- In the Court, it's very restrictive.
We can't touch, we can't get too close to each other, everything has to be done through those stolen glances.
- Yeah, and everything's watched.
Everything is, everything's a risk, and certainly for Joseph, everything kind of has to go through this gauze of you know, the servant who's supposed not to have a name or a personality or certainly, any kind of romantic intentions.
- Please see this is taken to my room.
- With pleasure, Your Grace.
- We discussed as well, when we were looking at sort of the journey of our character was sort of better for between inertia and inaction and movement and freedom as well.
- Will you walk with me, Your Grace?
- But as things progressed, for example, the beautiful scene that we have on the beach, we get to kind of move physically, we were much more free together, we run.
(laughing) It's so much of a contrast to this stiff, proper formality.
- So to finally be able to cut loose and to just be two people was extraordinarily liberating.
That kind of sits in the middle of the series, really.
A snatched moment of freedom and abandon.
I think that's-- - Which was matched beautifully by the fact that I have to run in the beach which is impossible to do in a corset, so I didn't have to wear a corset that day.
So I was like, freedom.
- I didn't have to wear a corset either that day, actually.
That was a relief.
- I know.
