Laura Dunn’s first feature documentary, The Unforeseen, executive produced by Robert Redford and Terrence Malick, premiered at the Sundance Film Festival, aired on the Sundance Channel, and was called “a poetic and high-minded meditation on American developers’ manifest destiny and the cancer it introduces into the natural world,” by critic David Edelstein. It explored a … READ MORE

Filmmaker Cullen Hoback’s previous film Terms and Conditions May Apply (2013), a humorous but chilling documentary about the erosion of online privacy and what info governments and corporations are legally taking from citizens each day, has become (or remains) timely again. Hoback’s new film, What Lies Upstream, promises to remain relevant for some time as … READ MORE

Award-winning filmmaker Stacey Tenenbaum co-created a critically acclaimed series in Canada, The Beat, which followed a team of beat police officers patrolling the streets of Downtown Vancouver. Exchanging the police beat for shiny feet for her new film, Tenenbaum’s The Art of the Shine [premiering on Independent Lens Monday, April 9; check local listings], travels from New York City … READ MORE

One of the many quiet revelations for me in the documentary The Art of the Shine is that despite being in what seems like a casual and disposable culture, many people these days actually still take great pains to care for their shoes, including partaking in the ancient art of shoe shining. Whether brown leather … READ MORE

The German-born, New York-based filmmaker Till Schauder‘s previous film The Iran Job was about an American basketball player who went with great trepidation to play professionally in Iran, a winning film about sports, politics, and the people of that country. It makes for a good segue to his new film, which is in many ways … READ MORE

Filmmaker Peter Bratt‘s first feature Follow Me Home, a San Francisco International Film Festival Audience Award winner, was produced with his brother Benjamin Bratt, which they followed with the heartfelt indie film La Mission, shot on location in their hometown of San Francisco,  “an honest attempt to portray the destructiveness of violence in the Latino community” (Hollywood Reporter). … READ MORE

In the New York Times critics’ pick review of Theo Anthony’s Rat Film, Jeannette Catsoulis wrote: “Equal parts disturbing and humorous, informative and bizarre, Rat Film is a brilliantly imaginative and formally experimental essay on how Baltimore has dealt with its rat problem and manipulated its black population.” She continues, “Anthony shines as much light on racist urban … READ MORE

Baltimore-based composer/musician Dan Deacon did the music for Theo Anthony’s Rat Film. The film, which uses the urban rat as a way to explore a deeper story of urbanization and segregation, is a unique blend of history, science and sci-fi, poetry and portraiture. And Deacon’s music, also a unique blend of styles, genres and instruments … READ MORE

Graduates of Historic Black Colleges and Universities (HBCUs) are proud alums, and in connection with the Independent Lens film Tell Them We Are Rising, which tells the 170 years—and rising—history of HBCUs, we found a few who were happy to tell their own stories of life on an HBCU campus. These are just a sampling of … READ MORE

Filmmaker Pascale Lamche took on the enormous but important challenge of documenting Winnie Mandela’s story, a narrative, as she discovered, that was slightly skewed in the mind of many across the world. As she said to Filmmaker Magazine, the perception was that Winnie was a murderer, or at least a “fallen woman,” and that she … READ MORE

Tell Them We Are Rising, which premieres on Independent Lens on PBS Monday, February 19 at 9 pm [check local listings], covers the rich history of America’s Historically Black Colleges and Universities (HBCUs) from before the end of slavery through a flourishing in the 20th century to today, and how they profoundly influenced the course of … READ MORE

Nanfu Wang was a student at NYU when she went exploring America, which found her in Florida staying at a hostel. There she encountered a young drifter named Dylan, whom she found fascinating enough to start filming, capturing his experiences living on the streets while she stayed right there with him. But then she went … READ MORE