{"version":"1.0","provider_name":"American Masters","provider_url":"https:\/\/www.pbs.org\/wnet\/americanmasters","author_name":"Kait Hoehne","author_url":"https:\/\/www.pbs.org\/wnet\/americanmasters\/author\/hoehnek\/","title":"Why Linklater's \"Waking Life\" was a groundbreaking film | American Masters | PBS","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"9KCMeY7aOW\"><a href=\"https:\/\/www.pbs.org\/wnet\/americanmasters\/linklaters-waking-life-groundbreaking-film-2\/9006\/\">Why Linklater&#8217;s &#8220;Waking Life&#8221; was a groundbreaking film<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/www.pbs.org\/wnet\/americanmasters\/linklaters-waking-life-groundbreaking-film-2\/9006\/embed\/#?secret=9KCMeY7aOW\" width=\"600\" height=\"338\" title=\"&#8220;Why Linklater&#8217;s &#8220;Waking Life&#8221; was a groundbreaking film&#8221; &#8212; American Masters\" data-secret=\"9KCMeY7aOW\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/www.pbs.org\/wnet\/americanmasters\/wp-includes\/js\/wp-embed.min.js\n\/* ]]> *\/\n<\/script>\n","thumbnail_url":"https:\/\/www.pbs.org\/wnet\/americanmasters\/files\/2017\/08\/AM_Linklater_Excerpt_7_COVE_Pkgd.jpg","thumbnail_width":3329,"thumbnail_height":1872,"description":"Waking Life introduced an entirely new, low-budget way for Richard Linklater to make his films. Editor Sandra Adair and Kent Jones (Film Society of Lincoln Center) talk about how Linklater used DV cameras and animation to remain truly independent."}