Worse Than War » The Film http://www.pbs.org/wnet/worse-than-war A documentary on the general phenomenon of genocide. Tue, 19 Jun 2012 11:49:57 +0000 http://wordpress.org/?v=2.8.4 en hourly 1 Watch Worse Than War http://www.pbs.org/wnet/worse-than-war/the-film/watch-worse-than-war/24/ http://www.pbs.org/wnet/worse-than-war/the-film/watch-worse-than-war/24/#comments Thu, 15 Apr 2010 15:54:08 +0000 colin fitzpatrick http://www.pbs.org/wnet/worse-than-war/?p=24 Premiering on PBS during National Holocaust Remembrance Week on April 14 at 9 p.m. (check local listings), WORSE THAN WAR documents Goldhagen’s travels, teachings, and interviews in nine countries around the world, bringing viewers on an unprecedented journey of insight and analysis.

Watch the full film below:

With his first book, the #1 international bestseller Hitler’s Willing Executioners (Vintage, 1997) Daniel Jonah Goldhagen – then a professor of political science at Harvard University– forced the world to re-think some of its most deeply-held beliefs about the Holocaust. Hitler’s Willing Executioners inspired an unprecedented worldwide discussion and debate about the role ordinary Germans played in the annihilation of Europe’s Jews.

A decade later – and more than half a century after the end of World War II – Goldhagen is convinced that the overall phenomenon of genocide is as poorly understood as the Holocaust had once been. How and why do genocides start? Why do the perpetrators kill? Why has intervention rarely occurred in a timely manner? These and other thought-provoking questions are explored in a new documentary film, WORSE THAN WAR.

]]> http://www.pbs.org/wnet/worse-than-war/the-film/watch-worse-than-war/24/feed/ 107 About Daniel Jonah Goldhagen http://www.pbs.org/wnet/worse-than-war/the-film/about-daniel-jonah-goldhagen/18/ http://www.pbs.org/wnet/worse-than-war/the-film/about-daniel-jonah-goldhagen/18/#comments Tue, 13 Apr 2010 22:36:51 +0000 colin fitzpatrick http://www.pbs.org/wnet/worse-than-war/uncategorized/the-film-about-daniel-goldhagen/18/ Daniel Goldhagen

Daniel Jonah Goldhagen is the author of #1 international bestseller Hitler’s Willing Executioners: Ordinary Germans and the Holocaust (Vintage, 1997), published in fifteen languages, which was named by Time one of the two best non-fiction books of 1996 and for which he won Germany’s prestigious triennial Democracy Prize in 1997.  Hailed as “a monumental achievement” by the Sunday Times of London, and as “masterly…one of those rare new works that merit the appellation landmark” by the New York Times, Hitler’s Willing Executioners may have generated more international discussion than any book in our time.  He is also the author of the prizewinning A Moral Reckoning: The Role of the Catholic Church in the Holocaust and Its Unfulfilled Duty of Repair (Vintage, 2003), published in eight languages, and has published Briefe an Goldhagen (Letters to Goldhagen) (Siedler, 1997).  The just published Worse Than War: Genocide, Eliminationism, and the Ongoing Assault on Humanity (PublicAffairs 2009), which is already being published in eight languages, has been instantly greeted with great acclaim.

Goldhagen’s essays and columns can be found in the New York Times, Los Angeles Times, New Republic, New York Sun, Forward, The Sunday Times, The Guardian, Die Zeit, Süddeutscher Zeitung, Die Welt, Le Monde, Corriere della Sera, La Repubblica, El Pais, El Mundo, Ha’aretz, Gazeta Wyborcza and many other publications nationally and internationally.  He has appeared on many national television and radio programs around the world, including The Today Show, The O’Reilly Factor, Charlie Rose, has been profiled on television, including on Dateline, and in magazines, including the New York Times Magazine and the New York Review of Books, and has been, together with the eponymous international debate, the “Goldhagen Debate,” the subject of dozens of books. Twice named to the Forward 50, Goldhagen lectures frequently nationally and internationally on diverse subjects about the Holocaust, the Catholic Church and Jews, Israel, antisemitism today, and Political Islam.

Goldhagen, born in 1959, received a B.A., M.A., and Ph.D. from Harvard University and was a professor in Harvard’s Government and Social Studies departments until he decided to devote himself full time to writing.  He is an affiliate of Harvard’s Minda de Gunzburg Center for European Studies and on the board of directors of Humanity in Action. For more information, please see goldhagen.com.

Image courtesy JTN Productions.

]]> http://www.pbs.org/wnet/worse-than-war/the-film/about-daniel-jonah-goldhagen/18/feed/ 62 Win a Copy of the Book http://www.pbs.org/wnet/worse-than-war/the-film/the-film-win-a-copy-of-the-book/111/ http://www.pbs.org/wnet/worse-than-war/the-film/the-film-win-a-copy-of-the-book/111/#comments Sun, 14 Mar 2010 18:45:31 +0000 colin fitzpatrick http://www.pbs.org/wnet/worse-than-war/?p=111 Worse Than War Cover

This contest is now closed

THIRTEEN, New York’s Public Television Station and part of WNET.ORG, the producers of Worse Than War, is giving away ten copies of Daniel Jonah Goldhagen’s book, Worse Than War, the book that created the basis for the PBS documentary of the same name premiering tonight April 14th at 9pm and airing on PBS stations around the country.

Here’s how you can enter to win:

Step 1. Simply Follow @ThirteenNY on twitter. The account can be found at twitter.com/ThirteenNY

Step 2. Tweet exactly the message below:

“I just entered to win the book Worse Than War from @ThirteenNY. Watch the film tonight at 9 on #PBS. http://to.pbs.org/b9rrLI #WorseThanWar″

Or click here to automatically tweet the message to your account!

That’s all that’s required of you.

The deadline for your entry is Wednesday, April 14th, 2010 by the end of the day. The winners will be notified via Twitter from @ThirteenNY. In the event that we cannot get in touch with the original winner, we will redraw and choose another one. PLEASE NOTE THAT YOU MUST FOLLOW @ThirteenNY IN ORDER FOR US TO DIRECT MESSAGE YOU AND GET IN TOUCH!

The Official Rules:

1) You must be 18 or older and live in the 50 states to enter.
2) If you’re chosen as the winner, you will be notified via Twitter direct messaging and must be following @ThirteenNY, and you will have 24 hours to respond to claim your prize.
4) Each winner will receive 1 copy of the book, “Worse Than War” by Daniel Jonah Goldhagen. Postage will be paid for by WNET.ORG.
5) We will only count 1 of the tweets with above corresponding text per Twitter account. Please only post the message once.

Good luck!

]]> http://www.pbs.org/wnet/worse-than-war/the-film/the-film-win-a-copy-of-the-book/111/feed/ 0 About The Film http://www.pbs.org/wnet/worse-than-war/the-film/about-the-film/17/ http://www.pbs.org/wnet/worse-than-war/the-film/about-the-film/17/#comments Sat, 13 Mar 2010 22:35:17 +0000 colin fitzpatrick http://www.pbs.org/wnet/worse-than-war/?p=17 With his first book, the #1 international bestseller Hitler’s Willing Executioners (Vintage, 1997) Daniel Jonah Goldhagen – then a professor of political science at Harvard University– forced the world to re-think some of its most deeply-held beliefs about the Holocaust.  Hitler’s Willing Executioners inspired an unprecedented worldwide discussion and debate about the role ordinary Germans played in the annihilation of Europe’s Jews.

A decade later – and more than half a century after the end of World War II – Goldhagen is convinced that the overall phenomenon of genocide is as poorly understood as the Holocaust had once been. How and why do genocides start? Why do the perpetrators kill?  Why has intervention rarely occurred in a timely manner?  These and other thought-provoking questions are explored in a new documentary film, WORSE THAN WAR.

A co-production of WNET.ORG and JTN Productions and funded by The Pershing Square Foundation, The Einhorn Family Charitable Trust, and The Goren Family Foundation, WORSE THAN WAR, based on Goldhagen’s book of the same title, which has been hailed as “magisterial” by the New York Times, “convincing” and “wholly original” by Kirkus, “pathbreaking” by Die Presse, and “masterful” by the Daily Telegraph, is the first documentary to step back and focus on the general phenomenon of genocide – offering viewers profound insights into its dimensions, patterns and causes, and tragic role in politics and human affairs.

“By the most fundamental measure – the number of people killed –the perpetrators of mass murder since the beginning of the twentieth century have taken the lives of more people than have died in military conflict. So genocide is worse than war,” reiterates Goldhagen. “This is a little-known fact that should be a central focus of international politics, because once you know it, the world, international politics, and what we need to do all begin to look substantially different from how they are typically conceived.”

Premiering on PBS during National Holocaust Remembrance Week on April 14 at 9 p.m. (check local listings), WORSE THAN WAR documents Goldhagen’s travels, teachings, and interviews in nine countries around the world, bringing viewers on an unprecedented journey of insight and analysis.  In a film that is highly cinematic and evocative throughout, he speaks with victims, perpetrators, witnesses, politicians, diplomats, historians, humanitarian aid workers, and journalists, all with the purpose of explaining and understanding the critical features of genocide and how to finally stop it.

In Rwanda, perpetrators of genocide speak candidly about their participation in mass murders, and Minister of Justice Tharcisse Karugarama discusses the perpetrators’ willingness, the world’s failure, and how we can prevent other countries from suffering the same fate.  In Guatemala, Goldhagen explores the concept of “overkill” with the country’s leading forensic pathologist, and in an extraordinary interview, he confronts former President José Efraín Ríos Montt, the person in power during the genocide of Maya in the early 1980s.  In Bosnia, he attends the annual commemoration of the massacre at Srebrenica, the worst mass-killing in Europe since World War II, and has a candid discussion with the nation’s president Haris Silajdžić about his efforts to convince U.S. and world leaders to intervene when it became apparent that “ethnic cleansing” was underway.  And in Ukraine, Goldhagen returns with his father Erich (also a scholar of the Holocaust) to the town where Erich was nearly killed during the Holocaust.

Goldhagen also conducts probing and revealing interviews with Madeleine Albright, former U.S. Secretary of State; Francis Deng, UN Special Advisor for the Prevention of Genocide; and Clint Williamson, U.S. Ambassador-at-Large for War Crimes Issues.

Directed by the award-winning Mike DeWitt, the film not will only leave viewers changed, it should have a galvanizing effect on the public and, most importantly on, our political leaders.

]]> http://www.pbs.org/wnet/worse-than-war/the-film/about-the-film/17/feed/ 59 Making-of Video http://www.pbs.org/wnet/worse-than-war/the-film/making-of-video/20/ http://www.pbs.org/wnet/worse-than-war/the-film/making-of-video/20/#comments Wed, 03 Mar 2010 22:38:59 +0000 colin fitzpatrick http://www.pbs.org/wnet/worse-than-war/the-film/behind-the-scenes-interview/the-film-behind-the-scenes-interview/20/ Daniel Jonah Goldhagen explores the emotional journey and creative process of making the Worse Than War documentary film. Discussing the differences between writing a book and shooting a film, the impact of traveling with his family to his fathers pre-Holocaust home town, and the internal conflict that come from interviewing and shaking hands with mass muderers, Goldhagen provides unique insights into his approach to the difficult subject of genocide.

(View full post to see video)

Daniel Jonah Goldhagen: I had been working on Worse than War for about ten years before the film project began. When I write a book I can pretty much say whatever I want to and if I decide something needs twenty pages of elaboration, then I do it.

Even though I had thought at the beginning, well, I know what this film should say, it turned into something quite different and infinitely better than anything I would have produced had I been the filmmaker. Because I probably would have produced a nice two hour lecture of some kind with visuals, instead of a film that is visually arresting, and emotionally evocative.  And as powerful as the book is, in some ways, obviously, [the film is] more powerful.

When my father and I went to where he had lived during the Holocaust, Sarah, my wife, and Gideon, our son, came with us. Gideon at the time was seven years old and he was deeply interested—he’s very close to my gran-, to my parents; they live nearby—he was deeply interested in going to where grandpa was from. So they came on the trip with us.

It was something that made my father enormously happy — that one of his grandchildren could see where my father came from and where he suffered and where his family suffered. It made the trip—if one can say such a thing—twice as moving and memorable and meaningful for him.

There’s no doubt that my father who was a survivor of the Holocaust influenced my initial direction of working on the Holocaust, but it’s less because he was a survivor than he was a professor who studied this. And I grew up with this material in my home, always with the purpose not of telling a tale of woe—which it is—but of understanding and explaining. This was always my orientation from the time I can remember knowing or thinking or about it or discussing it.

But it changes you to see the places. The cliché, a picture’s worth a thousand words only begins to convey what being in a place and sitting across from the victims and seeing the locations where people were slaughtered, and being in a forensic lab with the remains of victims, or being at a mass grave, or standing across from a mastermind of genocide such as Ríos Montt, it, it changes you. It, it is more than worth a thousand words, it’s worth endless, endless volumes of words.

In Rwanda we gained access to one of the prison camps. it’s actually a work camp for prisoners who, for perpetrators who confessed to their crimes—or at least some crimes—to confess to having participated in the genocide. There are about a thousand people in this prison with no guards.

So, we interviewed the perpetrators in the field. The warden just brought people to us. We had no idea who we’d be talking to and also we walked among them. And it was enormously thought inspiring—not thoughts that you want to have—to walk among these men, mainly men—a few women—tilling the ground with hoes and picks and machetes, clearing it, and you’re walking among them within, within feet, of rows of them wielding these implements and you can’t but think, “These are the implements they used to slaughter their victims during the genocide by the individually, by the tens, by the hundreds, by the thousands ultimately.”

Shaking the hand of a killer, before I even know anything else about him except for what his name is, is a strange thing. It’s an act of politeness. It’s a degree of physical conduct. It’s a time of human sharing.

And yet the same hand, I shake the hand, I think the same hand actually was wielding a machete and striking and killing and hacking to death other people. And you can’t flinch! And you can’t say, I don’t want to do it. And you have to do it because it’s a part of what you need to do when you interview somebody. And that’s just the beginning of sitting across from someone who then begins to tell you of the horrible things, the horrifying things that he did, the ways that he did it.

And so, there I am, a whole jumble of emotions and thoughts and different orientations at the same time—the interviewer, the scholar thinking about what he says, the analyst, the human being sitting across from a mass murderer, feeling a degree of sympathy or even of liking for someone—cause some seem likeable—and also always keeping in mind that these are mass murderers.

To be able in making this film to go to any number of countries and to talk to the victims, to talk to the perpetrators, just to see the places I’d read about was, was transformative.

And I think back on the people quite often I talked to. They resonate with me. Their faces I see. In the film my father and some others talked about seeing faces, they’re haunted by them or they remember them, the faces of people who died.  Well, the faces of the people I spoke with and their words are with me in the way that the testimony in documents, in-court testimony, and so on never are with me. I hear them. I see them. I think about them. I absorbed and internalized things into my being that were never there and that will never leave me.

]]> http://www.pbs.org/wnet/worse-than-war/the-film/making-of-video/20/feed/ 3 Schedule http://www.pbs.org/wnet/worse-than-war/the-film/schedule/19/ http://www.pbs.org/wnet/worse-than-war/the-film/schedule/19/#comments Wed, 03 Mar 2010 18:52:42 +0000 colin fitzpatrick http://www.pbs.org/wnet/worse-than-war/the-film/schedule/the-film-schedule/19/

]]> http://www.pbs.org/wnet/worse-than-war/the-film/schedule/19/feed/ 0 Credits http://www.pbs.org/wnet/worse-than-war/the-film/credits/30/ http://www.pbs.org/wnet/worse-than-war/the-film/credits/30/#comments Thu, 25 Feb 2010 20:00:27 +0000 colin fitzpatrick http://www.pbs.org/wnet/worse-than-war/the-film/the-film-credits/30/ Executive Producers
JAY SANDERSON
DANIEL JONAH GOLDHAGEN
STEPHEN SEGALLER

Produced and Directed by
MIKE DEWITT

Written by
MIKE DEWITT
DANIEL JONAH GOLDHAGEN

Based on the book
WORSE THAN WAR
by DANIEL JONAH GOLDHAGEN

published by ALFRED A. KNOPF

Co-producer
ADAM HYMAN

Associate Producer
EVE MARSON

Director of Photography
ROD BACHAR

Editor
JASON ROSENFIELD, A.C.E.

Composer
JOEL GOODMAN

Production Manager
MINDY POMPER JOHNSON

Production Sound Recordist
MATT VOGEL

Field Producers
MERCY MURUGI
THIERRY DUSHIMIRIMANA
EILEEN RIVERA
MARTIN ASTURIAS
RENEE DE ASTURIAS
ALEX CHIZHENOK
OLEH KLYMCHUK
GAVIN HODGE
SAMIR KRILIC
CHRISTINE RYAN

Additional Camera
SAM PAINTER
JEREMY EVANS
NICHOLAS OSCOFF
ADAM HYMAN
JAY SANDERSON
SOVICHEA CHEAP
MIKE DEWITT
MARK THALMAN

Additional Production Sound
JAMES BAKER
DICK WILLIAMS
TONY STEWART
BRUCE ENGLER

Translators
ERIC NGANGARE
DIANA MURUNGI
TERRY WAIRIMU
ELENA KONONENKO
DIANA BOGDANOVA
SAMIR KRILIC
GAVIN HODGE
K-1 CONSULTING
LAUREN ROSENFELD
CONSOLEE UWAMARIYA
GILBERT NDAHAYO
GRGUR STRUJIĆ
MARINA BRODSKAYA

Drivers
STANLEY GITAU
MILTON SILOMA
MUNYANGABE PATRICK
KWIZERA THEOGENE
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LESZEK LASKOWSKI
CEM VARAN
BILLY BAUER

Production Assistants
DAVID KLEIN
NICHOLAS OSCOFF
SARAH KRIEGER
ALANA HAROUCH
PARISA REZVANI
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CINDY THOENNESSEN

2nd Assistant Editor
KEVIN KLAUBER

Graphics and Visual Effects
TREVOR SMITH

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MICHAEL SABLE

Studio Coordinator
TAYLOR MORGAN

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Consultants
CAROLINE ELKINS
KATHLEEN DILL
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ABEL CINETECH
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WELLS FARGO

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ALTOUR TRAVEL

Production Accountant
HOWARD WILSON

SPECIAL THANKS
AMBASSADOR OLUYEMI ADENIJI
ADIVIMA, GUATEMALA
MICHAEL E. ARONSON
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FOR THIRTEEN

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A Co-Production of JTN Productions and THIRTEEN in association with NDR and WNET.ORG

© 2009 JTN Productions and WNET.ORG Properties LLC. All Rights Reserved.

This program was produced by JTN Productions and THIRTEEN which are solely responsible for its content.

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