A sequel to one of the most popular NOVAs of all time, "Miracle of Life," this Emmy Award-winning program tracks human development from embryo to newborn using the extraordinary microimagery of Swedish photographer Lennart Nilsson.
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Life's Greatest Miracle
PBS Airdate: November 20, 2001
NARRATOR: People do all sorts of things to get attention. And why? It may be the last thing on his mind, but this man's body is working toward this.
Whether we're thinking about it or not, our bodies want to make babies. And our bodies are very good at it. Around the world about 365,000 new babies get made every day.
But as ordinary as it seems, creating a new human being is no simple feat. Just think of it. No matter who you are, once upon a time you looked like this. From a single cell you built a body that has one hundred trillion cells. You made hundreds of different kinds of tissues and dozens of organs, including a brain that allows you to do remarkable things.
How did you do it?
Today, we can look closer than ever before: into the womb, into a cell, into the essence of life itself. Not only can we see what's happening, but now we're beginning to see how it happens—the forces that build the embryo, the molecules that drive this remarkable change. We're uncovering the most intimate details of how life is created, the secrets behind life's greatest miracle.
NARRATOR: You might think all the people on this beach are just working on their suntans. But beneath all that sunscreen, under the skin, there's a frenzy of activity. Without even thinking about it, almost all the adults here are busy trying to reproduce. They can't help themselves. The urge to procreate is a fundamental part of life, not just for us but for all life.
Why is this urge so universal? At least some blame can probably go to this: DNA—the molecule that carries our genes, the chemical instructions for building our bodies and keeping us alive, all wrapped up in a tiny winding staircase.
DNA has run the show for more than four billion years for one main reason: it's very good at making copies of itself. The copies can get passed to a new generation in a couple of ways.
If you're a bacterium, you might be into cloning—making exact replicas of yourself. All your descendents have the same DNA and, except for an occasional mutant, are just like you. It's simple. It works. And genetically it's extremely boring.
It can also be dangerous.
If humans were all clones, everyone would have the exact same immune system, and one successful parasite could wipe us all out.
Fortunately, there's sex, the method of choice for 99.9 percent of the organisms on Earth more complex than bacteria. With sexual reproduction, two individuals each provide some DNA. Most animals put it into sperm or eggs. If the two can get together, a new being will be created, one that's different from its parents and everybody else.
Where there's sex, there's variety. And when it comes to survival of the fittest, variety has a definite advantage.
All this comes at a price. Sexual reproduction may be popular, but it's also quite tricky. To get an idea of how tricky, just take a peek inside a man's testicle.
It's packed with tiny tubes coiled into bundles. Stretched out they could cover half a mile. Inside all this tubing, the average man is churning out a thousand new sperm every second. That's about a hundred million new sperm every day and more than two trillion over a lifetime. And here's the tricky part: each and every sperm is one of a kind, carrying a unique genetic package.
How is this possible? How can one person produce so many different combinations of genes? The answer lies in the very special way we make sperm and eggs, a process called "meiosis."
In almost every cell of your body you have thirty thousand or more different genes, spread out on very long strands of DNA called "chromosomes." Most cells have two versions of every gene on a total of 46 chromosomes. Exactly half of those, 23, came from your mom, and 23 came from your dad. They come in pairs where the partners are very similar but not quite the same. The only time they get together is during meiosis.
Here's how it works inside a testicle that's making sperm. First, each chromosome makes an exact copy of itself, keeping it attached at one point. They condense, creating an X-shape. Now the chromosome partners get together and the two, or actually four, will embrace. They cling so closely, big chunks carrying whole bunches of genes get exchanged between the partners. The cell then divides twice, each time pulling the pairs apart. The final result is a sperm or an egg cell with 23 chromosomes, half the normal number.
By itself, the cell is incomplete. But it still holds incredible promise, because every chromosome now carries a combination of genes that has never existed before.
All this gene shuffling means that within a single species, there can be an enormous amount of diversity. And the more diversity, the better the odds are that someone will survive to create a new generation.
MELINDA TATE IRUEGAS: This is my mom and dad and your mom and dad.
SERGIO IRUEGUS: And my mom and dad on their wedding day. You definitely have your mom's eyes. And you can see I definitely have my dad's eyebrows.
MELINDA TATE IRUEGAS: You do have your dad's eyebrows.
NARRATOR: Melinda Tate Iruegas and her husband, Sergio, are expecting their first baby.
SERGIO IRUEGUS: Here's Mom and Dad with me and my brother.
MELINDA TATE IRUEGAS: Yeah.
SERGIO IRUEGUS: My sister hadn't come along yet. But this is what our little boy might look like. That's me.
NARRATOR: Their unborn child carries a mixture of genes not just from them, but from all their ancestors.
SERGIO IRUEGAS: That's like the spitting image. You look so much like your mother here.
NARRATOR: But which genes got passed on from whom right now is anybody's guess.
SERGIO IRUEGAS: Because here you are and this is what our little girl might look like. I wonder if the baby will have the characteristic eyebrows that come from my father's side of the family. We call them the Iruegas eyebrows.
MELINDA TATE IRUEGAS: Or that it won't have my dad's nose.
SERGIO IRUEGAS: Your nose.
MELINDA TATE IRUEGAS: We talked about having children a lot. He would say, "Five, six." I was like, "Well, let's start with one. Two, maybe three."
NARRATOR: In their efforts to pass on their genes, Melinda and Sergio pursued dramatically different strategies. Like most men, Sergio has been constantly producing sperm since puberty.
But Melinda created all her eggs when she looked like this, a fetus in her mother's womb. Within a couple of months, she created several million eggs. And then, the eggs began to die. At the age of 31, Melinda may only have a few thousand left. But that's okay, because inside an ovary, as opposed to a testicle, it's quality, not quantity, that counts.
Every month, one of a woman's two ovaries selects an immature egg cell to lavish with attention. Hundreds of support cells tend the egg, feeding it until it grows fat. When it's ready, the whole entourage—the egg along with its helpers—oozes out of the ovary.
Waiting for them is the open end of the Fallopian tube, which leads to the uterus. Its tentacles capture the egg and pull it inside. The egg is swept along by muscular contractions of the tube, as well as the constant swaying of tiny cilia. The egg has everything it needs to start a new life, except for one thing: DNA from a sperm. And it has to get it fast. If the egg is not fertilized within a few hours it will die.
With sex, there will always be pressure to meet and impress a mate. When it comes to actually choosing a partner, there's a lot to consider. For us, it might be somewhat more complicated than picking the one that smells best, but there's no doubt that the process can be heavily influenced by chemistry, natural drugs that flood the brain.
When love is in the air, the body can undergo some dramatic changes. Signals from the brain speed up the metabolism of glucose. As a result, body temperature rises, skin sweats, heartbeat and breathing get faster. In a man, hormones cue blood vessels to relax, allowing the spongy tissue in the penis to fill with blood. At the height of sexual excitement, millions of sperm are squeezed out of storage and swept up by fluid gushing from several glands, including the prostate. The flood carries them into a fifteen-inch-long tube looping into the abdomen and then out through the penis. It's only about a teaspoon of liquid, but it typically contains about three hundred million sperm.
They are immediately in peril. The vagina is acidic, so the sperm must escape or die. They start to swim, at least some of them. Even in a healthy man, 60 percent of the sperm can be less than perfect. Like this one with two tails. For these guys, the journey is over.
But what about the rest? What are the chances that one tiny sperm will reach and fertilize an egg? Sperm are often portrayed as brave little warriors forging their way through hostile terrain to conquer the egg. Nothing could be further from the truth.
For every challenge the sperm face, success is, to a great extent, controlled by the woman's body and even the egg itself.
Take the sperm's first obstacle, the cervix, passageway to the uterus. Most of the time, it's locked shut, plugged with mucous that keeps bacteria and sperm out. But for just a few days a month, around ovulation, the mucous becomes watery and forms tiny channels that guide the sperm through.
Arriving inside the uterus, the sperm are still about six inches away from their goal—at least a two-day swim.But undulations of the uterine muscles propel the sperm into the fallopian tube within 30 minutes.
Even a sperm that reaches the tube in record time has no guarantee of fertilizing an egg. There may be no egg there. Ovulation could still be days away.
It's the slowpokes, caught up in the cilia lining the tube, who may have a better chance. It's probably here that chemicals in the woman's body alter the sperm's outer coating. Only those sperm that are altered can get a date with the egg. The sperm are released gradually, over the course of a few days, so at any given time only a couple hundred sperm will move on.
If all goes well, then farther up the tube they'll find the egg. But it's heavily chaperoned by support cells. And the chaperones are picky. Only some of the sperm are let through.
Those who make it will face yet another challenge. Underneath the cloud of cells, the egg itself is encased in a thick protein shell, called the "zona." To fertilize the egg, the sperm must break through the zona. But even the strongest can't do it by brute force alone. The egg demands a proper introduction. Proteins protruding from the sperm's cap must hook up precisely with a set of proteins on the egg's surface. If they match, the sperm is held fast and undergoes a dramatic transformation. It sheds its outer coating, releasing powerful enzymes that dissolve a hole in the zona, allowing the sperm to push its way through.
The final hurdle passed, the sperm still does not thrust its way into the egg itself. Rather, the membranes of the two cells fuse, and the egg draws the entire contents of the sperm inside.
MELINDA TATE IRUEGAS: I don't know. We weren't being as careful as we should have been. And October came around and I was a day late. And actually I was having some other problems with my wrist. And we went to the doctor and the doctor had asked me...he's like, "Well, are you pregnant?" You know, because he wanted to do an x-ray of my wrist.
SERGIO IRUEGAS: Yeah.
MELINDA TATE IRUEGAS: And I said, "No." And then I thought about it and I was like, "Well, I don't know." I decided that I better check this out. And sure enough, it was positive. And when he came home, I was like...
SERGIO IRUEGAS: I could tell she had something to tell me.
MELINDA TATE IRUEGAS: And I was like, "Well you better sit down."
SERGIO IRUEGAS: It was something that we had discussed...
MELINDA TATE IRUEGAS: Yeah.
SERGIO IRUEGAS: ...but hadn't anticipated until about two more years down the road. So when she told me...yeah...I was ecstatic.
MELINDA TATE IRUEGAS: We were ready. We were definitely ready even if it was a little early.
NARRATOR: Ready or not, once sperm and egg get together they have their own agenda: to create a viable embryo. Their chances aren't great. It's estimated that more than 50 percent of all fertilized eggs fail to develop. If it's going to survive, the egg has a lot of work to do.
First, it orders the zona to lock out all other sperm. And then the egg must finish meiosis, expelling half of its chromosomes into this tiny pouch, called a "polar body." With the door closed behind it, the single sperm already inside releases its precious cargo.
The sperm's 23 chromosomes stretch out in the roomy, welcoming egg. The chromosomes of sperm and egg approach each other and then the cell divides.
Since the moment the sperm entered the egg, 24 hours have passed. All this time the fertilized egg is moving down the fallopian tube toward the uterus. Every few hours, the cells divide. Four...eight...sixteen...gradually creating the building blocks needed to construct an embryo.
On rare occasions, the tiny cluster of cells splits into two groups and creates two embryos—identical twins. But most of the time the cells stick together. They must complete just the right number of cell divisions before they arrive in the uterus about five days after fertilization. What started as a large single cell has divided into just over a hundred much smaller cells, but they're still trapped within the hard shell of the zona.
Now called a "blastocyst," the bundle of cells must do two things to survive: break out of the zona and find a source of nourishment. At the beginning of the sixth day, it orchestrates an escape. It releases an enzyme that eats through the zona, and the ball of cells squeezes out. Free at last, the blastocyst lands on the blood-rich lining of the mother's uterus. It has just passed one hurdle, but is immediately presented with another.
For in fact it is now in very grave danger. Stripped of its protective coating, the blastocyst could be attacked by the mother's immune system as a foreign invader. White blood cells would swarm in to devour it. In its own self-defense, the ball of cells produces several chemicals that suppress the mother's immune system inside the uterus, in effect, convincing the mother to treat it like a welcome guest.
Then it is free to get to work. Searching for food and oxygen, cells from the blastocyst reach down and burrow into the surrounding tissue. Eventually, they pull the entire bundle down into the uterine lining. And sooner or later, the mother will notice.
MELINDA TATE IRUEGAS: Even brushing my teeth would make me...the minty flavor was just, like, gross. And it made me feel nauseous. And I would get up and I would try to eat something. And if it...anything smelled off slightly, then it was...it made me nauseous.
SERGIO IRUEGAS: My mother has told me stories of how my father had gone through morning sickness. And of course that never really registered until the first time it started happening to me.
MELINDA TATE IRUEGAS: He literally got...he would get really, really nauseous and upset, and actually get physically ill sometimes.
SERGIO IRUEGAS: There was a couple of times when that...well, more than a couple of times when that actually happened.
NARRATOR: Not everybody gets morning sickness. Sometimes months can go by before the mother gets any sense of the drama unfolding within her body.
One milestone event takes place just two weeks after conception, when the blastocyst is about the size of a poppy seed. This is the moment when the cells start to organize themselves into an embryo. The process is called "gastrulation."
With animals like frogs, whose embryos develop inside transparent eggs, it's easy to see it in action. After the egg becomes a hollow ball of many cells, some cells dive into the center, forming layers which will go on to develop into different organs.
In humans, gastrulation happens deep inside the mother's uterine lining, so it can't be photographed. But we think it works something like this:the blastocyst creates two oblong bubbles, one on top of the other. Sandwiched between them is a thin layer of cells. These are the cells which one day may become a baby. At the beginning of gastrulation, some cells begin moving toward the center. Then they dive downwards, creating a new, lower layer. More cells plunge through, squeezing in between, forming a third. The cells in the three layers may not look different, but for each layer, a very different future lies ahead.
The lower cells are destined to form structures like the lungs, liver, and the lining of the digestive tract. The middle layer will form the heart, muscles, bones and blood. And the top layer will create the nervous system, including the spinal cord and the brain, as well as an outer covering of skin, and eventually, hair.
This is a human embryo three weeks after fertilization. Less than a tenth of an inch long, its neural tube, the beginning of the nervous system, is already in place. A couple of days layer, the top of the tube is bulging outwards on its way to becoming a brain. With the primitive brain cells exposed, we can see some are sending feelers, making connections to their neighbors.
As the days pass, changes proceed at a rapid-fire pace throughout the embryo. Everywhere, cells are multiplying. And they're on the move. Some reach out to one another, forming blood vessels. A heart begins to beat. As the embryo lengthens the precursor to the backbone forms. Groups of cells bulge out on the sides, the beginnings of arms and legs.
This is the embryo four and a half weeks after fertilization. It is only about a fifth of an inch long. The primitive backbone now curls into a tail, which will disappear in a few weeks. A large brain is developing, and on the side of the head: an eye.
How does this happen? How does the embryo transform itself from a blob of cells into different tissues and organs, and finally into a fully functional baby?
The secret, of course, lies in your genes—in your DNA. Inside most every cell in your body, you have the same 46 chromosomes, carrying the same genes. But not all the cells in your body are the same. Nerve cells, blood cells, cells lining your intestine, they all look different and they do different jobs.
That's because in each of these cells different groups of genes are turned on. And when a gene is turned on, it tells the cell to construct a particular protein.Proteins are the molecules that build your body—like collagen, a fiber that makes up much of your skin, tendons, and bones, or keratin in your hair. Crystallin is the protein that helps make the lens of your eye clear.
Some proteins do work. Actin and myosin move muscle fibers. Hemoglobin in the blood carries oxygen from the lungs to the rest of the body.
So when the embryo is developing, how does a cell turn on the right set of genes and create the right proteins?
Part of the answer seems to be location. Once the basic body plan is established, with a head on one end, back and front, and left and right sides, cells seem to know exactly where they are and what they are supposed to become. This is because cells talk to each other in the form of chemical messages.
Chemicals in one cell can trigger a reaction in the cell next door that can spread to the cell's nucleus and turn genes on or off. But what's really going on in there? How does a gene get turned on?
If all the DNA in a single cell were stretched out, it would be about six feet long. But it's all wound up very tightly, coiled around balls of protein. For a gene to be turned on, something has to come in and loosen up the right section. Then the cell's machinery can latch on and read the DNA, the first step on the long road to building a protein. Those molecules that can turn genes on play a key role in every aspect of development, including the process that transforms the embryo into a boy or a girl.
SERGIO IRUEGAS: We didn't want to know. We wanted to do it, I guess, the old fashioned way.
MELINDA TATE IRUEGAS: Well, you kind of wanted to know. We did a wedding ring test, where you took a piece of your hair and the wedding band and you hold it over the belly and if it moves one way in a circle, then it's a girl; if it moves in a straight line it's a boy. And that said it was a girl.
And there was a point when we went into the ultrasound where I was waffling. It was like, "Well, we could look. At this very moment we could look and we could find out." And I didn't say anything.
SERGIO IRUEGAS: See...but...I was trying to be strong because she was very adamant about not...
MELINDA TATE IRUEGAS: I said, "No, no, no."
NARRATOR: By the time most ultrasounds are done, around 18 weeks or so, doctors can sometimes make out the sex. But in the early weeks it's impossible.
Take a look at a seven-week-old embryo. Try to guess what sex it is. Think it's a boy? Believe it or not, this is not a penis, at least not yet. It might become one, but it could just as easily turn into a clitoris, the female sex organ. At this stage boys and girls look exactly alike.
And not just on the outside. Inside, there are two gonads which could become testicles or ovaries. And there are two sets of tubes, one in case it's a boy, the other for a girl.
Of course there is one way to tell the difference: look at the chromosomes in a cell from the embryo. One pair among the 23 determines sex. An embryo with two X chromosomes usually becomes a girl. If one of those Xs is a Y, it will most likely be a boy.
Recently, scientists came up with a good idea of how this works. There are only about 30 genes on the Y chromosome. One of them is called SRY. This gene seems to function just once in a lifetime, late in the sixth week of embryonic development. And only in one place, the gonad.
SRY turns on for a day or two, and the cells churn out its protein. But in that short time, SRY sets off a chemical chain reaction, turning on other genes, eventually turning the gonads into testicles, which begin to make testosterone. Testosterone travels throughout the body. If it reaches the genitals then the cells here will build a penis.
But if there are two X chromosomes and no Y, different genes get turned on and the gonads become ovaries. The embryo becomes a baby girl.
This is the power of genes, creating cascades of chemical reactions, defining the form and function of all the cells in your body.
Sometimes genes send the message to multiply and grow, as with the arm and leg buds. Sometimes the message is to die, as it is a few days later, to the cells between the fingers. As the weeks pass, the embryo's genes send billions of individual messages, constructing new kinds of cells and building organs and limbs.
Two months after fertilization, the embryo is now called a fetus. Almost all its organs are in place though they're not working yet. The whole fetus is just over an inch long and weighs less than a third of an ounce.
Over the next six and half months, it will grow almost four hundred times larger and prepare for birth. All of this demands a constant supply of nutrients.
MELINDA TATE IRUEGAS: Serge was a little frustrated 'cause he thought he was going to be able to go out and get me whatever I craved and whatever I wanted. And I had the problem of I didn't want anything or crave anything until I smelled it. And I had to smell my food before I would eat it. I could cook a whole meal, and if it didn't smell right when I was done with it, you know, just because I put the wrong spice in there or something, then I couldn't eat it.
SERGIO IRUEGAS: Well, what about this place here? Let's check out the menu.
MELINDA TATE IRUEGAS: No.
SERGIO IRUEGAS: No?
MELINDA TATE IRUEGAS: No.
SERGIO IRUEGAS: We would go out on walks sometimes, just around in the Square.
MELINDA TATE IRUEGAS: No.
SERGIO IRUEGAS: No?
MELINDA TATE IRUEGAS: That's not going to work.
SERGIO IRUEGAS: She would have to smell it first. Just see what caught her fancy at that time.
MELINDA TATE IRUEGAS: Yeah.
SERGIO IRUEGAS: Yeah?
MELINDA TATE IRUEGAS: Yeah.
SERGIO IRUEGAS: As soon as it did, then that's where we would go.
MELINDA TATE IRUEGAS: And that lasted throughout my entire pregnancy.
SERGIO IRUEGAS: How is it?
MELINDA TATE IRUEGAS: Garlicky. Yum.
SERGIO IRUEGAS: Baby likes it?
MELINDA TATE IRUEGAS: Yeah. I'm pretty hungry. I'm still like that. I still really want to smell my food, and if I smell something and I'm just like, "Oh, I have to have that and I have to have it now."
NARRATOR: It's no surprise that Melinda might be especially hungry. The fetus she's carrying has only one source for all the raw materials it needs to grow into a baby: Melinda's blood, which is systematically raided with the help of the placenta.
The placenta began to form as soon as the blastocyst burrowed into the mother's uterus, and in the early weeks it dwarfed the embryo. The underside of the placenta is covered with thousands of tiny projections, called "villi" which lie in pools of the mother's blood. Without ever mixing the blood of mother and child, the villi grab oxygen and nutrients. The enriched blood flows about a foot and a half through the umbilical cord, back to the fetus, whose heart beats about twice as fast as an adult's.
The heart is one of the few organs that actually work during the earliest weeks of development. But with other organs, function comes later. With the eye, although the retina and lens are well-formed by the ninth week, the fetus doesn't respond to light until the fifth or sixth month.
And the same for the ear. The outer ear quickly takes shape, but the fetus can't hear yet. Sound conduction relies on the tiny bones of the inner ear, and most of the bones in the fetus start out as cartilage. By the fourth month, hard bone can be seen forming in the hand and the leg. Finally, after five months, the process is complete in the inner ear. And then, the fetus begins to hear sound.
SERGIO IRUEGAS: I would sing songs, right on her belly, just so that it could hear my voice and get to know my voice. But there was...
MELINDA TATE IRUEGAS: And what else? And make whale noises.
SERGIO IRUEGAS: Yeah. One of the first times I did that the baby seemed to move its hand across her belly and kind of touch my lips. Or at least I like to think it was a hand, saying hello or something.
MELINDA TATE IRUEGAS: And I even play music. You know, I wanted to see what would happen to what different kinds of music. And, you know, Mozart, you know...was mellow...kind of made some movements. And then I put salsa music in and it just started kicking, almost in rhythm. So it was great.
SERGIO IRUEGAS: It had a particular beat that it likes.
MELINDA TATE IRUEGAS: Yes.
NARRATOR: Inside Melinda's belly, a remarkable transformation has taken place, starting with the moment egg and sperm met. Inside the womb, the first few weeks are the most dramatic. Later in pregnancy, when the mother's body seems to be changing the most, life in the womb can appear, well, a bit uneventful.
All the organ systems are in place, so during the last trimester the fetus's main job is to grow. But a few crucial events are unfolding beneath the skin. Fat deposits are forming, building reserves the baby will rely on after birth. But even more importantly, fat is getting laid down in the brain.
In the sixth month, genes in the brain order the manufacture of a fatty substance called "myelin," which wraps around the long connections between brain cells. This fatty covering allows nerve impulses to travel up to 100 times faster, greatly enhancing brainpower. The process will continue for years after the baby is born.
The brain's hunger for fat in the last trimester puts an enormous strain on the mother. Over the course of the pregnancy, her body has increased its own blood supply by about 50 percent, all for the sake of the rapidly growing baby. But late in pregnancy, the baby's need for fat becomes so great the mother can't keep up. If it stays inside, the baby will begin to starve. Somehow, it's got to get out.
MELINDA TATE IRUEGAS: I've only had, like, one anxiety attack. And it was the moment I was in the bathroom and I just had the thought of, like, "How's this baby going to get out? I just don't think he's going to make it out." And I hadn't really thought about it up until that very moment, where I was just like, "No."
SERGIO IRUEGAS: I love you.
NARRATOR: Giving birth is one of the most amazing experiences a woman can have. It can also be one of the most painful.
SERGIO IRUEGAS: It's starting to go down.
SHIRLEY TATE (Melinda Tate Iruegas's mother) : Remember? Think about being in that garden.
NARRATOR: Again and again the uterus contracts as the cervix opens up. The tiny passageway that once allowed the entrance of a single file of sperm now must widen to about four inches to accommodate a baby's head.
Human births are far more dangerous than those of other mammals or even other primates. The human brain is three to four times bigger than an ape's brain. And the pelvis is narrower to allow us to walk upright. A human baby has to go through considerable contortions to make it through the narrow opening. Sometimes, there simply is not enough room.
If that happens today, Melinda's baby can be delivered by caesarian section. But not long ago, before the rise of modern surgery, death was a common outcome for the baby and the mother.
SERGIO IRUEGAS: I can't help but feel a little guilty that I'm responsible for this, but it's part of the natural cycle of life. And I just want to be there in any way that I can to support her through this whole process.
NARRATOR: Because of the pain and danger of human labor, we regularly give birth in the presence of others. Today, at 4:25 a.m., Melinda's parents, along with Sergio, will have the privilege of witnessing firsthand this extraordinary event—life's greatest miracle.
NURSE: Grab it again. All right. That's it. One more time...push it right down for more...oh good, good, good.
ED TATE (Melinda Tate Iruegas's father) : A life! A new life! Look at that little baby!
SHIRLEY TATE: Oh, a little penis! It's a boy!
SERGIO IRUEGAS: Look at our little boy.
MELINDA TATE IRUEGAS: Hi. I was wondering who you were. You're so handsome.
SERGIO IRUEGAS: We've been wondering who you were. We've been playing with you.
MELINDA TATE IRUEGAS: Hi. Oh, there you go.
SERGIO IRUEGAS: I love that little yawn.
MELINDA TATE IRUEGAS: Wake up.
Life's Greatest Miracle Medical Photography Lennart Nilsson Narrated by John Lithgow Written by Julia Cort Director of Photography Sven Nykvist Produced for NOVA by Julia Cort Edited by Dick Bartlett Music Ray Loring Animation rhed studio Additional Animation/Embryonic Imaging Bradley Smith Production Assistants Jennifer Callahan
Christian Rodriguez Photography Brian Dowley
Rolf Lindstrí¶m Sound Recordists John Cameron
Erik Reisner Online Editor Will Hearn Colorist Gary Chuntz Sound Mix John Jenkins Scientific Advisors Lars Hamberger
í ke Seiger
Meredith Small Archival Material Cells Alive!
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Getty Images/The Image Bank
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Wild Visuals Special Thanks Danderyd Hospital
Huddinge University Hospital
Sahlgrenska University Hospital
University of Lund
Uppsala University Hospital
Eastman Kodak Company
Harvard-Vanguard Medical Associates
Clarissa A. Henry
Mt. Auburn Hospital
Picante Mexican Grill
University Lutheran Church For Erikson & Nilsson Productions: Production Supervisor Lars Rengfelt Drama Director Mikael Agaton Assistants to Lennart Nilsson Jan-í ke Andersson
Abdalla Saleh Location Manager Anika Beclijevski Actors Lea Boysen
Henrik Dahl Special Advisor Catharina Nilsson Controller/Project Manager Madeleine Von Rohr Assistant Producer/Editor Lars Wiberg Executive Producer/Writer Bo G Erikson For NOVA: NOVA Series Graphics National Ministry of Design NOVA Theme Mason Daring
Michael Whalen Post Production Online Editor Mark Steele Closed Captioning The Caption Center Production Secretaries Queene Coyne
Linda Callahan Publicity Jonathan Renes
Katie Kemple Senior Researcher Ethan Herberman Unit Managers Sarah Goldman
Sharon Winsett Paralegal Nancy Marshall Legal Counsel Susan Rosen Shishko Business Manager Laurie Cahalane Post Production Assistant Patrick Carey Associate Producer, Post Production Nathan Gunner Post Production Supervisor Regina O'Toole Post Production Editors David Eells
Rebecca Nieto Supervising Producer Lisa D'Angelo Senior Science Editor Evan Hadingham Senior Series Producer Melanie Wallace Managing Director Alan Ritsko Executive Producer Paula S. Apsell
A NOVA Production by ERIKSON & NILSSON PRODUCTION in association with WGBH/Boston and ZDF Germany, ARTE France and Germany, RAI 3 Italy, NHK Japan, BBC OPEN UNIVERSITY England, SVT1 Sweden, NRK Norway, DR TV Denmark, YLE1 Finland, RUV Iceland
Â© 2001 WGBH Educational Foundation