{"id":13008,"date":"2016-04-27T09:26:51","date_gmt":"2016-04-27T17:26:51","guid":{"rendered":"https:\/\/www.pbs.org\/independentlens\/?post_type=blog&p=13008"},"modified":"2023-08-28T16:33:44","modified_gmt":"2023-08-28T23:33:44","slug":"blood-guilt-12-movies-about-healing-after-heinous-crimes","status":"publish","type":"blog","link":"https:\/\/www.pbs.org\/independentlens\/blog\/blood-guilt-12-movies-about-healing-after-heinous-crimes\/","title":{"rendered":"Blood Guilt: 12 Movies about Healing after Heinous Crimes"},"content":{"rendered":"

Niklas Frank and Horst von W\u00e4chter are the adult children of high-ranking Nazi officers. As we learn in <\/span>My Nazi Legacy<\/a><\/i><\/strong>, their fathers sent tens of thousands of people to their deaths, and Niklas and Horst spent decades dealing with the legacy of that birthright, though not in the same way. While both men speak out against the Nazi atrocities, Niklas holds his father responsible for his complicity while Horst insists that the “good character” of his loving father fought against the Nazi machine, all evidence to the contrary. He’s not a Holocaust denier, mind you. He merely denies his father’s part in the Third Reich’s\u00a0heinous crimes.<\/span><\/p>\n

The intersection of the personal and political gets complicated when faced with the crimes of a loved one, a colleague, even a culture. Evidence can be overcome by emotion. How can a doting father be responsible for barbarous crimes? How can a government have lied to those who followed its every command? Is it possible for true believers to acknowledge the crimes they committed in the name of a corrupt ideal, or simply to survive a brutal culture? Here are a few documentaries and feature films that explore how some people come to terms with such actions \u2014 their own and others \u2014 while others\u00a0simply cannot or\u00a0do not.<\/span><\/p>\n

The Holocaust and the Legacy of Nazism<\/strong><\/p>\n

Hotel Terminus: The Life and Times of Klaus Barbie<\/em><\/a> (1988):\u00a0<\/span>Gestapo officer Klaus Barbie was branded the “Butcher of Lyon” for the atrocities committed under his command, yet he escaped prosecution and lived free for almost three decades in Bolivia before he was extradited to France to stand trial for war crimes. Filmmaker Marcel Ophuls’ profile of the man and his crimes reveals a culture uneasy about dredging up the past and people trying to hide their complicity in shielding one of the most notorious war criminals of the 20<\/span>th<\/span> Century. Their justification? He was such a warm, likable man. How could he be guilty?<\/span><\/p>\n