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BELIEF & PRACTICE:
Mongolian Masks
August 18, 2000    Episode no. 351
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Photo of Dancing Demons exhibition JOHN DANCY: They are called "dancing demons," but, in fact, they're demon chasers. Nineteenth-century dancers wore these masks in the Buddhist monasteries in Mongolia to exorcise evil spirits. Now on display at the Asia Society in New York City, the masks and their origins are described by Mary Blume, education program coordinator, and Bill McKeever, director of Asian studies.

Ms. MARY C. BLUME (Asia Society): The title, "Dancing Demons: Ceremonial Masks of Mongolia," comes from a western view. When westerners first saw these Buddhist mask dancers, they looked at the ferocious masks that were dancing wildly, and they called them demons. But, in fact, these really aren't demons at all, but are really protectors of the faith.

Mongolian traditions illustrate something very well about religion that we think of here in the West as nonwestern, and that's a permeability, an ability to encompass, to include many different things.

When we talk about the people of Mongolia, the nomadic peoples of the steppes, what we're really talking about is a worldview that's based on the animistic notion that everything in the world is imbued with spirit. In that view of the world, the ritual specialist who helps bring the world into balance is the shaman. Shamanism isn't a religion. There's no doctrine that's followed.

Photo of Bill McKeever Mr. BILL McKEEVER (Asia Society): Buddhism has a unique genius of being able to incorporate the spiritual impulses of the people and to transform it into iconography, religion, and ritual. So what you have is the enormously sophisticated philosophical and meditative tradition of India coming into the indigenous, animistic religion of Mongolia and having its efflorescence of festival and imagery.

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One of the basic questions people have about these masks is they seem morbid.

And what are all the skulls, and what's all this preoccupation with death? But from a Buddhist point of view, it's a different perspective. The idea of the skull has to do with one of the basic Buddhist teachings, which is the truth is impermanence. Everything is marked by impermanence. To see a skull is a sort of in-your-face message that even this life will end at some point.

Photo of Skull Ms. BLUME: Many of these deities carry ritual instruments, like tridents, like choppers.

Mr. McKEEVER: The three-bladed daggers are very good examples. The three blades have to do with cutting passion, aggression, and ignorance. So for the spiritual practitioner, it has to do with psychological and spiritual developments, not conquering external demons.

One of the hallmarks of the Buddhists' spiritual past is not just amalgamating or incorporating different cultural forms. But to the individual practitioner, the approach is anything that arises in one's mind -- fear, passion, loneliness, aggression -- all of that is brought into the past. Just as Buddhist culture transforms national deities of Mongolia into refined art forms and religious expressions, the same journey happens to the individual practitioner.

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