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The arrow indicates where Federico Borrell García was standing when he was shot;
the X indicates where Capa was hugging the side of the gully.
There can be no further doubt that The Falling Soldier is a photograph of Federico Borrell García at the
moment of his death during the battle at Cerro Muriano on September 5, 1936. May the slanderous controversy
that has plagued Robert Capa’s reputation for more than twenty-five years now, at last, come to an
end with a verdict decisively in favor of Capa’s integrity. It is time to let both Capa and Borrell rest in peace,
and to acclaim The Falling Soldier once again as an unquestioned masterpiece of photojournalism and as perhaps
the greatest war photograph ever made.
The definitive biography of Robert Capa by Richard Whelan is available in paperback from the University of Nebraska Press.
Borkenau, Franz. The Spanish Cockpit.London: Faber & Faber, 1937.
Brotóns Jordá, Mario. Retazos de una época de inquietudes,second edition. Alcoy: self-published, 1995.
Capa, Cornell, and Richard Whelan, eds. Robert Capa: Photographs.New York: Aperture, 1996.
Heart of Spain: Robert Capa’s Photographs of the Spanish Civil War.Catalogue ofan exhibition organized by
the Museo Nacional Centro de Arte Reina Sofia, Madrid; with essays by Catherine Coleman, Juan P.
Fusi Aizpúrua, and Richard Whelan. New York: Aperture, 1999.
Knightley, Philip. The First Casualty: From the Crimea to Vietnam; The War Correspondent as Hero,
Propagandist, and Myth Maker.New York: Harcourt, Brace, 1975.
Levinski, Jorge. The Camera at War: A History of War Photography from 1848 to the Present Day. New York:
Simon & Schuster, 1978.
Whelan, Richard. Robert Capa: A Biography. New York: Alfred A. Knopf, 1985; London: Faber & Faber,
1985. Paperback edition published 1994 by University of Nebraska Press, 1994, and still in print.