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Slavery
and the Making of America
Time and
Place Slave
Memories Resources The Slave Experience

The
Slave Experience: Education, Arts, & Culture
Intro Historical Overview Character
Spotlight Music in Slave Life Personal Narratives Original Docs
Music in Slave Life Education, Arts, & Culture
Religious Songs return to
introduction
House Done Built Without Hands


That was Mary and Martha in the garden,
-----------?------------
Sister Mary took wings of the eagle,
Sailed away to Galilee,
Oh, Mary, may I go out with you?
Oh, Mary, may I go out with you?
Where you goin' up yonder?
House done built without hands.
Up yonder,
House done built without hands.
Who told you?
House done built without hands.
Jesus told me,
House done built without hands.
Walk in,
House done built without hands.
Walk in,
House done built without hands.
Sit down,
House done built without hands.
Sit down,
House done built without hands.
With the father,
House done built without hands.
And the Son,
House done built without hands
Talk about
House done built without hands.
Where you from?
House done built without hands.
Oh Mary, may I go out with you?
Oh Mary, may I go out with you?

photo of an African-American man singing photo of a drum
Featured Instruments
Voice
The chief music-making instruments for slaves were their own voices. Singing together, alone, or in call-response patterns, slaves improvised, altered, and embellished, creating sounds rich in tone and texture.
Drum
In America, slaves played drums of all shapes and sizes in the tradition of both eastern and western Africans. The drumbeat not only accompanied chants and dances, but was also used to send messages. By striking and holding the drum in certain ways, drummers could replicate tones of speech almost exactly. Fear of slaves communicating through these uncanny sounds led whites in several regions to outlaw slave drumming.
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