By Ade Adeniji Always in Season explores the history of lynching through the mysterious 2014 death of Lennon Lacy while also looking at historical reenactments of lynching, prompting some to question the value of conjuring up the past. The specter of lynching, though, has been depicted in American popular culture for decades, including in film … READ MORE

We think of the cinema of activism in documentary filmmaking as a relatively modern phenomenon, something first awakened in the 1960s and 1970s and popularized by the likes of Michael Moore and Laura Poitras and Alex Gibney. But the success films like Bowling for Columbine (2002) and An Inconvenient Truth (2006), both Oscar winners and box-office … READ MORE

D.W. Griffith’s The Birth of a Nation is inarguably one of the landmarks of American cinema. The distillation of the storytelling techniques, editing ideas, framing and visual composition, and nuanced approaches to performance that Griffith spent years exploring and experimenting within short subjects and mid-length films, it was the longest and most ambitious American film … READ MORE

“I love cats because I enjoy my home; and little by little, they become its visible soul.” – Filmmaker Jean Cocteau (Orpheus; Beauty and the Beast) National Cat Day is October 29, a day designed to both honor our feline friends and lend support to cats in need. There are an estimated 74 million pet cats … READ MORE

When we talk about the early years of cinema, there is no separating “the history of women in film” from “the history of film.” Women have been there from the beginning, and have shaped the medium in transformative ways. Early Women Pioneers in the Shadows of Men The idea that films could tell stories as opposed … READ MORE

True stories have been a prime inspiration for movies for as long as there have been movies. Early films recreated historical events and breaking news for eager audiences and films as disparate as I Am a Fugitive from a Chain Gang (1921) and In Which We Serve (1942) to All the President’s Men (1976) and … READ MORE

The “making of” documentary has become a lively subgenre of nonfiction filmmaking, thanks in large part to the explosion of home video and the proliferation of cable channels in the past few decades. Once a purely promotional creation to run in theaters or on entertainment TV shows, the mix of behind-the-scene peeks, production footage, and … READ MORE

In Ilinca Calugareanu’s documentary Chuck Norris vs. Communism [premiering Monday, Jan. 4 on PBS; check local listings], a handful of Romanians who endured the Cold War reminisce about congregating surreptitiously in cramped apartments to watch American action films on illegal VCRs. Some parts of the experience they recall fondly: like the camaraderie of movie nights, … READ MORE

This piece is part of an ongoing Independent Lens series exploring documentary film history. Check out the previous entry, Silent Real-Life Adventure Films, and stay tuned for more installments. The birth of documentary filmmaking is the birth of cinema. The very first films were documents of people, places, and events, whether scientific studies or the moving … READ MORE

This piece is part of an ongoing Independent Lens series exploring documentary film history. Stay tuned for more installments. Since the dawn of cinema, cameras have been taken around the world to capture unique and exotic sights previously available to audiences only in still photographs. Motion picture pioneers the Lumiere brothers sent their cameras to get scenic … READ MORE

June is LGBT Pride Month and we honor the occasion by asking a few filmmakers who’ve made documentaries for Independent Lens to contribute their own picks for the gay-themed films (features or docs) that affected them most profoundly.

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At Berkeley is Frederick Wiseman’s 42nd film, and we curated this collection of video clips and links introducing viewers who may not be as familiar with the prolific documentarian’s previous work to his incredible filmography.

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