{"id":21696,"date":"2020-06-22T03:34:55","date_gmt":"2020-06-22T07:34:55","guid":{"rendered":"http:\/\/www.pbs.org\/pov\/watch\/5brokencameras\/"},"modified":"2024-10-08T15:03:35","modified_gmt":"2024-10-08T19:03:35","slug":"5brokencameras","status":"publish","type":"film","link":"https:\/\/www.pbs.org\/pov\/films\/5brokencameras\/","title":{"rendered":"5 Broken Cameras"},"content":{"rendered":"<p>Nominated for an Oscar&reg;, <em>5 Broken Cameras<\/em> is a deeply personal first-hand account of life and nonviolent resistance in Bil&#8217;in, a West Bank village where Israel is building a security fence. Palestinian Emad Burnat, who bought his first camera in 2005 to record the birth of his youngest son, shot the film and Israeli filmmaker Guy Davidi co-directed. The filmmakers follow one family&#8217;s evolution over five years, witnessing a child&#8217;s growth from a newborn baby into a young boy who observes the world unfolding around him. <em>The film is a Palestinian-Israeli-French co-production.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Nominated for an Oscar&reg;, 5 Broken Cameras is a deeply personal first-hand account of life and nonviolent resistance in Bil&#8217;in,&#8230;<\/p>\n","protected":false},"featured_media":21697,"template":"","show":[22],"film_type":[37],"filmmaker":[864,863],"class_list":["post-21696","film","type-film","status-publish","has-post-thumbnail","hentry","show-pov","topic-family-society","topic-international","topic-politics-government","film_type-feature","filmmaker-emad-burnat","filmmaker-guy-davidi"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.pbs.org\/pov\/wp-json\/wp\/v2\/films\/21696"}],"collection":[{"href":"https:\/\/www.pbs.org\/pov\/wp-json\/wp\/v2\/films"}],"about":[{"href":"https:\/\/www.pbs.org\/pov\/wp-json\/wp\/v2\/types\/film"}],"version-history":[{"count":3,"href":"https:\/\/www.pbs.org\/pov\/wp-json\/wp\/v2\/films\/21696\/revisions"}],"predecessor-version":[{"id":202284,"href":"https:\/\/www.pbs.org\/pov\/wp-json\/wp\/v2\/films\/21696\/revisions\/202284"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.pbs.org\/pov\/wp-json\/wp\/v2\/media\/21697"}],"wp:attachment":[{"href":"https:\/\/www.pbs.org\/pov\/wp-json\/wp\/v2\/media?parent=21696"}],"wp:term":[{"taxonomy":"show","embeddable":true,"href":"https:\/\/www.pbs.org\/pov\/wp-json\/wp\/v2\/show?post=21696"},{"taxonomy":"film_type","embeddable":true,"href":"https:\/\/www.pbs.org\/pov\/wp-json\/wp\/v2\/film_type?post=21696"},{"taxonomy":"filmmaker","embeddable":true,"href":"https:\/\/www.pbs.org\/pov\/wp-json\/wp\/v2\/filmmaker?post=21696"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}