{"id":229,"date":"2011-04-19T00:00:00","date_gmt":"2011-04-19T07:00:00","guid":{"rendered":"https:\/\/www.pbs.org\/independentlens\/waste-land\/"},"modified":"2025-02-19T18:54:44","modified_gmt":"2025-02-20T02:54:44","slug":"waste-land","status":"publish","type":"films","link":"https:\/\/www.pbs.org\/independentlens\/documentaries\/waste-land\/","title":{"rendered":"Waste Land"},"content":{"rendered":"<p>Filmed over nearly three years, <b><i>Waste Land<\/i><\/b> follows renowned artist Vik Muniz as he journeys from his home base in Brooklyn to his native Brazil and the world&#8217;s largest garbage dump, Jardim Gramacho, located on the outskirts of Rio de Janeiro. There he photographs an eclectic band of <i>catadores<\/i> \u2014 or garbage pickers. The <i>catadores<\/i> are the ultimate marginalized population; unemployed in any traditional sense of the word, they resort to picking valuable recyclable materials from the garbage thrown away by those in Brazil more fortunate than themselves. But they display remarkably good spirits and camaraderie in the face of their lot in life, forming friendships and, in the case of the elderly Valter, declaring the crucial and meaningful role they play in remediating the results of the modern culture of overconsumption and careless disposal. Under the leadership of the young, charismatic picker Ti\u00e3o, they have even created a co-operative to pool their labor and resources to maximize their income.<\/p>\n<p>Vik Muniz, a Brazilian artist known for using unconventional materials to create portraits of marginalized people, set out to &#8220;paint&#8221; the <i>catadores<\/i> with the garbage they spent their days sorting through. But upon meeting the amazing characters who work at the landfill, he decides to turn the project into a collaboration with the <i>catadores<\/i> themselves. He photographs the pickers individually at the landfill itself, and then projects the images he\u2019s captured onto the floor of a massive warehouse nearby. Then he works with the <i>catadores<\/i> to gather recyclable items from the dump and use these discarded things to recreate the images on the floor. In the end, vibrant, complex, and essentially human portraits emerge, revealing both dignity and despair as the <i>catadores<\/i> begin to re-imagine their lives.<\/p>\n<p>Muniz doesn\u2019t just talk about the transformative power of art, but puts it into action in Brazil. He decides that all proceeds from the photographs he creates of the finished pieces go back to the <i>catadores<\/i>, which they use to improve their living conditions, go to school, invest in the co-op, keep their trucks in working order, and even build a library. The pickers report that the project has helped lift some of the social stigma surrounding their profession, and the Brazilian government is now using the film to promote recycling nationwide.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>&#8220;The moment when one thing turns into another is the most beautiful moment. A combination of sounds turns into music. And that applies to everything.&#8221; \u2014 Brazilian artist Vik Muniz<\/p>\n","protected":false},"author":13,"featured_media":9930,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"topic":[1216,1219],"class_list":["post-229","films","type-films","status-publish","has-post-thumbnail","hentry","topic-arts-and-culture","topic-health-and-environment"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.2 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Waste Land | Vik Muniz Paints Portraits of Garbage Pickers | Independent Lens | PBS<\/title>\n<meta name=\"description\" content=\"In Waste Land, artist Vik Muniz visits the world\u2019s largest landfill to create portraits of catadores \u2014 garbage pickers \u2014 from the material they collect.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link 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