Just ask Peter Sagal: How to make billions in kids’ lit

With the end of 2010 came the end of an era — and the coming year marks the end of a very lucrative franchise. This year will see the release of the final film in J.K. Rowling’s Harry Potter series. The movies have shattered box office records and the books have dominated The New York Times bestseller list for more than a decade.

So who, then, will be the next children’s book author to become a billionaire? Could it be you? Peter Sagal, of “Wait Wait… Don’t Tell Me!” is Need to Know’s resident advice columnist. And this week, he has some tips on how to become the next J.K. Rowling:

Dear Need to Know,

I’m a smart literate person who enjoys reading and writing, but what I’d really like to do is be a billionaire. Now that the Harry Potter franchise is almost played out, how do I create the next worldwide phenomenon in kids’ literature?

Signed,

Aspiring

Dear Aspiring,

I understand the problem. You could commune with your muse, write what’s in your heart and tell the story that you need to tell, and hope it finds resonance with an audience, somewhere. But in general, muses are useless when it comes to marketing a line of action figures. Instead, try this proven formula. First up, your protagonist. It will have to be a boy, because girls will accept male protagonists, but for the most part boys won’t accept girl protagonists. That’s because if you gave a boy a girl’s point of view, most of them would just take off their clothes and go find a mirror.

Your boy hero should be smart, but not too smart, brave and foolhardy, but he should never pay any real price for his foolhardiness. In fact, it should always be the case that smashing a door down makes more sense than looking for a key. He should have two friends — a girl, who’s much smarter than he is, and often gives him advice, which turns out to be wise, except when she says, “Don’t smash down that door!” And he should have a male best friend, who isn’t as brave as he is, isn’t as smart as the girl, in fact, isn’t much use at all except to be impressed with the hero and make him look good in comparison.

The villain should be astonishingly evil and malicious, of course, but for some reason all of his evil intent is on the child hero. That’s because it makes the child important. As Oscar Wilde might have said, the only thing worse than being hunted by a pitiless murderer, is to be ignored by a pitiless murderer.

Most importantly, your hero must be special. The entire parenting industrial complex is devoted to the proposition that every single child is more special than all the others. So what special specialness should you, the aspiring billionaire kid’s author choose? Having magical powers, wielding powerful weapons, and having wings have all been taken. How about: he’s bitten by a flea, and has the power to infest things and make them itchy? He can talk to animals, but they refuse to listen to him? He can eat almost anything and not gain any weight?

But what if once you’ve written your books and made your millions, people complain that kids don’t really want formulas or even magical powers — they want actual magic, meaning vivid characters whose lives and struggles are a mirror of their own, and stories that act like kindling to fires of their own imagination? Just tell ‘em, ‘Hey, it’s been done.’

Meanwhile, book six of The Boy Who Could Eat Anything And Still Stay Slender series comes out next month.

 
SUGGESTED STORIES
  • thumb
    Memorial Day every day
    Beyond the backyard BBQ: Honor and aid those who have served.
  • Fast and too furious?
    Can accuracy and the demand for instant information coexist in the media?
  • thumb
      Steinbeck's Salinas Valley
    John Steinbeck's hometown came to worldwide notice through the Grapes of Wrath. Not all city fathers were pleased by the portrait. Explore what has changed and what remains the same in Salinas.

Comments

  • MarkusMaleek

    As long as I’m commenting on some of the other segments in tonight’s show, I figure I might as well ad my two cents that I’d rather see Need to Know use the “comedy time” at the end of the show to do another story or give more detail about the things on the web site that weren’t included in the show. Heck, why not use the time to provide a little more in one or more of the other stories? At a minimum, at least make the segment about some event that we need to know about (a-la John Stewart minus the cussing).

    No offense meant to Peter Sagal or the other guy (Horowitz?). It is just a matter of priorities for me. Need to Know fills an important niche and I don’t want to see the time squandered.

  • MarkusMaleek

    By the way, I love Wait, Wait. So don’t take this too hard!

  • Chadknuckle

    Can we find something else to talk about at the end of the show besides a girl’s mind transplanted into a boy’s body wanting to check out his junk in a mirror ? (7th sentence in).

  • Jane

    Chad, You have it reversed.

  • Anonymous

    He’s an okay game show host but terribly unfunny. Please axe this painful segment.