{"id":21400,"date":"2020-12-22T08:00:19","date_gmt":"2020-12-22T16:00:19","guid":{"rendered":"https:\/\/www.pbs.org\/independentlens\/?post_type=blog&#038;p=21400"},"modified":"2021-06-04T14:21:23","modified_gmt":"2021-06-04T21:21:23","slug":"new-acclaimed-films-coming-to-independent-lens-in-january","status":"publish","type":"blog","link":"https:\/\/www.pbs.org\/independentlens\/blog\/new-acclaimed-films-coming-to-independent-lens-in-january\/","title":{"rendered":"New Acclaimed Films Coming to Independent Lens in January"},"content":{"rendered":"<p>The upcoming slate of films airing on <em>Independent Lens<\/em> on PBS starts in January with seven highly-acclaimed documentaries that reflect the ever-changing nature of the United States, highlighting women who led the way in workplace sexism \u2014in offices, NFL playing fields, and police forces \u2014 as well as telling the stories of a trailblazer in public television, those doing groundbreaking work on prejudice in artificial intelligence, and the complicated relationship between American evangelicals and Israeli Jews.<\/p>\n<p>\u201cThis\u00a0<i data-stringify-type=\"italic\">Independent Lens<\/i>\u00a0lineup offers a stimulating and immersive slate of films that illuminate the powerful forces impacting our country today,&#8221; said <strong>Lois Vossen<\/strong>, executive producer of\u00a0<i data-stringify-type=\"italic\">Independent Lens.<\/i>\u00a0\u201cFrom gender equality, to pay equity, to racial justice, there is an urgency, grace, and optimism to these documentaries and the topics they take on that is suited to the challenging times in which we live.\u201d<\/p>\n<p><strong>Here&#8217;s a sneak preview of the films airing January through March 2021.<\/strong><\/p>\n<p><!--more--><\/p>\n<hr \/>\n<p><a href=\"https:\/\/www.pbs.org\/independentlens\/films\/a-womans-work-nfls-cheerleader-problem\/\"><em><strong>A Woman&#8217;s Work: The NFL&#8217;s Cheerleader Problem <\/strong><\/em><\/a>(January 4)<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-20814\" src=\"https:\/\/www.pbs.org\/independentlens\/wp\/wp-content\/uploads\/2020\/07\/1AWOMANSWORK_1-5_PubStill_2_Lacy_2.jpg\" alt=\"Maria cheering on the field\" width=\"1920\" height=\"1080\" srcset=\"https:\/\/www.pbs.org\/independentlens\/wp-content\/uploads\/2020\/07\/1AWOMANSWORK_1-5_PubStill_2_Lacy_2.jpg 1920w, https:\/\/www.pbs.org\/independentlens\/wp-content\/uploads\/2020\/07\/1AWOMANSWORK_1-5_PubStill_2_Lacy_2-300x169.jpg 300w, https:\/\/www.pbs.org\/independentlens\/wp-content\/uploads\/2020\/07\/1AWOMANSWORK_1-5_PubStill_2_Lacy_2-1200x675.jpg 1200w, https:\/\/www.pbs.org\/independentlens\/wp-content\/uploads\/2020\/07\/1AWOMANSWORK_1-5_PubStill_2_Lacy_2-1536x864.jpg 1536w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\" \/><br \/>\n<em><strong>A Woman\u2019s Work: The NFL\u2019s Cheerleader Problem<\/strong><\/em> sheds light on the continued fight to end the gender pay gap prevalent throughout the National Football League. For over 50 years, the NFL has employed cheerleaders\u2014women who are lifelong athletes expected to both maintain a peak physical condition and fulfill extreme beauty standards. Many of these athletes have been historically underpaid, with some earning as little as $5 an hour, while others are never paid a salary at all. <em>A Woman&#8217;s Work<\/em>, by Yu Gu, chronicles the journeys of cheerleaders from the Raiders and the Buffalo Bills, each of whom put their careers on the line to take legal action and fight for fair pay.<\/p>\n<p><a href=\"https:\/\/www.pbs.org\/independentlens\/films\/represent\/\"><em><strong>A Day in the Life of America<\/strong><\/em><\/a> (January 11)<\/p>\n<a href=\"https:\/\/www.pbs.org\/independentlens\/films\/a-day-in-the-life-of-america\/\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-20806 size-full\" src=\"https:\/\/www.pbs.org\/independentlens\/wp\/wp-content\/uploads\/2020\/07\/Copy-of-ADAYINTHELIF_3f_PubStills_09-Cropped.jpg\" alt=\"man runs waving American flag\" width=\"1920\" height=\"1080\" srcset=\"https:\/\/www.pbs.org\/independentlens\/wp-content\/uploads\/2020\/07\/Copy-of-ADAYINTHELIF_3f_PubStills_09-Cropped.jpg 1920w, https:\/\/www.pbs.org\/independentlens\/wp-content\/uploads\/2020\/07\/Copy-of-ADAYINTHELIF_3f_PubStills_09-Cropped-300x169.jpg 300w, https:\/\/www.pbs.org\/independentlens\/wp-content\/uploads\/2020\/07\/Copy-of-ADAYINTHELIF_3f_PubStills_09-Cropped-1200x675.jpg 1200w, https:\/\/www.pbs.org\/independentlens\/wp-content\/uploads\/2020\/07\/Copy-of-ADAYINTHELIF_3f_PubStills_09-Cropped-1536x864.jpg 1536w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\" \/><\/a>\n<p>Director Jared Leto crafts a sweeping yet intimate cross-section of America shot on a single July 4th in 2017 with 92 film crews fanning out across each of the United States and Puerto Rico to capture\u00a0<i>A Day in the Life of America<\/i>. A gargantuan production shot over a single 24 hour period across the country, the film weaves a wide\u00a0range of beliefs and backgrounds\u00a0into a\u00a0rich tapestry of life.<\/p>\n<p><em><a href=\"https:\/\/www.pbs.org\/independentlens\/films\/9to5-the-story-of-a-movement\/\"><strong>9to5: Story of a Movement<\/strong><\/a><\/em> (February 1)<\/p>\n<a href=\"https:\/\/www.pbs.org\/independentlens\/films\/9to5-the-story-of-a-movement\/\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-21372 size-full\" src=\"https:\/\/www.pbs.org\/independentlens\/wp\/wp-content\/uploads\/2020\/11\/9TO5_PubStills_08.jpg\" alt=\"woman protesting workplace pay in the 1970s, holding megaphone, black and white\" width=\"1920\" height=\"1080\" srcset=\"https:\/\/www.pbs.org\/independentlens\/wp-content\/uploads\/2020\/11\/9TO5_PubStills_08.jpg 1920w, https:\/\/www.pbs.org\/independentlens\/wp-content\/uploads\/2020\/11\/9TO5_PubStills_08-300x169.jpg 300w, https:\/\/www.pbs.org\/independentlens\/wp-content\/uploads\/2020\/11\/9TO5_PubStills_08-1200x675.jpg 1200w, https:\/\/www.pbs.org\/independentlens\/wp-content\/uploads\/2020\/11\/9TO5_PubStills_08-1536x864.jpg 1536w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\" \/><\/a>\n<p><span style=\"font-weight: 400;\">When Dolly Parton sang \u201c9 to 5,\u201d she was singing about a real movement that started with a group of secretaries in the early 1970s. Their goals were simple\u2014better pay, more advancement opportunities, and an end to sexual harassment\u2014but as seen in <\/span><i><span style=\"font-weight: 400;\">9to5: The Story of a Movement,<\/span><\/i><span style=\"font-weight: 400;\"> their fight that inspired a hit would change the American workplace forever.<\/span> From the team behind the Oscar-winning <em>American Factory.<\/em><\/p>\n<p><strong><em><a href=\"https:\/\/www.pbs.org\/independentlens\/films\/women-in-blue\/\">Women in Blue<\/a><\/em><\/strong> (February 8)<\/p>\n<a href=\"https:\/\/www.pbs.org\/independentlens\/films\/women-in-blue\/\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-20825 size-full\" src=\"https:\/\/www.pbs.org\/independentlens\/wp\/wp-content\/uploads\/2020\/07\/Copy-of-WOMENINBLUE_1-5_PubStills_17_AliceinPatrolcar1_Erica-Ticknor_11_2018JPG-Cropped.jpg\" alt=\"woman officer in patrol car\" width=\"1920\" height=\"1080\" \/><\/a>\n<p>In the years leading up to the murder of George Floyd, four female Minneapolis police officers believe gender equity in the force can change the culture of policing in a department that would soon become a worldwide emblem of state violence. &#8220;An unflinching study of a complex situation, showing gray areas where often only black and white are seen.&#8221; (<em>Boston Globe<\/em>)<\/p>\n<p><strong><em><a href=\"https:\/\/www.pbs.org\/independentlens\/films\/mr-soul\/\">Mr. SOUL!<\/a><\/em><\/strong> (February 22)<\/p>\n<img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-21073\" src=\"https:\/\/www.pbs.org\/independentlens\/wp\/wp-content\/uploads\/2020\/07\/1MRSOUL_PubStills_01.jpg\" alt=\"side profile of man with glasses\" width=\"1920\" height=\"1080\" srcset=\"https:\/\/www.pbs.org\/independentlens\/wp-content\/uploads\/2020\/07\/1MRSOUL_PubStills_01.jpg 1920w, https:\/\/www.pbs.org\/independentlens\/wp-content\/uploads\/2020\/07\/1MRSOUL_PubStills_01-300x169.jpg 300w, https:\/\/www.pbs.org\/independentlens\/wp-content\/uploads\/2020\/07\/1MRSOUL_PubStills_01-1200x675.jpg 1200w, https:\/\/www.pbs.org\/independentlens\/wp-content\/uploads\/2020\/07\/1MRSOUL_PubStills_01-1536x864.jpg 1536w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\" \/>\n<p>In 1968, producer Ellis Haizlip developed a new show aimed at Black audiences, one that used the familiar variety-show format to display and celebrate the breadth of Black culture. For five years, the public television series S<em>OUL!<\/em> highlighted Black literature, music, and politics, and often paired guests in unexpected juxtapositions that gave them an opportunity to shine in unique ways. The documentary <em><strong>Mr. SOUL!<\/strong><\/em>\u00a0 received five Critics&#8217; Choice Documentary Award nominations.<\/p>\n<p><a href=\"https:\/\/www.pbs.org\/independentlens\/films\/coded-bias\/\"><em><strong>Coded Bia<\/strong>s<\/em><\/a> (March 22)<\/p>\n<a href=\"https:\/\/www.pbs.org\/independentlens\/films\/coded-bias\/\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-21371 size-full\" src=\"https:\/\/www.pbs.org\/independentlens\/wp\/wp-content\/uploads\/2020\/08\/CODEDBIAS_PubStills_34.jpg\" alt=\"MIT researcher Joy Buolamwini computer screen reflection\" width=\"1920\" height=\"1080\" \/><\/a>\n<p><span style=\"font-weight: 400;\">When MIT researcher Joy Buolamwini discovers that <\/span><span style=\"font-weight: 400;\">the majority of<\/span> <span style=\"font-weight: 400;\">most<\/span><span style=\"font-weight: 400;\"> facial-recognition software does not accurately identify darker-skinned faces, she embarks on an investigation that uncovers widespread bias lurking in the algorithms that shapes the technology powering our lives.<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>The upcoming slate of films airing on Independent Lens on PBS starts in January with seven highly-acclaimed documentaries that reflect the ever-changing nature of the United States, highlighting women who led the way in workplace sexism \u2014in offices, NFL playing fields, and police forces \u2014 as well as telling the stories of a trailblazer in [&hellip;]<\/p>\n","protected":false},"author":13,"featured_media":21443,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"categories":[1312],"tags":[1282],"topic":[],"class_list":["post-21400","blog","type-blog","status-publish","has-post-thumbnail","hentry","category-announcements","tag-independent-lens-season"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.2 - 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