Visit Your Local PBS Station PBS Home PBS Home Programs A-Z TV Schedules Watch Video Donate Shop PBS Search PBS
September 23rd, 2004
Red Lines and Deadlines

About the Film

Twenty-five years after the Islamic Revolution in Iran, the struggle for political reform is the big story. With rare access, WIDE ANGLE films behind the scenes with the young reporters of one of Iran’s leading reformist newspapers. Founded less than a year ago and already Iran’s 4th largest daily, the Shargh newspaper (its name means simply East) has quickly built a loyal readership among Iran’s intellectuals, opinion makers, politicians, and the young. Its photography and design borrow from the New Yorker and London’s Independent; its chief economics editor is 23 years old. With such a youthful staff (the average age is 28), with more female journalists than any other paper, and committed to professional journalism and neutral reporting, Shargh is a lightning rod for censorship. Indeed, its own editors evaluate constantly what stories to print without crossing an indefinable line. Authorities have closed the paper down once already, on the eve of the February 20 election, for printing an open letter from reformist MPs to the Supreme Leader Ayatollah Khamenei criticizing the disqualification of more than 2,000 reformist candidates.

WIDE ANGLE documents three weeks in the life of this remarkable newspaper, following reporters out on stories ranging from Saddam Hussein’s first appearance in court; to a horrific bus collision that exposes Iran’s abysmal road safety record; to the trial of a professor sentenced to death for criticizing the ruling clerics; to the death of Marlon Brando. The story of these daring journalists, who struggle to report the news without incurring the “blade of censorship” they say is an ever-present threat, offers powerful insight into the complexities of today’s Iran.

  • Rusk Reeder

    I’ve been trying to track this down for a while since I first saw it.

    First, I want to say that this a superbly-directed documentary. It has terrific editing and pacing. If I were a film studio executive, I’d hire the director and let him make some films for me. He’s that talented.

    Second, this films shows exactly why we should be engaging Iran and not attacking it as some in the Bush Administration proposed. The young people in this film are the future of the Iran, and they will bring about change. We need not drive them into the arms of the conservatives who hold a small majority that might be reversed at any time.

    Every member of Congress should see this film. If the Bush Administration had seen this film, perhaps it would have kept communications open and not hardened the resolve of the hardliners.


    Rusk Reeder

Produced by THIRTEEN    ©2014 WNET.ORG Properties LLC. All rights reserved.