{"id":1113,"date":"2015-03-19T09:41:41","date_gmt":"2015-03-19T09:41:41","guid":{"rendered":"https:\/\/www.pbs.org\/independentlens\/blog\/?p=6539"},"modified":"2023-08-28T16:50:39","modified_gmt":"2023-08-28T23:50:39","slug":"nine-movies-about-family-secrets","status":"publish","type":"blog","link":"https:\/\/www.pbs.org\/independentlens\/blog\/nine-movies-about-family-secrets\/","title":{"rendered":"9 Movies about Family Secrets"},"content":{"rendered":"<p><strong>By Noel Murray<\/strong><strong>\u00a0<\/strong><\/p>\n<p>When Lacey Schwartz applied to Georgetown at age 18, she left the \u201cracial identity\u201d box unchecked, but did submit a photograph, and not long after she was accepted at the university, she was invited to join the black student association. The problem? Schwartz had been raised in a white Jewish household, by a mother who told her that her darker skin and kinky hair were due to her dad\u2019s roots in Sicily. After a few months in college, Schwartz learned the truth: that she was the product of a tryst between her mother and an African American man.<\/p>\n<p>Schwartz\u2019s documentary <em><a href=\"https:\/\/www.pbs.org\/independentlens\/documentaries\/little-white-lie\/\">Little White Lie<\/a><\/em>\u00a0is about more than just her family\u2019s biggest secret. The film is a highly personal inquiry into the construction of racial identity, considering how others\u2019 perceptions change depending on who they believe a person to be. But a big part of the appeal of <em>Little White Lie<\/em> is tied to its hook, because there\u2019s something inherently dramatic in the story of an individual discovering that everything she thought she knew about her life was wrong.<\/p>\n<p>The nine documentaries and feature films below offer a few more examples of how moviemakers have handled similar excursions into the sometimes-dark, sometimes-tangled roots of family trees.<!--more--><\/p>\n<p><strong><span style=\"text-decoration: underline;\">The Melting Pot<\/span><\/strong><\/p>\n<p><a href=\"https:\/\/www.imdb.com\/title\/tt0117589\/\"><strong><em>Secrets<\/em><\/strong> <strong><em>&amp;<\/em><\/strong> <strong><em>Lies<\/em><\/strong><\/a><strong> (1996)<\/strong>: Longtime movie buffs may read the description of <em>Little White Lie<\/em> and think immediately of Mike Leigh\u2019s 1996 drama <em>Secrets &amp;\u00a0Lies<\/em>, which became one the British filmmaker\u2019s biggest hits worldwide (and the recipient of five Oscar nominations, including one for Best Picture). A subtle study of race and class in the UK, <em>Secrets &amp;\u00a0Lies <\/em>has Marianne Jean-Baptiste playing a successful young black optometrist named Hortense, who goes searching for her birth mother, working-class wreck Cynthia Purley (played by Brenda Blethyn) who\u2019s been sponging off her kindly younger brother Maurice (Timothy Spall). Leigh\u2019s choice of profession for Hortense is no accident. When she arrives in the Purley\u2019s lives, she helps them to see how they\u2019ve been taking each other for granted, and hiding their true feelings. This is an often-intense film, but with an ultimately positive take on ripping open old wounds so they can heal properly.<\/p>\n<p>In the clip below, Leigh talks a little about how he applied his usual improvisational methods of developing a story to make the inter-family dynamics in <em>Secrets &amp; Lies<\/em> more potent.<\/p>\n<iframe loading=\"lazy\" title=\"Director&#039;s Cut: Mike Leigh on Secrets and Lies - Film 2011 With Claudia Winkleman - BBC One\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/awU3_elyQMI?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<p><a href=\"https:\/\/www.imdb.com\/title\/tt0116275\/\"><strong><em>A<\/em><\/strong> <strong><em>Family<\/em><\/strong> <strong><em>Thing<\/em><\/strong><\/a><strong> (1996)<\/strong>: Though it lacks the arthouse credibility of <em>Secrets &amp; Lies<\/em>, the Hollywood melodrama <em>A Family Thing<\/em> does feature superb lead performances by Robert Duvall and James Earl Jones. The two play, respectively, an aging southerner and an aging Chicagoan, who discover that they\u2019re half-brothers, and are subsequently forced to confront their biases and grudges by their elderly aunt (played by Irma P. Hall). The situation\u2019s contrived, but the script by Tom Epperson and Billy Bob Thornton \u2014 whose <em>Sling Blade<\/em> would be released a few months later \u2014 still comes across as a lot more sensitive about the hard barriers between races in America than most feel-good fare will acknowledge. And as the two men learn about each other, they begin to understand more about the parts of their lives that have always seemed incomplete.<\/p>\n<p><a href=\"https:\/\/www.imdb.com\/title\/tt0116905\/\"><strong><em>Lone<\/em><\/strong> <strong><em>Star<\/em><\/strong><\/a><strong> (1996)<\/strong>: Whatever it was that was in the air in 1996 also infected stalwart indie writer-director John Sayles, whose best and most popular film <em>Lone Star<\/em> has its own fascination with complicated racial and family histories. While investigating a murder mystery, a Texas border town sheriff (played by Chris Cooper) dredges up some truths that the locals would prefer to forget, about violence, payoffs, and secret deals between the leaders of the black, white, and Mexican communities. Sayles\u2019 films tend to unfold like novels, all the way to their endings \u2014 he\u2019s one of the best \u201cenders\u201d in independent cinema \u2014 and <em>Lone Star<\/em>\u2019s no different, with a rich narrative that culminates in a shocking revelation about the hero\u2019s father, suggesting an even deeper meaning to the movie\u2019s story of race relations at the edge of America.<\/p>\n<p>The <em>Siskel &amp; Ebert <\/em>review below praises Sayles\u2019 finely wrought, thoughtful script:<\/p>\n<iframe loading=\"lazy\" title=\"Siskel &amp; Ebert - &quot;Lone Star&quot; (1996)\" width=\"500\" height=\"375\" src=\"https:\/\/www.youtube.com\/embed\/eCVzzRXc5Ws?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<p><strong><span style=\"text-decoration: underline;\">Into the Darkness<\/span><\/strong><\/p>\n<p><a href=\"https:\/\/www.imdb.com\/title\/tt0342172\/\"><strong><em>Capturing<\/em><\/strong> <strong><em>the<\/em><\/strong> <strong><em>Friedmans<\/em><\/strong><\/a><strong> (2003)<\/strong>: Long before <em>The Jinx<\/em>, documentarian Andrew Jarecki proved his true-crime bona fides with this haunting, harrowing film, about a family torn apart in the late 1980s when its patriarch is arrested for buying child pornography. As the criminal case played out, with ever-more-horrifying charges filed, various Friedman family members shot home movies of their increasingly bizarre everyday life. Jarecki assembles these \u2014 alongside some interviews from decades later \u2014 into an unsettling account of how the stain of one man\u2019s guilt spreads across one seemingly happy, well-off Long Island family, causing them to question their own memories and their sense of self.<\/p>\n<iframe loading=\"lazy\" title=\"Capturing the Friedmans (2003) Official Trailer #1 - Shocking Documentary Movie HD\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/DGrD_vVE5bQ?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<p><a href=\"https:\/\/www.imdb.com\/title\/tt0154420\/\"><strong><em>The<\/em><\/strong> <strong><em>Celebration<\/em><\/strong><\/a><strong> (1998)<\/strong>: A magnificent fusion of form and content, Thomas Vinterberg\u2019s searing drama takes the style of the upstart Danish film movement \u201cDogme 95\u201d \u2014 which insisted on handheld cameras and natural light \u2014 and applies it to the story of an embittered grown son who\u2019s determined to use the occasion of his father\u2019s 60th birthday party to reveal the old man\u2019s long history of sexual abuse. The truth catches most \u2014 but not all \u2014 of the family by surprise, and for the rest of the weekend, the clan first stubbornly denies and then comes to accept that their leader is a pathetic monster. Vinterberg captures these changes in jittery, stark images that make everyone appear\u00a0all the more exposed.<\/p>\n<iframe loading=\"lazy\" title=\"The Celebration (1998) - Trailer HQ - English Subtitles\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/vKe_AxTFGXc?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<p><a href=\"https:\/\/www.imdb.com\/title\/tt2718492\/\"><strong><em>Ida<\/em><\/strong><\/a><strong> (2013)<\/strong>: An unexpected hit \u2014 and Oscar-winner \u2014 writer-director Pawel Pawlikowski\u2019s gorgeous-looking black-and-white period-piece follows what happens to a novice nun named Anna (played by Agata Kulesza) after she learns that her real name is Ida Lebenstein, and that she\u2019s the daughter of murdered Jews. <em>Ida <\/em>works as both a mini-history of a changing Poland from the 1940s to the 1960s <em>and<\/em> as a coming-of-age story for a woman who\u2019s spent most of her life in an environment that discourages individuality. As she discovers her family history and experiments with sensual pleasure, Anna\/Ida asks herself the question that so many of the men and women in these films do: \u201cWho <em>are<\/em> you?\u201d<\/p>\n<p><strong><span style=\"text-decoration: underline;\">Journey through the Past<\/span><\/strong><\/p>\n<p><a href=\"https:\/\/www.imdb.com\/title\/tt0303281\/\"><strong><em>Daughter<\/em><\/strong> <strong><em>from<\/em><\/strong> <strong><em>Danang<\/em><\/strong><\/a><strong> (2002)<\/strong>: Unlike Lacey Schwartz, the Tennessee-raised Heidi Bub always knew the basics of her genealogy: that she was the daughter of a Vietnamese woman and an American soldier, and that she was sent to the U.S. to be adopted when she was six, due to the sociopolitical turmoil in her homeland. In <em>Daughter from Danang<\/em>, this polite middle-aged southern lady decides to visit her birth mother back in Vietnam, but quickly becomes overwhelmed by the poverty, and by the assumption that now that she\u2019s come home, she\u2019s going to become her mom\u2019s financial support. A lot of stories about adopted kids have heartwarming conclusions, but Heidi\u2019s saga is more of a nightmare, as she discovers cultural chasms too wide to be bridged by blood alone.<\/p>\n<iframe loading=\"lazy\" title=\"Daughter From Danang - PREVIEW\" width=\"500\" height=\"375\" src=\"https:\/\/www.youtube.com\/embed\/jZZ4p3WBTf8?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<p><a href=\"https:\/\/www.imdb.com\/title\/tt0373175\/\"><strong><em>My<\/em><\/strong> <strong><em>Architect<\/em><\/strong><\/a><strong> (2003)<\/strong>: The rare first-person documentary that\u2019s also elegantly conceived, Nathaniel Kahn\u2019s <em>My Architect<\/em> is his attempt to understand the choices made by his absentee father, Louis Kahn, an accomplished artist with a disastrous personal life. The younger Kahn doesn\u2019t uncover the kind of sordid details that some filmmakers have when they\u2019ve dug into their family dirt, but he does think about whether he, his mom, and his half-siblings were all some kind of necessary sacrifice that Louis Kahn had to make to design such beautiful buildings.<\/p>\n<p>In the TED Talk below, Nathaniel Kahn follows up on his documentary with more thoughts on how and why he made it:<\/p>\n<iframe loading=\"lazy\" title=\"Nathaniel Kahn: My father, my architect\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/YWZmqpQi2y4?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<p><a href=\"https:\/\/www.imdb.com\/title\/tt2366450\/\"><strong><em>Stories<\/em><\/strong> <strong><em>We<\/em><\/strong> <strong><em>Tell<\/em><\/strong><\/a><strong> (2012)<\/strong>: The documentary that may have the most in common with <em>Little White Lie<\/em> started as kind of a lark for actress-director Sarah Polley, who looks at the life and loves of her late mother and considers the rumors that she \u2014 Sarah \u2014 was the product of infidelity. The more Polley explores, the more unpleasant truths she has to face; and the more she realizes that she\u2019s breaking the heart of the man she\u2019s always known as her dad. <em>Stories We Tell <\/em>means to be a meditation of sorts on how families mythologize themselves, sometimes at the expense of honesty. But in a way the film\u2019s more philosophical elements are a defensive mechanism, keeping Polley at arms\u2019 length from questions about marriage and genetics that she\u2019s still nervous about answering.<\/p>\n<hr \/>\n<p><strong>Noel Murray<\/strong> is a freelance writer who contributes regularly to\u00a0<em>The Dissolve<\/em>,\u00a0<em>The A.V. Club<\/em>,\u00a0<em>The Los Angeles Times<\/em>, and\u00a0<em>Rolling Stone<\/em>. He lives in Arkansas with his wife, two children, and a TV that is never off.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>A big part of the appeal of&#160;<i>Little White Lie<\/i>&#160;is tied to its hook, the story of an individual discovering that everything she thought she knew about her life was wrong. Read about nine other documentaries and feature films that center around a deep family secret that had maximum impact.<\/p>\n","protected":false},"author":13,"featured_media":10803,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"categories":[939,1],"tags":[],"topic":[1247,1239,1264,1293],"class_list":["post-1113","blog","type-blog","status-publish","has-post-thumbnail","hentry","category-lists","category-uncategorized","topic-cinema","topic-identity","topic-race-ethnicity","topic-youth-and-family"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.2 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Nine Movies about Family Secrets | Independent Lens | PBS<\/title>\n<meta name=\"description\" content=\"Critic Noel Murray picks nine films that, like Little white Lie, center around a deep, dark family secrets, from docs to features.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.pbs.org\/independentlens\/blog\/nine-movies-about-family-secrets\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Shhh: 9 Movies about Family Secrets\" \/>\n<meta property=\"og:description\" content=\"The sometimes-dark, sometimes-tangled roots of family trees.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.pbs.org\/independentlens\/blog\/nine-movies-about-family-secrets\/\" \/>\n<meta property=\"og:site_name\" content=\"Independent Lens\" \/>\n<meta property=\"article:modified_time\" content=\"2023-08-28T23:50:39+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.pbs.org\/independentlens\/wp-content\/uploads\/2015\/03\/little-white-lie.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1920\" \/>\n\t<meta property=\"og:image:height\" 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