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Slavery
and the Making of America
Time and
Place Slave
Memories Resources The Slave Experience

The
Slave Experience: Education, Arts, & Culture
Intro Historical Overview Character
Spotlight Music in Slave Life Personal Narratives Original Docs
The Sounds of Slavery Education, Arts, & Culture
Recreational Songs return to
introduction
Rosey


Rosey, babe, little Rosey,
Hah-a Rosey.

Grab you a pardner an' promenade around,
Hah-a Rosey.
Pin my true love by my side,
Hah-a Rosey.
You do that now, you do that again,
Hah-a Rosey.

CHORUS:
Rosey, babe, little Rosey,
Hah-a Rosey.
(Repeat)

Let us do like the possum done,
Hah-a Rosey.
(Repeat)

Hid his head in the hollow stump,
Hah-a Rosey.

CHORUS

(the next stanzas repeat what has gone before)
photo of an African-American man singing Photo of hands
Featured Instruments
Voice
The chief music-making instruments for slaves were their own voices. Singing together, alone, or in call-response patterns, slaves improvised, altered, and embellished, creating sounds rich in tone and texture.
Hands and Feet
As slaves sang and played, they used hand-clapping and foot-stamping to create rhythmic beats in the tradition of African music.
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