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	<title>Wide Angle &#187; filmmaker notes</title>
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		<title>Underground Zimbabwe: Audio Interview with Filmmaker Robyn Kriel</title>
		<link>http://www.pbs.org/wnet/wideangle/episodes/underground-zimbabwe/audio-interview-with-filmmaker-robyn-kriel/4188/</link>
		<comments>http://www.pbs.org/wnet/wideangle/episodes/underground-zimbabwe/audio-interview-with-filmmaker-robyn-kriel/4188/#comments</comments>
		<pubDate>Wed, 11 Feb 2009 16:11:22 +0000</pubDate>
		<dc:creator>lauren feeney</dc:creator>
				<category><![CDATA[Audio and Video]]></category>
		<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[filmmaker notes]]></category>
		<category><![CDATA[media rights]]></category>
		<category><![CDATA[Robert Mugabe]]></category>
		<category><![CDATA[Zimbabwe]]></category>

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		<description><![CDATA[After studying journalism in the United States, 25-year-old Robyn Kriel returned home to Zimbabwe and immediately felt a responsibility to document the devastation she witnessed -- despite the government's notoriously repressive restrictions against independent journalism. In an interview with WIDE ANGLE Coordinating Producer Charlotte Mangin, Kriel talks about the risks she took reporting from Zimbabwe [...]]]></description>
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		<title>18 with a Bullet: Filmmaker Notes: Nina Alvarez</title>
		<link>http://www.pbs.org/wnet/wideangle/episodes/18-with-a-bullet/filmmaker-notes-nina-alvarez/2280/</link>
		<comments>http://www.pbs.org/wnet/wideangle/episodes/18-with-a-bullet/filmmaker-notes-nina-alvarez/2280/#comments</comments>
		<pubDate>Tue, 05 Aug 2008 23:01:49 +0000</pubDate>
		<dc:creator>lisa biagiotti</dc:creator>
				<category><![CDATA[Filmmaker Notes]]></category>
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		<category><![CDATA[18 With a Bullet]]></category>
		<category><![CDATA[El Salvador]]></category>
		<category><![CDATA[filmmaker notes]]></category>
		<category><![CDATA[Nina Alvarez]]></category>

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		<description><![CDATA[Filmmaker Nina Alvarez produced the epilogue to the WIDE ANGLE film, 18 with a Bullet.

The day we met, Vilma picked me up at the hotel in her red SUV and said that she still did not quite understand what I was doing there. We ate lunch at a Marie Callender's and spoke for a long [...]]]></description>
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		<slash:comments>12</slash:comments>
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		<title>Lord&#8217;s Children: Audio: Filmmaker Notes</title>
		<link>http://www.pbs.org/wnet/wideangle/episodes/lords-children/audio-filmmaker-notes/2179/</link>
		<comments>http://www.pbs.org/wnet/wideangle/episodes/lords-children/audio-filmmaker-notes/2179/#comments</comments>
		<pubDate>Tue, 29 Jul 2008 17:03:15 +0000</pubDate>
		<dc:creator>lisa biagiotti</dc:creator>
				<category><![CDATA[Audio and Video]]></category>
		<category><![CDATA[Filmmaker Notes]]></category>
		<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[Ali Samadi Ahadi]]></category>
		<category><![CDATA[child soldiers]]></category>
		<category><![CDATA[filmmaker notes]]></category>
		<category><![CDATA[Oliver Stoltz]]></category>
		<category><![CDATA[uganda]]></category>

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		<description><![CDATA[An interview with filmmaker Oliver Stoltz about the making of Lord's Children.
[MEDIA=323]

OLIVER STOLTZ:
My name is Oliver Stoltz. I’m a German filmmaker and producer, writer, and director of Lord’s Children, together with my partner, Ali Samadi Ahadi.

WIDE ANGLE:
Can you talk about how you came to this film, and what interested you about it?

OLIVER STOLTZ:
When I lived [...]]]></description>
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		<title>Japan&#8217;s About-Face: Filmmaker Notes: Micah Fink</title>
		<link>http://www.pbs.org/wnet/wideangle/episodes/japans-about-face/filmmaker-notes-micah-fink/1553/</link>
		<comments>http://www.pbs.org/wnet/wideangle/episodes/japans-about-face/filmmaker-notes-micah-fink/1553/#comments</comments>
		<pubDate>Tue, 08 Jul 2008 19:51:35 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Filmmaker Notes]]></category>
		<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[filmmaker notes]]></category>
		<category><![CDATA[Japan]]></category>
		<category><![CDATA[Japan About-Face]]></category>

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		<description><![CDATA[Filmmaker Micah Fink talks about how and why he was granted the access necessary to make Japan's About-Face. Fink also reflects on whether Japan is still a pacifist nation.




Japan's About-Face filmmaker Micah Fink (right)



When I first began researching for the film, I was told rather bluntly by a number of U.S.-based Japan specialists that it [...]]]></description>
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