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FEATURE:
Sacred Jazz
July 13, 2001 Episode no. 446
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MARY ALICE WILLIAMS: Their instruments are different, their religious roots in different soil. But when David Chevan and Warren Byrd get together, as they did at the Jewish Community Center in Washington, D.C., they're both jazzmen, making a joyful noise.
DAVID CHEVAN: Let's pump it! I began so much of my musical heritage, not
just in my parent's house, but in going to synagogue.
WARREN BYRD: Church music in general has always been a part of my background.
We [are] two different
people, coming from different backgrounds. But nonetheless, it has been kind of
nice to celebrate God with David and play the music and express God's presence
as opposed to pointing out the differences.
CHEVAN: The goal is to successfully express yourself through the vessel
that is the piece that you are playing, and express what you are feeling about
the room, about the people together, about your relationship with God in 16-bars,
in 32-bars of music.
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BYRD: I am actually in the process of praising him and worshiping him and
fortifying his presence.
CHEVAN: And you can do that by playing phrases, by playing scraps of arpeggios
that all combine together to be a statement of where you are at this moment ...
in that relationship.
BYRD: We hope that a lot of positive things will happen as a result of
people seeing us work together. I know that's where my heart is.
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Related Article:
THE WASHINGTON
POST, February 13, 2000:
"Ministry of Jazz: In Which a Presbyterian Congregation
in Southwest D.C. Finds Soul and a Fractured Community Feels the Spirit"
by Marc Fisher
This is the story of "Jazz Night" at Westminster Presbyterian Church in Washington,
D.C., a mostly white congregation in a mostly black neighborhood that brings people
together through the message and ministry of jazz. The text appeared in the POST's
SUNDAY MAGAZINE, accompanied by the photographs of acclaimed photographer Larry
Fink.
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