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FEATURE:
Christmas Carols
December 20, 2002    Episode no. 616
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BOB ABERNETHY: Although peace may seem elusive in many places, this is the time of year that Christians sing about it. Carols are one of the best-loved Christmas traditions. In this special report, Kim Lawton takes a look at the history and meaning of Christmas carols.

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KIM LAWTON: No matter the style or the place, the songs are familiar and enduring: the carols so tied to the Christmas season.

RONALD CLANCY (Millennia Collection): Think about Christmas without music. I often wonder, what would Christmas be like without music? Music is such an integral part of the holiday.

LAWTON: Ron Clancy has spent the last decade collecting Christmas music, and in particular, Christmas carols. He is producing the "Millennia Collection," a multivolume set of books and CDs. He says it's not easy to define exactly what a carol is.

Mr. CLANCY: One of the popular co-authors of the OXFORD BOOK OF CAROLS simply described it as a song without pretense. You know, it's common, simple, and reflects the sentiments of the people. And I think that's a very wonderful definition of a carol.

LAWTON (to Mr. Clancy): Do Christmas carols have to be religious?

Photo of Ron Clancy Mr. CLANCY: No, there are Christmas carols that were not religious. There's really no, say, committee or commission that says "This is a carol," or "This is a holiday song." For aficionados, which I might consider myself one, I believe there is this distinction between religious carols and what I consider holiday songs.

LAWTON: The repertoire of Christmas carols is vast and diverse and has developed over hundreds of years. According to tradition, the first carol was sung by angels, 2,000 years ago, on the night Jesus was born.

Photo of nativity still Mr. CLANCY: They sang "Gloria in Excelsis Deo," or they may have sung it in Jewish dialect for all I know, but the line, of course, was "Peace on earth, goodwill to men." And that particular message has resonated for 2,000 years.

LAWTON: The modern carol tradition began in Europe about 800 years ago. Before that time, music was predominantly liturgical, sung in Latin, the language of the Church. In the 12th and 13th centuries, people began writing their own Christmas songs, in the vernacular. The songs were popularized by traveling mystery plays, which enacted biblical stories, including the Nativity.

Mr. CLANCY: In fact, there were almost near riots if they did not sing carols during these plays.

Photo of Ron Clancy LAWTON: Carols remained popular on through the 16th century. But in England and America, that popularity diminished at the hands of Protestant reformers, who opposed elaborate celebrations of Christmas.

In 1647, the Puritan-dominated Parliament in England actually abolished Christmas. The Puritan influence lingered in America for decades. But in the countrysides and in other nations, the carol tradition was kept alive. A new golden age of carols then began during the Victorian era, when the celebration of Christmas was once again in favor in both England and America.

Today, carols are still the people's music. And they come from all over the world.

Photo of Rickey Payton and choir Rickey Payton is Minister of Music at the New Bethel Church of God in Christ in Washington, D.C. He directs the Urban Nation Hip-Hop Choir for at-risk youth and produces special Christmas concerts.

RICKEY PAYTON Sr. (New Bethel Church of God in Christ): There are so many great melodies and Christmas carols. You can't help but feel the love. We need to celebrate. That's what we need to do. And so we try to give all the songs that kind of energy, to celebrate.

LAWTON: J. Reilly Lewis, director of Washington's Cathedral Choral Society, leads an annual carols service for young people. Lewis hopes they'll pick up his own love of the music.

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J. REILLY LEWIS (Washington Cathedral Choral Society): My first experience was right in this place, at the age of eight, and it changed my life. And so I can relate. I can hope that some of them will be touched.

LAWTON: Ron Clancy says his love of Christmas music also began as a child, when he was growing up in a Catholic orphanage in Philadelphia.

Mr. CLANCY: I remember it was a very cold Christmas Eve and I went to a midnight mass along with all the other first graders, and it was the first time I had ever gone to a midnight mass. And I was kind of drowsy. It was a wonderful scene. These Christmas trees were tethered to all of the columns in the church, and [there was] this large manger scene at the front of the altar with these large statues of the Nativity. The nuns were singing these wonderful carols. And that's always stayed with me.

LAWTON: Clancy has become a virtual walking encyclopedia of Christmas carol facts.

Photo of choir Mr. CLANCY: "Go Tell It on the Mountain" is rather interesting because that was written by black slaves. That particular song to me represents the wonderful sentiments of people who have hope. "O Holy Night" was actually written by a French poet, who in 1847 wrote this carol; and a Jewish friend of his, Adolphe Adam, who wrote a popular ballad, "Giselle," at the time, wrote the music. The people just loved this carol. I think it's truly one of our great carols. But French Church authorities detested it. They just did not like it one iota.

LAWTON: There was also controversy over "Hark, the Herald Angels Sing," whose lyrics were written in 1739 by Charles Wesley, the co-founder of the Methodist movement.

Mr. CLANCY: There was an enterprising English fellow who decided he would take Felix Mendelssohn's music for the 400th anniversary of the celebration of the printing press. That music was taken, combined with Wesley's lyrics. Together we have "Hark, the Herald Angels Sing."

Photo of teen singing LAWTON (to Mr. Clancy): And what did Felix Mendelssohn think about that?

Mr. CLANCY: Not too happy. Even though Felix Mendelssohn was Jewish, and that had nothing to do with his dislike, he just did not like his music being made part of a song that he was not familiar with.

LAWTON: Clancy says there are misconceptions about the origins of many popular carols, including "Away in a Manger."

Mr. CLANCY: It was titled "Luther's Cradle Hymn." Most people thought that Martin Luther was the author of the carol, and that was not the case. The carol was written by German Lutherans from Pennsylvania.

LAWTON: Some modern artists are creating their own new Christmas carols. And the old classics have been redone over and over again by contemporary musicians.

There are Christmas CDs of almost every genre, from New Age to country to Celtic, and even hard rock. As much as he loves Christmas music, Ron Clancy says this bothers him.

Mr. CLANCY: The music form for Christmas has become bastardized, it's become overly commercialized.

LAWTON: He hopes the consumers of all the pop Christmas music won't miss the meaning of the carols.

Mr. CLANCY: I hope that they have the same kind of feel for them as I do, that they, you know, are impressed not only with the sound but [also with] what is the content of the message of the carol. I think that's one of the reasons carols were written in the first place, to bring people closer to Jesus Christ.

LAWTON: Amid the hustle and bustle of the contemporary holiday season, some religious believers say the continuing popularity of carols helps the deeper messages of Christmas to endure.

Photo of Rickey Payton Mr. PAYTON SR.: There's so many things going on in the world. But one thing about a song -- it can always bring us all together and cause us all to listen and to just sort of realize, if you can keep the melodies alive in your heart, ultimately to me, that's the most important thing, because that's what's going to bring joy, and that's what the Christmas season is all about -- joy.

LAWTON: I'm Kim Lawton reporting.

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