Portraits of Immigrants

Meet an artist who set out to change America’s perception of immigration through a series of portraits that portray the many faces of America. Artist Betsy Ashton’s “Portraits of Immigrants: Unknown Faces, Untold Stories” exhibition is on display by appointment on weekdays through June 14, 2018 at Diego Salazar’s Gallery in Long Island City, Queens. Contact betsy@ashtonportraits.com to schedule a visit and get directions. The exhibition will return with many more portraits and stories next January 2019, at Saint Thomas Church Fifth Avenue in Manhattan.

TRANSCRIPT

>> A MELTING OF POT OF CULTURAL

EXCHANGES ABPLACE WHERE IDEAS

AND FREEDOM SPOS PROSPER IN

AMERICA.

BUT SINCE THE PRESIDENTIAL

ELECTION THERE'S BEEN A PALPABLE

SHIFT IN PUBLIC OPINION THAT'S

GIVEN RISE TO INTOLERANCE AND

XENOPHOBIA ACROSS THE COUNTRY.

ONE ARTIST IS HOPING TO

CHALLENGE THE MISCONCEPTIONS AND

RESHAPE PERCEPTION OF WHAT IT

MEANS TO BE AMERICAN.

AS PART OF THE ONGOING

INITIATIVE CHASING THE TREEM

WHICH TACKLES POVERTY APPEAR

OPPORTUNITY IN AMERICA WE

INTRODUCE YOU TO ARTIST BETSY

ASHTON BRINGING TO US PORTRAITS

OF IMMIGRANTS, A COLLECTION OF

ART INSPIRED BY OUR NATION.

BETSY WELCOME TO THE PROGRAM.

>> MY PLEASURE TO BE HERE JENNA.

THANK YOU.

>> SO FIRST OF ALL WHAT DREW YOU

TO THIS?

BECAUSE WHAT I WAS SO INTRIGUED

BY AS I SAID IN THE INTROIS WHAT

IT MEANS TO BE AN AMERICAN.

>> WELL, IT'S WHAT HAPPENED WAS,

YOU KNOW, I ASPEN THE LAST 11

YEARS ON MY SECOND CAREER DOING

PORTRAITS OF THE RICH AND

ACCOMPLISHED AND IT WAS FUN.

I ENJOYED IT.

>> WE'RE USED TO SEEING POR

TRAITS OF THEM.

>> I LOVE PUSHING PAINT AND ALL

THAT.

BUT THEN THE ELECTION.

>> UM-HUM.

>> AND HERE I LIVE IN NEW YORK

CITY WHICH HAS THE GREATEST

NUMBER OF FOREIGN BORN PEOPLE OF

ANY CITY ON THE PLANET.

I'M HEARING ALL OF IN STUFF

COMING OUT ABOUT RAPIST AND

MURDERS.

AND IMMIGRANTS.

I'M SAYING THAT'S NOT ANYTHING

LIKE THE STORY.

BECAUSE I PROBABLY SEE HUNDREDS

OF IMMIGRANTS A DAY.

I LOVE AMONG THEM.

I WORK AMONG THEM.

AND I INTERACT WITH THEM.

AND THAT'S NOT THE STORY.

THE PEOPLE THAT I SEE ARE

CONTRIBUTING TO SOCIETY.

AND THIS IS JUST TRUE.

I LIVE HERE.

I SEE THEM.

AND IF THERE IS A LITTLE BIT

THAT'S PROBLEMATIC IT'S KIND OF

LIKE THAT FIT ON MY FINGERNAIL

THAT'S GOING TO BE TAKEN OFF.

BUT THE REST OF ME IS THE STORY.

AND SO I JUST DECIDED -- I WAS

ALSO SITTING IN CHURCH I MUST

SAY.

>> OH.

>> YOU KNOW THE BISHOP THAT GAVE

THE ROYAL SERMON AT THE WEDDING.

WELL I'M EPISCOPAL YAN I SIT

HEARING ABOUT GOD IS LOVE, LOVE

THY NEIGHBOR.

AND MY JOURNALISM BACKGROUND

WELLED UP AND I WAS TAUGHT TO

SEEK TRUTH AS I THINK MOST STILL

TODAY ARE.

AND I SAID, YOU KNOW I'VE GOT TO

DO THE STORY AS I SEE IT AND GO

OUT.

I'M GOING TO PAINT AND INTERVIEW

THE IMMIGRANTS BEGINNING WITH

THE PEOPLE THAT I KNOW.

>> OKAY.

>> AND SEE.

WHEN YOU'RE DOING THE PORTRAITS,

I'M WORNING WHAT IS IT YOU TRY

TO CAPTURE TO CONVEY?

BECAUSE ONE OF THE THINGS I

HEARD A LOT OF PEOPLE SAY IS

THAT PART OF THE PROBLEM IS THAT

SO MANY PEOPLE DON'T HAVE THAT

KIND OF INTIMATE RELATIONSHIP

WHERE THEY KNOW PEOPLE WHO ARE

FOREIGN-BORN IMMIGRANTS IN THE

COUNTRY.

AND SO IT'S EASIER TO BE AFRAID

OF WHAT YOU DON'T KNOW.

WHAT IS IT YOU'RE TRYING TO

CAPTURE WITH THE PORTRAITS.

>> I'M DOING PORTRAITS THAT ARE

LIFE SIZE AND THAT YOU'RE

LOOKING AT THEM SO PEOPLE CAN

WALK INTO THE GALLERY AND

COMMUNICATE.

AND SEE THE SPIRIT, YOU KNOW, I

REALLY GO FOR THE SPIRIT AND

CHARACTER AND SOUL OF A PERSON

WHEN I PAINT THEM.

FIRST OF ALL I DO A BIG

INTERVIEW.

TALK TO THEM AS LONG AS IT TAKES

TO GET THE BASIC STORY ABOUT

THEM.

AND I'M SKETCHING AT THE SAME

TIME.

I DO LIVE SKETCHE.

THEN I DO A BIG PHOTO SHOOT AND

TAKE HUNDREDS OF PHOTOS AND GO

BACK AND LOOK AT THE GESTURES

AND THINGS THAT REALLY SEEM TO

BRING OUT THAT PERSON'S

CHARACTER.

AND MY WHOLE POINT OF IN IS I'M

TRYING TO DO PEOPLE FROM

DIFFERENT COUNTRIES AND

CULTURES.

>> UM-HUM.

>> IT'S A MIX OF PEOPLE AND SOME

HAVE BEEN HERE TEN YEARS, 10

YEARS, 20 YEARS.

SOME JUST ARRIVED.

YOU GET A FEEL FOR WHO TODAY'S

IMMIGRANTS REALLY ARE.

THESE ARE THE PEOPLE.

THIS IS WHY THEY CAME HERE.

THIS IS WHAT GETTING HERE WAS

LIKE AND THE SETTLING IN WAS

LIKE WHICH IN SOME CASE WAS ARE

VERY DIFFICULT.

AND WHAT THEY HAVE DONE SINCE

AND WHO THEY ARE AND WHAT THEY

ARE CONTRIBUTING.

WHAT THEIR STRUGGLES, LOVES AND

BELIEVES.

AND I HAVE TO TELL YOU, THE

STORIES THAT I'M GETTING ARE AS

GOOD AS THE ONES THAT WE

CELEBRATE FROM YEARS PAST.

>> COULD YOU SEE IT MORE AS

POLITICAL STATEMENT OR IS THIS

MORE ABOUT THE ARTWORK OF THE

PORTRAITS?

WHICH -- DOES ONE WEIGH MORE

THAN THE OTHER FOR YOU.

>> WE'RE KIND OF SMUSHING ALL IT

ALTOGETHER.

BUT IT'S NOT INTENDED TO BE

POLITICAL.

I DIDN'T THINK THE STORY OF

GRIMES IN AMERICA WAS A TERRIBLY

POLITICAL STORY.

I SUPPOSE IT'S -- TLF ALWAYS

BEEN CASES WHERE IMMIGRANTS HAVE

BEEN NOT WELCOMED.

THE IRISH DIDN'T USE TO BE

WANTED.

AND THE ITALIANS AND WHATEVER.

>> YEAH.

>> TODAY I THINK AMERICANS WHO

DON'T LIVE AMONG IMMIGRANTS AS I

DO WOULD BE SURPRISED TO FIND

OUT THAT THEY ARE IN MANY WAYS

AS AMERICAN AS THEY ARE.

THAT THEY HAVE THE SAME HOPES,

SOME OF ENEMY CAME HERE FOR MORE

ECONOMIC OPPORTUNITY BECAUSE THE

COUNTRIES THEY CAME FROM DON'T

HAVE IT.

SOME CAME TO HELP CHILDREN HAVE

MORE OPPORTUNITY.

SOME ACTUALLY WERE REFUGEES

FLEEING TERRIBLE STRIVE.

AND ECONOMIC COLLAPSE IN OTHER

PLACES.

AND SO THEY WILL FIND THAT I

THINK TODAY'S IMMIGRANTS ARE THE

SAME AS FWRINTS HAVE ALWAYS

BEEN.

>> LISTEN, BETSY THANK YOU SO

MUCH FOR THE SHOW.

>> THANK YOU FOR HELPING ME TO

BRING IT BEFORE THE PUBLIC.

>> ABSOLUTELY.

IF YOU'D LIKE TO CHECK OUT POR

TRAITS OF IMMIGRANTS PLEASE

VISIT METROFOCUS.ORG FOR MORE

DETAILS.

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