{"version":"1.0","provider_name":"Independent Lens","provider_url":"https:\/\/www.pbs.org\/independentlens","author_name":"aldomorablanco","author_url":"https:\/\/www.pbs.org\/independentlens\/author\/aldomorablanco\/","title":"Third Act - Independent Lens","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"7CkOGwlPWZ\"><a href=\"https:\/\/www.pbs.org\/independentlens\/documentaries\/third-act\/\">Third Act<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/www.pbs.org\/independentlens\/documentaries\/third-act\/embed\/#?secret=7CkOGwlPWZ\" width=\"600\" height=\"338\" title=\"&#8220;Third Act&#8221; &#8212; Independent Lens\" data-secret=\"7CkOGwlPWZ\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/www.pbs.org\/independentlens\/wp-includes\/js\/wp-embed.min.js\n\/* ]]> *\/\n<\/script>\n","thumbnail_url":"https:\/\/www.pbs.org\/independentlens\/wp-content\/uploads\/2026\/01\/THIRDACT_Thumbnail_1920x1080.jpg","thumbnail_width":1920,"thumbnail_height":1080,"description":"Generations call Robert A. Nakamura the godfather of Asian American film. Tadashi Nakamura calls him Dad. Tadashi turns the camera on his father as they confront art, activism, and aging. From WWII incarceration to cultural awakening and a Parkinson\u2019s diagnosis, Third Act is a tender portrait of legacy, inherited trauma, and the final chapter of [&hellip;]"}