the huge invaders are scared away by torches and noise. But the confrontation can turn deadly: Each year, wild elephants kill up to 300 people in India.

India’s elephants are locked in a fierce competition for food, water, and living space with the nation’s fast-growing human population. Over the course of the twentieth century, India’s population has almost doubled to more than 950 million people. In their search for living space, India’s settlers have cleared all but ten percent of the elephant’s traditional forest homelands.

Some Indians, however, have been taming elephants for more than 5,000 years. In The Elephant Men, NATURE follows a venerated elephant trainer named Dr. Krishnamurthy and several of his young trainees, or mahouts, in their travels 1,500 miles from their homes, as they aid a beleaguered village in the northeastern state of Bengal. To get the inside story on the making of The Elephant Men, NATURE Online spoke with filmmaker Harry Marshall.

Harry Marshall: In His Own Words

“In the opening scenes of the film, you see an elephant charging the camera, and then you see some people with torches. That wasn’t set up; all that really happened. If you look closely, you’ll see me run across the camera — with an elephant 20 yards behind me. I was chased by a wild elephant absolutely hell-bent on killing me!

“The villagers had told us not to run. They said, “When the elephants come, stand your ground and face them down, shine your lights at them, and they will stop.” So that’s what we did. And when the elephants came, we stood our ground, and the entire village ran away. We were left standing there. Finally, I said, “Run!” We took off rather too late.

“It was dark. I tripped and fell, and everything went black; then I was surrounded by a kind of golden light that was bathing me from everywhere. For the first few moments, I thought I had died. I was very irritated. But then I realized that I had fallen into an irrigation ditch, and the light was from my camera lamps, which run off direct current and so were still burning underwater. I spent half an hour hiding in the ditch with just my nose poking out of the water and one very angry elephant looking for me.

“At one point, I felt something grab my arm. I was afraid it was a trunk, but it was Alphonse Roy, the cameraman. Now Alphonse is only 5′2″, so he was really on his tiptoes in the water. And the first thing he said to me was, ‘Shall I take a [light] meter reading?’ I thought that was a funny thing to ask.

“Dr. Krishnamurthy is something of a legend in elephant circles. He’s been working as a wildlife vet for over 50 years. He was the inspiration for the whole film. He’d been asked to go to North India to solve the problem of rampaging elephants and capture them. It seemed like an extraordinary thing to ask a retired 70-year-old man to do, but it’s because there is a crisis — and he’s the only man who could sort it out.

“Elephants have been used [as beasts of burden] for centuries. The first recordings of men and elephants working together date back to 3,000 or 4,000 B.C.E. The traditional work of elephants was timber extraction and hauling. It was the ultimate beast of burden, but now there are [few] forests left [in India]. Elephants were once used in warfare, but no longer. Up until the middle of this century, an elephant was the ultimate status symbol. A maharaji might have a stable of 20 or 30 elephants to show off, but these days he’ll have a Rolex watch or a Maserati.

“Elephants have been losing their place in Indian culture, and the number of mahouts has dramatically declined. You have to be careful not to break that golden chain, because the whole tradition is passed down orally. There are no written instructions. The training of elephants does exist in Sanskrit texts that were written over 2,000 years ago, but the mahouts are all basically illiterate. Dr. K is a walking library of elephant knowledge.

“Obviously, seeing an elephant being trained — having its will beaten out of it — is not pleasant. But I’m not there to moralize, I’m there to make a film, and to document what has happened there for thousands of years.

“How long it takes to train an elephant varies. The younger the elephant is, the easier it is to train. The smaller elephants can be done in three weeks. It’s going to take months if the elephant is older and has killed three or four people, like this one very large tusker [we filmed]. He took so long to train that we ran out of time on our schedule and had to leave. Of course, with the bulk of the elephants, the training never stops, because they have an infinite capacity to learn.

“The bond that develops between an Indian and his elephant is as deep as any bond that exists. Dr. K’s relationship with the elephant he called ‘The Inspector General’ went on for 20 years. As he says in the film, after it had been in a fight with wild elephants, he used to stand on its tusks and remove broken bones from its head. The elephant has a grave that Dr. K visits as you would visit the grave of a brother or friend. When I asked how he felt, he broke down. His voice expressed the depth of his emotion.

“Dr. K became a wildlife vet as a freshman in university. Not many people enjoy living in the jungle, sleeping rough. He just took to it like a duck to water. They say that great elephant trainers, great mahouts, aren’t made, they’re born. Dr. K has an intuitive touch with elephants. And thanks to him the tradition will continue. He has many disciples who sit at his feet and hear his stories.

“The population of Indian elephants is rising. In India they can’t just be culled the way they are in Africa, where there are no religious considerations. The skills of people like Dr. K are going to be called upon even more in the years to come. Elephants are going to be used to control elephants. The domestic ones will be used to help control the wild ones. Elephants are peaceful herbivores when they’re left alone. But when a farmer empties a shotgun full of rusty nails into its trunk and the trunk goes septic, that elephant becomes a homicidal maniac.

“There are still elephants living peaceful lives, as they have for millennia. We just came back from South India. We are making a new film with Dr. K called ‘The Elephant Mountain,’ about Anaimalai, which means ‘elephant mountain.’ It’s a place where elephants live in peace. We’re going to observe a wild herd in a pristine setting for a whole year.”

Harry Marshall, the founder of Icon Films, was born and spent his childhood in South India. He received an MA from Oxford University. He was nominated for a Best Director Emmy for his film TIBET AND THE END OF TIME. Currently, he is at work on a series for PBS about the Brazilian Amazon.