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FEATURE ESSAY:
Patricia Hampl's essay on Confession
February 1, 2002    Episode no. 522
Read This Week's November 7, 2008
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Read an excerpt from writer Patricia Hampl's essay on confession in SIGNATURES OF GRACE: CATHOLIC WRITERS ON THE SACRAMENTS edited by Thomas Grady and Paula Huston (Plume/Penguin, 2000).

The complete essay can also be found online at the Web site of COMMONWEAL, the Catholic review of religion, politics and culture.


"The dark cubby of the confessional, the low whisper of the private voice rendering to God not what is God's but what is the Devil's, it was an astonishing procedure. It offered, in return for the humble acknowledgment of the broken truths of the self, nothing short of a new life. Here was the baptismal promise beating along the pulse -- not an idea but an intense throb of liberation. There is no way to describe (to over-describe) the transport of being shriven.

"Confession provided an ecstasy of self, the full return to one's own life, but cleansed, ready to be lived anew. The unbelievable second chance, nothing short of rebirth. Absolution returned the soul to itself, back into the housing of the body and its mind -- but new, fresh, ready to roll.

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"Confession was not an experience of self-inflation or egotism, nor (once the initial shock of declaration was absorbed) was it an exercise in humiliation. It was, rather, a moment of personal liberation: to emerge from the time-out-of-time darkness of the little box, overwhelmed with gratitude, and in possession of a wondrous discovery -- that we are creatures born for radiance. Our natural state is to be light, free, ready for the next thing.

"[T]he old-style confession, the kind that still fires the popular imagination and has fascinated and marked writers in the supposedly non-religious (even anti-religious) passing century -- Joyce, Mary McCarthy come to mind -- thus was, finally, a sacramental act. If by "sacramental" we mean an authentic, if mysterious, change wrought within the human heart by ritual gestures and words, murmurs and the absolving movement of an anonymous hand posed above a bowed head."

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