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FEATURE:
Oberammergau's Passion Play
May 26, 2000    Episode no. 339
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Photo from the Passion Play JOHN DANCY: There have been some major changes in one of Europe's best-known cultural events, the Passion Play at Oberammergau, Germany. The Bavarian village stages its elaborate performances every 10 years. They resumed this past week and will run through October. But this year the play has been revised and anti-Semitic references have been cut. Paul Miller reports.

PAUL MILLER: Passion plays, telling the story of the final days of Jesus' life, the crucifixion and the resurrection, go back 800 years and were common in Bavaria and the rest of Europe. Many were blatantly anti-Semitic, vilifying Jews and blaming them for the death of Jesus. Eventually, the plays fell into disfavor and all but disappeared. But in the small village of Oberammergau, tucked in an Alpine valley 50 miles southwest of Munich, the Passion Play remains a tradition that involves a cast of more than 2,000. Half the village spends a year producing the play.

Photo of URSULA BURKART Ms. URSULA BURKART (Actor): Everybody's mixed -- religion, tradition, social aspects -- but I think it's a part of it and we cannot imagine how it would be without the play.

MILLER: The play has been staged here for 366 years. It began during an outbreak of plague. Villagers hoped to ward off more deaths by promising God they would perform it. According to legend, the dying stopped.

The vow has been kept more or less on schedule, with two exceptions: 1770, when the Roman Catholic Church ordered an end to all Passion plays in Bavaria, only to later make an exception of Oberammergau, and 1940, because of World War II.

Photo of Bavaria Traditionally, parts go only to those born and raised here, such as Ursula Burkart, or to those who have lived here at least 20 years. Until recently, only Catholics in good standing could participate. Bavaria is predominantly Catholic. Now the cast includes Protestants and Muslims. Over the years the productions and the theaters holding them became more elaborate. Today the audience of close to 5,000 per performance sits under a covered arch. The large stage is partly exposed to the elements.

Five hundred thousand people will come from all over the world to see the play, more than half from the United States. They will hear spoken and sung narration and see living tableaux of biblical scenes and dramatic action. It's in German -- translations are available -- and it lasts six hours, with a three-hour break for lunch. The producers say it is both theatrical and religious.

Photo of OTTO HUBER Mr. OTTO HUBER (Assistant Director): This kind of music and this kind of pictures and acting gives you a deeper understanding for some things than reading a religious book or something. It's really a special experience.

MILLER: Some Jewish groups say in past years the play was not special, it was horrifying in its depiction of Jews. There was a series of meetings between the producers and representatives of Jewish groups who also attended the opening performance to see changes that were made.

Mr. IRVING LEVINE (American Jewish Congress): We're completely satisfied with what they attempted to do. However, there are still problems, and we recognize these problems. They recognize these problems.

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MILLER: References to a blood curse on the Jewish people were eliminated, as were roles with anti-Semitic stereotypes. Judas no longer wears a yellow robe, the medieval equivalent of the Nazis' yellow Star of David. Some scenes -- for example, the Last Supper, also a Seder or Passover meal -- were changed to show Jesus, his family, and followers as observant Jews. And the high priest Caiaphas and others, no longer wearing hats with horns, are portrayed as bad politicians.

Mr. HUBER: The enemies of Jesus are not his enemies because they are Jewish, but because they handle religion in a different way. They take the religion to make their own profit with it, to make themselves big with it.

MILLER: Rabbi Leon Klenicki, who urged a boycott of the play in 1970, said depictions of the crowd are still troubling.

Rabbi LEON KLENICKI: The multitude screams, "Crucify, crucify," and it creates an atmosphere for the accusation that devout Jews are a people that killed Jesus and killed, essentially, God.

Photo from the set MILLER: While the producers tried to meet one set of objections, they deliberately ran the risk of creating another. Otto Huber's extensive revisions of the 1860 text are considered too drastic by some conservative Christians.

This year's production is a radical change by the standards of an almost 370-year tradition. The producers were careful to have changes in the text approved by a theologian appointed by the archbishop of Munich.
All the changes, new costumes and sets, some new music, and the text, were also approved by the village council after villagers narrowly voted to keep Christian Stuckl as the director. Stuckl revised the play to appeal to younger people.

Toni Burkhart is one of two men who portray Jesus. Because of the length and number of performances, most of the major roles are alternately performed by two actors. Burkhart says Jesus is no longer a passive sufferer.

Photo of TONI BURKHART Mr. TONI BURKHART (Actor): The Jesus now is way more my Jesus than it was in the 1990s, I think, you know. It's more of a revolution, what he does, and that only -- it has more power.

Ms. BURKHART: I think a lot of older people have problems with that new interpretation, but that's what we want. We don't want to put pressure on people and say, "You have to believe. You have to believe." We want that people to think about what they see.

Photo of production in progress MILLER: But many of the people who will come here this summer will do so not for challenge, but for reaffirmation. Some want a Passion Play that offers gospel truth. That is why Jewish leaders worry about the contents of a play in a little village in the Bavarian Alps and why some Christians wonder if attempts at relevancy have gone too far. Villagers dismiss controversy as nothing new. They say it's always been part of the tradition of their Passion Play. In Oberammergau, I'm Paul Miller for RELIGION & ETHICS NEWSWEEKLY.

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