{"id":15070,"date":"2017-04-12T12:45:39","date_gmt":"2017-04-12T20:45:39","guid":{"rendered":"https:\/\/www.pbs.org\/independentlens\/?post_type=blog&p=15070"},"modified":"2023-08-28T17:03:27","modified_gmt":"2023-08-29T00:03:27","slug":"filmmakers-roots-of-seed-documentary","status":"publish","type":"blog","link":"https:\/\/www.pbs.org\/independentlens\/blog\/filmmakers-roots-of-seed-documentary\/","title":{"rendered":"Filmmakers Share the Roots of their Seed Documentary"},"content":{"rendered":"

With <\/span>SEED: The Untold Story<\/span><\/i><\/a>, filmmakers Taggart Siegel and Jon Betz<\/strong> complete a trilogy of sorts, after <\/span>The Real Dirt on Farmer John<\/span><\/i><\/a> and <\/span>The New York Times<\/span><\/i> Critic Pick <\/span><\/a>Queen of the Sun: What Are the Bees Telling Us<\/span><\/i>, of films that put a very human face on the intersection of agriculture and ecology. \u00a0The beautifully shot SEED <\/em>is\u00a0<\/span>“the rare documentary from filmmakers who are not just capable but also in love with their craft,” wrote Daphne Howland in the Village Voice<\/a><\/em>. <\/span>“The frightening beauty of SEED<\/em> is the clarity with which it defines the mission of seed-savers \u2014 maintaining agricultural diversity for future generations, whatever the world they inherit,” adds Maitland McDonagh of Film Journal International<\/em>. “It’s bluntly persuasive.” <\/span><\/p>\n

The filmmakers chatted with us about making a different kind of environmental film, one that manages to get both literally close to embryonic plants, and up close and personal with an eclectic mix of amazing seed keepers.\u00a0<\/span><\/p>\n

What were some of the biggest challenges you faced in making a film about seeds, and in telling the story of seeds in an engaging way?<\/b><\/p>\n

It was a challenge to know where to begin when making a film about a topic as big and broad as that of seeds. We discovered that the story is historical, political, scientific, and cultural. There are seed saving cultures in every corner of the globe, that spans back 12,000 years. Seeds are embedded in our art, in our language, in our songs, in our DNA. Our greatest challenge was weaving these vast elements together to create a moving, entertaining and cohesive story.<\/span><\/p>\n

We wanted SEED<\/em> to be as artistic as possible, using animation, time lapse photography, macro photography to bring seeds alive\u00a0and to show that they are living embryos. To establish the historical underlay, we choose to drive the story with animation: stop-motion, sand, and beautiful cut-paper montages. Sometimes we asked animators to use the seeds themselves in an animation tapestry to tell part of the tale. It took months to do all of this, but it gives the film a unique and rich flavor. <\/span><\/p>\n

By using macro lenses we enlarged these tiny seeds to witness seeds as works of art, architectural wonders, and mysterious gems. We poured meteorite showers of corn, beans, and helicopter-like sycamore seeds at the camera and set up time-lapse photography to show a seed giving birth to a plant.<\/span><\/p>\n

How did you gain the trust of all the main characters in your film?<\/b><\/p>\n

We often started by presenting our previous films, The Real Dirt on Farmer John<\/em>, and Queen of the Sun<\/em> and this opened doors for greater trust and understanding. Because we shared the similar passions around food, farming, beekeeping and seeds this established a common ground, a place where we could explore the wonders of seeds together. <\/span><\/p>\n

Were there any other stories you filmed that you wanted to include but couldn’t make the final cut?<\/b><\/p>\n

We had to edit 40 minutes out of the feature length version of SEED: The Untold Story<\/em> to create the hour-long PBS<\/span> Independent Lens<\/span><\/i> broadcast. A few people didn\u2019t make it, including Winona LaDuke, a powerful indigenous leader of the Ojibwe people in Northern Minnesota and a leader in advocating for the rights of her people. Her story of protecting the wild rice of the Ojibwe from genetic modification by the University of Minnesota is powerful and important.<\/span><\/p>\n

[There’s also the story of] Percy Schmeiser, who tells a dramatic story about genetic contamination of his canola seed field in Canada in the late ’90’<\/span>s. He was sued by Monsanto after the wind carried pollen from neighboring GMO crops into his organic field. He was forced into a shocking and unprecedented lawsuit that opened the floodgates to suing other farmers for patent infringement when their crops unexpectedly cross-pollinate from no fault of their own. <\/span><\/p>\n

Lastly, we removed a major scene in Mexico, where the origin place of all corn is being contaminated by GMOs.\u00a0<\/span><\/p>\n

Do you have a scene in your film that is especially a favorite or made the most impact on you?<\/b><\/p>\n

While filming a seed school event in the four corners of Colorado, Arizona, New Mexico and Colorado we met a Hopi Elder, Leigh Kuwanwisiwma who was performing a sacred ceremony for seed planting. We asked if we could film, but he explained that filming was not allowed. He later invited us to the Hopi Nation to record an oral history for his children and grandchildren about his culture and his lifetime stewarding Hopi corn seeds. He conveyed the story of the Hopi\u2019s 5,000-year relationship to corn, explaining that the corn plants\u00a0are his children. His relationship to a seed was so profound and spiritual it changed how we viewed seeds. When he explained the threat that their corn could be contaminated by GMOs and owned and patented by the largest corporations in the world, it hit home. <\/span><\/p>\n

You touched on some of your techniques earlier, but could you talk more about creating that stunning, unique opening shot of the woman lying down in a pink dress with bags of seeds surrounding her?<\/b><\/p>\n

This was a fun sequence to create, and audiences often ask how it was done. Sara Mapelli, featured in our film Queen of the Sun,<\/em>\u00a0[had] danced with 20,000 bees all over her body. She came to us and expressed\u00a0interest in growing seeds all over her body and wanted to know if we would film it. You don\u2019t get this chance in life more than once, so we rigged multiple cameras that took photos every minute. She ended up laying in one place for 64 hours to create this otherworldly shot where seeds sprout out of her dress and hair.\u00a0<\/span><\/p>\n