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Suite of Carols for Woodwind
Ensemble The suite of Carols for
Woodwind Ensemble was completed for recording by the composer on September 27, 1955 in
analog mono sound, which is when it was first performed. It is exactly 12 minutes long. It
was re-recorded in analog stereo sound by the composer on June 2, 1959. The Suite of
Carols for Woodwind Ensemble has 6 movements:
1. Angels in our fields
2. O Sanctissima
3. O come, O come Emmanuel
4. O come, little children
5. Coventry Carol
6. Patapan
Composer quotes:
(From a 1960's interview with Dick Bertel of WTIC Radio, Hartford, Connecticut)
Question: Let's discuss some of these other suites.
Anderson: Well, in addition to the Christmas Festival which is a big concert overture, I
had the idea of making more intimate treatment of other Christmas carols; at the same
time, however, I didn't just want to make medleys of them, that's the usual thing. In
treating them instrumentally, I thought I'd try to get something that would give a little
more scope and be a little different. So, after thinking it over, I decided that I would
make a suite of carols. Except that the one suite turned out to be three suites because of
the fact that carols have a great deal of variety and it seemed that one particular carol
would sound best with string orchestra, and another one would sound much better with a
brass choir, and another would call for the color that you get from woodwinds; so I
finally finished by writing three suites of carols, three different ones -- one is a
strong orchestra, one for brass choir, and one for woodwind ensemble, and I took about 18
or 19 of these carols and divided them up and made them into the three suites and
recorded.
Question: It's refreshing to hear some of this Christmas music that we don't hear.
Anderson: Well, in addition, I -have also not only taken the best known, I have also taken
some of the lesser known ones; although I find year after year that many of the carols
that are not, or were not, so well known, are now being played because, particularly with
records -- all the recordings that are made and all the music that's played on radio
--there is a great demand for greater variety of music, and so as a result we are hearing
a lot of music that is not just the most popular or the best known.
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