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PROFILE:
Jerry Herman
December 27, 2002 Episode no. 617
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MARY ALICE WILLIAMS, guest anchor: Typically, on this program, we report stories about the problems of the world, and how people of religious faith respond to them.

Today, as 2002 draws to a close, a different kind of story -- about a man who calls himself spiritual, an unapologetic optimist who refuses to despair, in spite of the headlines -- and the fact that he is HIV positive. He is Jerry Herman, composer and lyricist.
Judy Valente visited him in Los Angeles.
JERRY HERMAN: My God, what a life it's been.
JUDY VALENTE: He has been called the Irving Berlin of our time. Jerry Herman, Broadway composer and lyricist, still enjoys the adulation of fans, forty years after his first hit musical.
Mr. HERMAN: "Milk and Honey" -- this beautiful purple poster -- was my first musical. I was really a kid.
VALENTE: He was only 29. But the best was yet to come. And it was to come very quickly.

Mr. HERMAN: David Merrick hired me to do the score for "Hello Dolly." And the rest is history.
VALENTE: In 1966, just two years after "Hello Dolly" became a major Broadway hit, there was "Mame," which would run for more than 1,500 performances. Herman has two Tony awards, two Grammys, and three gold records.
But then came a series of failures. Over the next ten years, he wrote three successive musicals that were flops. He says they were among the best work he's ever done.
In 1992, his longtime companion died of AIDS. Years earlier, Herman had been informed that he himself was HIV positive.
Mr. HERMAN: It was a time when my wonderful, wonderful, almost unbelievable life had come to a place where I knew it was going to change dramatically.
VALENTE: What followed was a period of introspection. Herman stopped writing songs. But he soon regained the positive outlook his music has always tried to communicate.

Jerry Herman says his music is a positive force. His songs were written for optimistic and irrepressible characters. But the songs also reflect his own deeply held beliefs.
Mr. HERMAN (singing): "You give that old mint julep a kick, Mame ..."
The characters I choose to write about are all optimistic, life-affirming people.
VALENTE: For example, the lead character in "Mame."
Mr. HERMAN (singing): Mame teaches her new protégé, her nephew Patrick, "Open a new window. Open a new door. Travel a new highway that's never been tried before, before ... "

I was brought up in a very typical middle-class Jewish home, where I went to temple with my parents on the High Holidays.
I am absolutely a spiritual person. And it is possible to be a spiritual person without being a religious person.
VALENTE: In fact, he drifted away from Judaism. Now, formal religion does not play an important role in his life. Nevertheless:
Mr. HERMAN: Being a good person is the most important thing to me -- being able to say on television, right now, that I have been a good person and I have never tried to hurt another human being.
VALENTE: These days Herman is on a personal mission. He has decided to use whatever time he has left to bring the uplifting message of his songs to a new generation, and to inspire in young people a love for musical theater.
Unidentified Student (in audience): What's the most frightening and horrifying experience that's ever happened to any of you in your careers?
VALENTE: As part of the Jerry Herman legacy project, he and a small group of veteran performers have been holding seminars at schools around the country -- this one in Orange County, California.
Mr. HERMAN: Suddenly a huge piece of scenery came crashing down on the stage -- almost killed a couple of dancers. This was opening night, mind you, with critics in the audience.
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VALENTE: After the seminars, which are sponsored by The ASCAP Foundation, the performers rehearse for a show to raise funds for a local school of the arts.
Herman feels the message of his music is especially important in times like these. He traces his positive attitude to his mother Ruth, who died before any of his Broadway shows were produced.

Mr. HERMAN: My mother's philosophy was: "Open a new window. Experience life."
I remember coming home from school when I was only seven or eight and finding my mother surrounded by hors d'oeuvres. And I said, "What's the occasion, Mom?" And she said, "It's today."
Mr. HERMAN (singing): "Light the candles, get the ice out ..."
KAREN MORROW (singing): "Roll the rug up. It's today! Though it may not be anyone's birthday, and though it's far from the first of the year, I know that this very minute has history in it. We're here!"
MARLA PATTERSON (Fan): It's uplifting, it's life affirming, it's validating the good things in life. And it gives you the strength to get through the bad things in life.
TIM DUNNE (Fan): And that's spiritual. And that's what the arts are about. That's what music is all about.
Mr. HERMAN: I love my optimism. And as long as there's one person out there who wants to hear that, I'm going to keep on writing the way I write.
VALENTE: After his string of Broadway failures in the 1970s, and seventeen years after "Mame," Herman hit the top again with "La Cage Aux Folles" in 1983. In it was a song that would become an anthem for the gay community, and for him. The title: "I am what I am."

Mr. HERMAN (singing): "I am what I am. I don't want praise. I don't want pity. I bang my own drum. Some think it's noise. I think it's pretty."
Shirley Bassey did a fantastic recording of it. And it was just as powerful for a black woman to sing that song as for a gay man, or for anybody who wants to say, "I am my own special creation."
VALENTE: Herman has maintained an upbeat attitude in spite of being HIV positive for twenty years. But he finds his legendary optimism constantly tested by the world around him.
Mr. HERMAN: I hate picking up the newspaper these days, especially these days. I think they are very ugly times.
VALENTE: Sometimes, like one of his musical characters, he would rather not know.
Mr. HERMAN (singing): "If music is no longer lovely, if laughter is no longer lilting ..."
Ms. MORROW (singing): "If lovers are no longer loving, then I don't want to know.
If summer is no longer carefree, if children are no longer singing. If people are no longer happy, then I don't want to know ..."
Mr. HERMAN: One morning I got a horrendous phone call, telling me to turn my television set on. And of course it was 9-11. And it took me a few days to realize that I had really written a song that described that experience.

Listen to these words [singing]: "I'll be here tomorrow. Alive and well and thriving. I'll be here tomorrow, it's simply called surviving."
The most important lyric in it -- that amazes me that I wrote it ten years before.
[singing]: "From beneath the rubble, you'll hear a little voice. Say life is worth the trouble. Have you a better choice?"
We will make it. We will get through even this terrible period we're experiencing now.
[singing]: "I'll be here tomorrow, simply going on ..."
I think music has a very powerful way of getting to the soul. It's terribly rewarding to feel that you've made even a tiny bit of difference in the world.
VALENTE: For RELIGION & ETHICS NEWSWEEKLY, this is Judy Valente in Los Angeles.
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Related Books:
SHOWTUNE: A MEMOIR by Jerry Herman
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