Bob Dylan Opens Archives For The Film, Which Features Previously Unreleased Footage From Dylan’s Groundbreaking Live Concerts, Studio Recording Sessions, Outtakes, And Interviews.
James Byron Dean was an American actor from Indiana. He is remembered as a cultural icon of teenage disillusionment and social estrangement, as expressed in the title of his most celebrated film, Rebel Without a Cause (1955), in which he starred as troubled teenager Jim Stark.
Among the celebrated pantheon of Hollywood royalty, few are as well-respected and universally adored as Gregory Peck. For more than fifty years, he was a major presence in the theater, on television, and most importantly, on the big screen. For many, Peck was a symbol of the American man at his best – a pillar of moral courage and a constant defender of traditional values.
For more than thirty years, Lucille Ball was one of the most recognized and loved entertainers in the world. Known to all simply as Lucy, she portrayed a scatterbrained housewife with the ability to turn simple chores into unparalleled fiascoes.
With Hitchcock’s career just beginning and Selznick’s on the decline, the final year of their collaboration would mark turning points in both men’s lives.
In less than ten years he would be turning these experiences into some of the most popular detective stories of his time. Unlike the intellectualized mysteries of earlier detective novels, Hammett’s less-than-glamorous realism transformed the genre into a serious response to the urban culture of the times.
Isamu Noguchi was a sculptor, designer, architect, and craftsman. Throughout his life he struggled to see, alter, and recreate his natural surroundings. His gardens and fountains were transformations meant to bring out the beauty their locations had always possessed.
There are few men who can justly claim to have revolutionized their discipline. R. Buckminster Fuller revolutionized many. “Bucky,” as he was known to most, was a designer, architect, poet, educator, engineer, philosopher, environmentalist, and, above all, humanitarian. Driven by the belief that humanity’s major problems were hunger and homelessness he dedicated his life to solving those problems
What do Jean Genet, Jimmy Durante, Brigitte Bardot, Georgia O’Keeffe, Jacques Cousteau, Andy Warhol, and Lena Horne have in common? They were a few of the many personalities caught on film by photographer Richard Avedon. For more than fifty years, Richard Avedon’s portraits have filled the pages of the country’s finest magazines.
Lillian Gish called him “the father of film” and Charlie Chaplin called him “the teacher of us all.” At the pinnacle of his worldwide prominence, D.W. Griffith screened his films for the urban working-class as well as for presidents at the White House. Griffith’s films became part of history in the making—unleashing the power of movies as a catalyst for social change.
In 1940, a young painter named Robert Motherwell came to New York City and joined a group of artists — including Jackson Pollock, Willem de Kooning, Mark Rothko and Franz Kline — who set out to change the face of American painting. These painters renounced the prevalent American style, believing its realism depicted only the surface of American life.
Some of the cleverest, funniest, and most romantic songs ever written came from the pen of Cole Porter. He was unmatched as a tunesmith, and his Broadway musicals — from “Kiss Me Kate” and “Anything Goes” to “Silk Stockings” and “Can Can” — set the standards of style and wit to which today’s composers and lyricists aspire.
Throughout his career, Czechoslovakian-born filmmaker Milos Forman has combined a unique sensitivity to American themes with the best of European cinematic sensibilities. His films include such successful American releases as ONE FLEW OVER THE CUCKOO’S NEST (1975), HAIR (1979), RAGTIME (1981), and AMADEUS (1983).