Excerpts from a series of articles entitled "The International Jew," written by Henry Ford and published in the Ford Motor Company periodical "The Dearborn Independent".
"Is it surprising that whichever way you turn to trace the harmful streams of influence that flow through society, you come upon a group of Jews?"
Many people have wondered whence come the waves upon waves of musical slush that invade decent homes and set the young people of this generation imitating the drivel of morons. Popular music is a Jewish monopoly. Jazz is a Jewish creation. The mush, slush, the sly suggestion, the abandoned sensuousness of sliding notes, are of Jewish origin.
Monkey talk, jungle squeals, grunts and squeaks and gasps suggestive of calf love are camouflaged by a few feverish notes and admitted in homes where the thing itself, unaided by scanned music," would be stamped out in horror. The fluttering music sheets disclose expressions taken directly from the cesspools of modern capitals, to be made the daily slang, the thoughtlessly hummed remarks of school boys and girls.
Is it surprising that whichever way you turn to trace the harmful streams of influence that flow through society, you come upon a group of Jews? In baseball corruption -- a group of Jews. In exploitative finance -- a group of Jews. In theatrical degeneracy -- a group of Jews. In liquor propaganda -- a group of Jews. In control of national war policies -- a group of Jews. In control of the Press through business and financial pressure -- a group of Jews. War profiteers, 80 per cent of them -- Jews. Organizers of active opposition to Christian laws and customs -- Jews.