Curator's Choice: Renoir and Full-Length Paintings
Clip | 7m 7s
There’s a long tradition in Western European art of the full-length format. The Frick's Colin Bailey examines the sort of art that Renoir was looking back to when during the 1870s and early ‘80s, as a founding Impressionist, he chose this format to paint some of his most joyful and ambitious pictures of everyday life in the metropolis.
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NYC-ARTS is made possible in part by First Republic Bank. Major funding for NYC-ARTS is also made possible by Rosalind P. Walter, the Kate W. Cassidy Foundation, the Thea Petschek Iervolino Foundation, the Jean Dubinsky Appleton Estate, Jody and John Arnhold, Ellen and James S. Marcus, The Lewis “Sonny” Turner Fund for Dance, Elise Jaffe and Jeffrey Brown, The Milton and Sally Avery Arts Foundation, and the Elroy and Terry Krumholz Foundation. This program is supported, in part, by public funds from the New York City Department of Cultural Affairs in partnership with the City Council. Additional funding provided by members of THIRTEEN.