As one of the cities hardest-hit by the 21st century’s economic downturn, Detroit has more than its share of troubles. One of the few good things to come of the city’s woes, however, is a blossoming of art amidst the ruins. One such endeavor is Mike Kelley‘s “Mobile Homestead” a life-sized model of a ranch-style home, similar to the one he grew up in on the outskirts of the city.
Begun in 2005, Kelley took the homestead on a tour of downtown Detroit, where it has now found a permanent home adjacent to the Detroit Museum of Modern Art. Set to open next month, the “Mobile Homestead” exhibit will house free classes, a barbershop and a studio for local artists.
Kelley died earlier this year, and the house will stand as something of a memorial to both the artist and his hope for the return of prosperity to Detroit.
As a member of Muddy Waters’ band, Guy is credited as the pioneer of the Chicago blues sound, and he’s often credited as the bridge between blues and rock and roll.
He’s ranked 30th in Rolling Stone magazine’s 100 Greatest Guitarists of all time.
His flair for entertaining, whether it’s playing his guitar with drumsticks or walking into the audience during a solo, helped him make a name for himself.
On March 14, 2005, he was inducted into the Rock and Roll Hall of Fame by Eric Clapton and B.B. King. (See video below)
Why He’s Buzzing | On May 8 2012, he released his autobiography, When I Left Home: My Story.
He was born to a sharecropper’s family and raised on a plantation.
By the time he was seven years old, he made his first instrument. According to his website, he ‘fashioned his first makeshift “guitar”–a two-string contraption attached to a piece of wood and secured with his mother’s hairpins.’
His Harmony acoustic guitar was donated to the Rock and Roll Hall of Fame.
He owns Legends club in Chicago and performs there frequently.
By the time he started recording his own music, he was already a major influence on other artists, such as Eric Clapton, Jimi Hendrix and Stevie Ray Vaughan. He notably picked the guitar with his teeth and played it over his head–two tricks that later influenced Jimi Hendrix.
In 2008, he was inducted into the Louisiana Music Hall of Fame.
His daughter, Rashawnna “Shawnna” Guy, was the first female artist to be signed to Def Jam through Ludacris’ Disturbing the Peace Records.
His late brother, Phil Guy, was also an American blues guitarist.
His song “Stone Crazy” was ranked 78th in the list of 100 Greatest Guitar Songs of All Time, also of Rolling Stone.
He is the recipient of 23 W.C. Handy Awards, which is more than any other artist. He is also the second recipient of Billboard magazine’s The Century Award.
Selections from discography and awards
2003 Awarded the National Medal of Arts 1965 “Hoodoo Man Blues” 1967 ”I Left My Blues in San Francisco” 1968 “A Man and the Blues” 1991 “Damn Right, I’ve Got the Blues” – Won 1991 Grammy Award for Best Contemporary Blues Album 1993 “Feels Like Rain” – Won 1993 Grammy Award for Best Contemporary Blues Album 1994 “Slippin’ In” – Won 1995 Grammy Award for Best Contemporary Blues Album 1999 “Buddy’s Baddest: The Best of Buddy Guy” 2001 “Sweet Tea” – Nominated for 2001 Grammy Award for Best Contemporary Blues Album 2003 “Blues Singer” – Won 2003 Grammy Award for Best Traditional Blues Album 2009 “The Definitive Buddy Guy” 2010 “Living Proof” – Won 2010 Grammy Award for Best Contemporary Blues Album)
Rock and Roll Hall of Fame 2005
Eric Clapton and B.B. King Induct Buddy Guy into the Rock and Roll Hall of Fame
Buddy Guy’s Acceptance Speech
“If you don’t think you have the blues, just keep living.” – Buddy Guy, 2005
On May 29, 2012, President Obama awarded cultural and political icons with the Medal of Freedom at a ceremony held at the White House. Among the recipients were past show guests Madeleine Albright, Toni Morrison and Delores Huerta.
The Medal of Freedom ranks as the highest civilian honor. According to the Los Angeles Times, ‘the year 1962 looms especially large in President Obama’s picks: that was the year [Bob] Dylan put out his first album, when [Delores] Huerta co-founded the National Farm Workers Association and when [John] Glenn became the first American to orbit the earth.’
On January 23, 1997, Albright was sworn in as the first female to become the U.S. Secretary of State, under former President Bill Clinton.
On October 28, 2009, she sat down with us to weigh in on the situations in Pakistan, Afghanistan and Iraq, discuss her memoir Madam Secretary and her token brooches as fashion statements and diplomatic tools. Watch the 2009 conversation and share your thoughts.
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“Life is grim, and we don’t have to be grim all the time.” – Madeleine Albright, 2008
One of the most famous mysteries of the 20th century surrounds the disappearance of Amelia Earhart on her quest to circle the globe in 1937. A female aviation pioneer, she was the first woman to fly solo non-stop across the Atlantic ocean, for which she received the Distinguished Flying Cross, a Congressional medal.
Ever since Earhart’s circumnavigation was cut short 75 years ago, there has been much speculation around the circumstances of her disappearance and death. This week, new evidence has emerged suggesting Earhart, along with navigator Fred Noonan, spent her final days subsisting on fish, mollusks and seabirds on a remote and uninhabited Japanese coral atoll.
From the Christian Science Monitor: “(TIGHAR), a non-profit foundation promoting aviation archaeology and historic aircraft preservation, reported new details Friday leading researchers to this conclusion: Earhart and Noonan, low on fuel and unable to find their next scheduled stopping point – Howland Island – radioed their position, then landed on a reef at uninhabited Gardner Island, a small coral atoll now known as Nikumaroro Island.”
According to the same article, researchers from TIGHAR will return to the site next month and use submersibles to search for remnants of Earhart’s plane.
As well as being historically relevant, and adding a final chapter to one of the most fascinating American stories of the 20th century, the revelation that Earhart’s plane didn’t simply vanish (despite what innumerable conspiracy theorists say) serves as a potent reminder that it’s far easier to put forth an outlandish theory, than it is to actually prove what happened. Conspiracy theories may be provocative, but they are rarely even close to accurate.
The untimely death of famous white-boy-rapper and Beastie Boys co-founder MCA produced an outpouring of affection for the hip-hop pioneer, who, along with his bandmates, proved that if a bunch of middle-class Jewish guys could become legit rappers, anyone could.
The appearance recently of teen-girl-rapper Kitty Pryde–a 19-year-old from Florida with lyrics about Justin Bieber and casual drug use–shows the next step in that evolution. At worst, Kitty Pryde (who takes her name from an X-Men comic book character) could be written off as another vapid brat-rapper in the school of Uffie or Kreayshawn, but, initially at least, it seems like there’s more to her than that.
The laid-back laconic rhyming of her new single “OK Cupid” isn’t on par, technically, with the best rappers of our day (or even those who cover them), but Kitty Pryde’s perspective and melding of teenage girly-ness with a genre totally at odds with that seems significant. Much like MCA and the Beastie Boys, Kitty Pryde doesn’t look or sound like your average rapper, but her self-effacing lyrics–she knows she’s a skinny white girl from Florida as well as anyone–allow people to enjoy it without necessarily taking it seriously.
It’s highly unlikely that Kitty Pryde’s impact on our culture, or her longevity, will come anywhere near that of the Beastie Boys, but at the very least she’s an important milestone in the evolution of rap and proof that hip-hop is becoming the most democratic musical genre of our time.
Wes Anderson is a hack of the best possible kind. The American indie auteur director, beloved for films like Rushmore, The Royal Tenenbaums and Fantastic Mr. Fox, has a new film out soon, and while it feels in many ways like a rearrangement of his other works, it is brilliant and beautiful in its own right.
Moonrise Kingdom stars Anderson regulars Bill Murray and Jason Schwartzman, alongside Frances McDormand, Bruce Willis and a wonderfully-cast bunch of 12-year-olds, and focuses on an innocent yet turbulent love affair between a pair of young adolescents. For anyone who has seen Anderson’s other films, the music, cinematography and dialogue will all seem uncannily familiar–kitschy 1960s kids’ albums played on portable record players, perfectly-composed slightly off-kilter shots and ridiculous lines delivered with deadpan earnestness. Anderson is many things, but aesthetically versatile is clearly not one of them.
Nonetheless, the young lovers’ troubled tale feels heartfelt and true, while the film built around it explores coming of age and entering the world of adults with equal parts whimsy and pathos. These explorations will also be familiar–Rushmore and The Royal Tenenbaumsexplored similar issues of young forbidden love and the rift between childhood innocence and adult malaise–and indeed, Bill Murray’s character is cut from the same red wine-stained motley as his other unhappy clown roles of the last few years. To some this may seem lazy, a simple re-hashing of old tropes and techniques to tell a barely different story, but as visually, emotionally and sonically rich as Moonrise Kingdom is, there is much to be discovered and enjoyed both on the surface and below it. And at the very least, it’s an opportunity to see a brilliant director do what he does best, yet again.
Another star-studded week of lively discussion and insightful comments goes in the books.
There’s a direct relationship between being star-struck and being humbled–actor Dev Patel of The Best Exotic Marigold Hotel fame shared a little bit about that. Rock and Roll Hall of Famer Gregg Allman also shared how receiving that honor changed his life. Singer-songwriter Carole King was asked to briefly put her modesty aside to reflect on her successes at an early age.
Then there was a theme of healing, as first introduced by urban farmer Will Allen. Person of Interest actor Michael Emerson shed light on “Doctor Theater” and iconic producer Garry Marshall shared his philosophy on healing and overcoming disease in a no-guts-no-glory fashion.
Power. Who has it and what it has become changes like the wind. Let Paralympic medalist-turned-author Bonnie St. John tell you about that. Actor-turned-writer Billy Bob Thornton also had a comment about power, but not in a way that you’d think. Actor-filmmaker Kevin Costner ended the week with a two-part conversation, where he talked about empowering career highlights and pitfalls, upcoming projects and the late Whitney Houston.
Check out the gallery (for a couple of behind-the-scenes shots!) and some notable quotables and share your thoughts.
All images by Van Evers, Tavis Smiley Media, Inc.
‘…I remember just doing [my scene] and looking around and just absolutely just terrified. You know, ‘cause everyone [was] staring and intently listening. And I just feel like they’ve got x-ray vision…and they can see right through me. But it was so much fun.’ – Actor Dev Patel on performing with an A-list cast
‘[It was] like going to see the grand wizard of Oz and him knighting you or something. In my world, Hall of Fame, I mean, God, and we got in it so early, seemingly.’ – Musician Gregg Allman on how being inducted into the Rock and Roll Hall of Fame was the driving force of becoming clean and sober
‘I’ve had a remarkable life. I seem to be in such good places at the right time, and if you were to ask me to sum my life up in one word – gratitude.’ – Singer-songwriter Carole King on her life and career
Carole King and Garry Marshall share an embrace behind the scenes.
‘Our food is supposed to be like good medicine to heal us.’ – Growing Power, Inc. CEO and urban farmer, Will Allen
‘[It’s] the thing that allows you to finish a performance even if you just broke your arm. Or in spite of, or in the face of everything that was distracting you before the curtain went up – problems at home, bad tax report, all of those things you leave behind you when the moment starts.’ - Actor Michael Emerson on Doctor Theater
‘So how do great women lead? In many ways, in creative ways, in ways that nobody’s thought of yet. We’re innovative.’ – Paralympic medalist-author Bonnie St. John
‘So basically there are no stars anymore. The audience is the star.’ – Actor-turned-writer Billy Bob Thornton on how social media fuels self-importance
‘I don't always go to the end game. I know when I'm picking up momentum. I just know it. I just know when I'm around the right people, that things are going to start to work for me.’ – Actor Kevin Costner on the evolution of his career
Photographer Van Evers snagged a shot of Billy Bob Thornton and blues singer and guitarist Buddy Guy in the green rooms.
It appears to be a statement on innovation, expression and the progress of visual art, but it’s also a great demonstration of the capabilities of new technology and just how much that little phone in your pocket can do.
On May 17, 2012, it was announced that the five-time Grammy-winning singer passed away after a battle with cancer. The “Queen of Disco” made a name for herself with her hits “Last Dance,” “Hot Stuff” and “Bad Girls.”
Summer sat down with us in 2008, when she released her final CD “Crayons.” Watch the conversation in which she highlighted her career and reflected on whether she was tired of being called the “Queen of Disco,” spoke a little bit of German and discussed what turned out to be her last album, released after a 17-year hiatus.
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“I just think people are hungry for what they consider meaty and substantial and I think that a lot of people relate to that music and…it’s attached to so many memories in their lives and in the vernacular of their living that they want to have access to that memory again… It’s all about the moment.”
The film certainly seems to have plenty going for it, including a quirky and touching love story and a cast featuring can’t-miss French sensation Marion Cotillard (see: Coco Avant Chanel, Midnight in Paris and, of course, La Vie en Rose). The story surrounds the love that grows between a 25-year-old unemployed kickboxer/bouncer and a killer whale trainer who has been disabled in a horrific accident–far from your standard Hollywood premise.
Further to the film’s credit is a recent four-out-of-five-star review from Peter Bradshaw of The Guardian. Bradshaw writes, “its candour and force are matched by the commitment and intelligence of its two leading players. These factors, linked with the glowing sunlit images captured by cinematographer Stéphane Fontaine and emotion-grabbing music from Alexandre Desplat make for a powerful spectacle. It is a passionate and moving love story which surges out of the screen like a flood tide.”
In past years, the film’s French language would have been a huge detriment to getting masses of people into theaters, but as The Artist proved, it is possible. The combination of all of the above, and the fact that the script is based on a collection of stories by Canadian novelist Craig Davidson–whose writing is reliably fresh, weird and visceral–suggest this will be one of the best films, if not the film, to see this coming fall.