A new solo show by Canadian photographer Stan Douglas takes a look at the culture of the 1970s through the lens of a fictional photojournalist. Douglas’ latest works examine two seemingly disparate 1970s cultural scenes–disco-era New York City and post-war Angola–and shows how common elements in dance, fashion and politics suggest they are closer linked than we might think. Juxtaposing scenes carefully set up to resemble ’70s-era New York City’s vibrant disco scene with images recreating Angola in its heyday, Douglas comments on war, dance and the cultural crossovers between those far-flung locations in that turbulent decade.
Apart from Douglas’ convincing art direction, which flawlessly and artfully recreates both of these places and times, the show is a great starting point for a discussion on the distinctions between journalism and art. How apropos.