DAVID WACHTEL (Jewish Theological Seminary): It's the quintessential tale of the Jewish people, it's their foundation document; it's how Jews know they're Jews, even those who don't believe it happened. In countries where Jews were not permitted to practice their religion, [they] risked death by baking matzot, having Haggadot, and participating in Passover rituals.
The freedom that is so important in the Passover story, in the Haggadah, is something that doesn't belong to a specific time period 3,000 years ago. It doesn't belong to any individual people, it is something that is new. There's a fresh message available to be garnered from the Passover story no matter when or who is looking at it. I think it is that freshness that makes it so appealing.
Those Haggadot that are illustrated, typically in the Middle Ages and the early modern period, always when they show people, always show them in contemporary dress. In the 13th century, the characters are wearing 13th-century dress. In the 17th- and 18th-century Haggadot, Pharoah is wearing a waistcoat. It really points out that these are not characters from eons ago, this is really the fulfillment of, let each person see himself or herself in each generation as if they themselves went out of Egypt.


