{"id":21949,"date":"2020-06-22T03:37:34","date_gmt":"2020-06-22T07:37:34","guid":{"rendered":"http:\/\/www.pbs.org\/pov\/watch\/34x25x36\/"},"modified":"2022-06-14T16:02:24","modified_gmt":"2022-06-14T20:02:24","slug":"34x25x36","status":"publish","type":"film","link":"https:\/\/www.pbs.org\/pov\/films\/34x25x36\/","title":{"rendered":"34x25x36"},"content":{"rendered":"<p><strong>34 x 25 x 36<\/strong> is Jesse Epstein&#8217;s third installment in a trilogy of films (along with <em>The Guarantee<\/em> and the Sundance award-winning <em>Wet Dreams and False Images<\/em>) examining issues of body image from quirky and revealing angles. This time, we are taken into the inner workings of the Patina V Mannequin Factory in City of Industry, Calif., where the artistry, craft and marketing that go into creating &#8220;the ideal woman of the moment&#8221; &mdash; in plastic &mdash; are accompanied by a remarkable amount of reflection on just what that ideal means (one thing it means is a 34&#8243; x 25&#8243; x 36&#8243; figure). Patina V is a place where the owner will tell women (and then run for cover), &#8220;There are no perfect bodies out there. We make the perfect body.&#8221; And the chief designer harkens back to the roots of his craft not only in French 19th-century wax figures but also in the religious icons of medieval times.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>34 x 25 x 36 is Jesse Epstein&#8217;s third installment in a trilogy of films (along with The Guarantee and&#8230;<\/p>\n","protected":false},"featured_media":21950,"template":"","show":[22],"film_type":[38],"filmmaker":[950],"class_list":["post-21949","film","type-film","status-publish","has-post-thumbnail","hentry","show-pov","topic-family-society","topic-gender","topic-race-ethnicity","film_type-short","filmmaker-jesse-epstein"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.pbs.org\/pov\/wp-json\/wp\/v2\/films\/21949"}],"collection":[{"href":"https:\/\/www.pbs.org\/pov\/wp-json\/wp\/v2\/films"}],"about":[{"href":"https:\/\/www.pbs.org\/pov\/wp-json\/wp\/v2\/types\/film"}],"version-history":[{"count":1,"href":"https:\/\/www.pbs.org\/pov\/wp-json\/wp\/v2\/films\/21949\/revisions"}],"predecessor-version":[{"id":25292,"href":"https:\/\/www.pbs.org\/pov\/wp-json\/wp\/v2\/films\/21949\/revisions\/25292"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.pbs.org\/pov\/wp-json\/wp\/v2\/media\/21950"}],"wp:attachment":[{"href":"https:\/\/www.pbs.org\/pov\/wp-json\/wp\/v2\/media?parent=21949"}],"wp:term":[{"taxonomy":"show","embeddable":true,"href":"https:\/\/www.pbs.org\/pov\/wp-json\/wp\/v2\/show?post=21949"},{"taxonomy":"film_type","embeddable":true,"href":"https:\/\/www.pbs.org\/pov\/wp-json\/wp\/v2\/film_type?post=21949"},{"taxonomy":"filmmaker","embeddable":true,"href":"https:\/\/www.pbs.org\/pov\/wp-json\/wp\/v2\/filmmaker?post=21949"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}